Bellevue: Inside Out directed by Maryann Deleo and City of the Sick directed by (unknown) both display the “realities” within a mental health institution (one more than the other). However, one of the documentaries display less of the realities in such way that it seems more of an advertisement rather than an informational video. The other documentary, on the other hand, explicitly shows the patients and their struggles within the mental health institution. However, both documentaries may provide a different implication, they both provide similar information on the patients and the role of the staff within the institutions; in addition, the time periods for each documentary are different.
City of the Sick revealed less of the nature of the
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The documentary only showed the efforts of the staff and how the majority of the patients returned to the facility. However, some patients actually were cured. Some of the patients were drugged up and locked into solitary within the Bellevue facility, which only made them worse. Nellie Bly went undercover Blackwell Island, which she called the “human rat trap.” The location was mostly a warehouse, they did not provide much care. The City of the Sick documentary does not correlate with Nellie Bly’s experience, it actually attempts to advertise the greatness of the facility and how it cure half of the 175,000 individuals who enter. Whitaker believed that the mental institutions in America were founded to cure but in reality protect society from the insane. Whitaker mostly correlates with Bellevue because the facility did not want to release individuals unless they were safe enough to roam the same streets as “normal” citizens do. City of the Sick says that half of their patients are cured, in theory, means that those patients might still be “sick” and like Whitaker implies “contaminate” the general
During the mid-1900`s, mental illnesses were rarely discussed in mainstream media due to negative stigma surrounding mental illnesses. As a result, characters in film rarely had mental disorders because of the directors` worries of audiences` reactions to how the illnesses were portrayed. Director, Edward Dmytryk, however, attempted to diminish the stigma through his film Raintree County (1957) with Susanna Drake Shawnessy`s mental instability. Elizabeth Taylor`s portrayal of Susanna, however, heightened the stigma surrounding mental illness as Susanna constantly acted immature and childlike.
The first hospital was built in a quiet farming town later named Kings Park. In 1885, officials of what was then the city of Brooklyn established the Kings County Farm on more than 800 acres to care for the mentally ill. Kings Park was only a small part of what would later become a giant chain of connected mental hospitals on Long Island, each with over 2,500 patients at one time.(Bleyer,2)
As medical advances are being made, it makes the treating of diseases easier and easier. Mental hospitals have changed the way the treat a patient’s illness considerably compared to the hospital described in One Flew Over the Cuckoo’s Nest.
This paper will explore a video Case Study of Gerald who is diagnosed with Schizophrenia; in this film viewers are exposed to the reality of what it is like to live with this debilitating illness, and will explore different therapeutic ways to interact and help a patient like Gerald.
The film gives a historical overview of how the mentally ill have been treated throughout history and chronicles the advancements and missteps the medical community has made along the way. Whittaker recounts the history of psychiatric treatment in America until 1950, he then moves on to describe the use of antipsychotic drugs to treat schizophrenia. He critically summarizes that it is doctors, rather than the patients, who have always calculated the evaluation of the merits of medical treatment, as the “mad” continue to be dismissed as unreliable witnesses. When in fact it is the patient being treated, and their subjective experience, that should be foremost in the evaluation. The film backs up this analysis with interviews of people, living viable lives in the town of Geel, Belgium. I would recommend this film to anyone interested in the history of medicine and specifically to those examining mental illness. It provides a balanced recounting of historical approaches to mental illness, along with success stories of the people of Geel, Belgium. And although I had to look away during the viewing of a lobotomy procedure, I give credit to the power of the visual impact the footage
Movies and shows like, “Girl Interrupted” and “American Horror Story: Insane Asylum” portray hospitals in a way that has truth to it, however they portray the people in a negative way. It has become more known to society that the hospitals that the mentally ill are subjected to living in are not a good place to be. However, the stigma that mentally ill people are dangerous and cannot overcome their illness is still widely
The new asylums. Dir. Miri Navasky. Perf. Sigmon Clark, Fred Cohen. WGBH Educational Foundation: 2005. Film.
We all have our own perception of psychiatric hospitals. Some people may see them as a terrifying experience, and others may see them as a way to help people who cannot keep their disorders under control. David Rosenhan's perception led him to a variety of questions. How could psychiatric hospitals know if a patient was insane or not? What is like to be a patient there? According to Rosenhans study, psychiatric hospitals have no way of truly knowing what patients are insane or not; they quickly jump to labeling and depersonalizing their patients instead of spending time with them to observe their personality.
The BBC documentary, Mental: A History of the Madhouse, delves into Britain’s mental asylums and explores not only the life of the patients in these asylums, but also explains some of the treatments used on such patients (from the early 1950s to the late 1990s). The attitudes held against mental illness and those afflicted by it during the time were those of good intentions, although the vast majority of treatments and aid being carried out against the patients were anything but “good”. In 1948, mental health began to be included in the NHS (National Health Service) as an actual medical condition, this helped to bring mental disabilities under the umbrella of equality with all other medical conditions; however, asylums not only housed people
It tells the story of a person, family and community in which individuals suffer from mental disorders much the same way as people do in the real world. Not only did I find this movie quite accurate concerning mental illness but I also established some important messages concerning mental illness in today’s society. The film takes into account that mental illness is a part of society and overall has a positive outlook on it. Their illnesses don 't define their identities nor are they even the main point of the story. In coming together, the characters find the mutual support that enables them to approach their struggles and redirect their lives in a more positive direction. To some degree, this film addresses stigma and the fact that persons with mental illness should be allowed to participate in society over being kept in a hospital, in other words, it gives
Weekends at Bellevue enlightens the readers of a very dynamic and instance field within psychiatry that many people are not aware of. Many people who envision psychiatry perceive the traditional psychotherapy by sitting on the couch and talking about the diagnosis. This book reveals the reality of what is looks like to work within a hospital as a physiatrist doing risk assessments. This book dives into depth with many of the common issues physiatrists come into contact with.
Most people gather what they know about mental illnesses from television and film. Unfortunately these media portrayals are inaccurate and create stigma. They depict people suffering from mental illnesses as different, dangerous and laughable. Characters are often addicted to drugs or alcohol, are violent, dangerous, or out of control. Horror film characters like Norman Bates in Psycho, Jack Torrance in the Shining, or Hannibal Lecter in Silence of the Lambs associate the typical 'psycho- killer' with people who suffer from a mental illness. But dramas and horror films are not the only film genres that create stigma. Comedies like What About Bob and many others not only stigmatize, they also make fun of mental illnesses and the people who suffer from them. This paper will discuss how the film Me, Myself & Irene is an inaccurate, offensive and stigmatizing portrayal of an individual suffering from schizophrenia. It also discusses what can be done to counteract the stigma created by these types of films.
Shutter Island, directed by Martin Scorsese and starring Leonardo DiCaprio, is a frightening film full of twists and turns that presents a highly dramatized depiction of mental health and psychiatric treatment. It fulfills a checklist of the classic elements of Hollywood’s psychological horror genre: foreboding asylums, psychiatric experimentation, dangerous mental afflictions, multiple personalities, intense hallucinations, and even lobotomy. The media’s portrayal of psychiatric disorders and treatment is an important contributor to the continued stigmatization of mental illness in our society. This paper will analyze which aspects of Shutter Island portray
Girl Interrupted is a film about a young woman, Susanna Kaysen, who voluntarily enters a psychiatric facility in Massachusetts. The purpose of this paper is to analyze a portrayal of psychiatric care in the 1960’s. The film is based on the memoirs of Susanna Kaysen and her experiences during an 18 month stay at a mental institution. During her visit, Susanna is diagnosed with borderline personality disorder. The film depicts psychiatric care, diagnoses, and treatments from a different era.
Nurse Ratched has such a control on the ward that she has gotten he patients to believe that their conditions are a lot worse than they actually are. The patient’s ultimate goal is to leave the hospital mentally stable and healthy, being told that their conditions are worse than they were before only strikes a panic. McMurphy is desperate for an escape from the ward but he knows the only way out is through Nurse Ratched. He knows that she can keep him in the ward for as long as she pleases, and he worries that will be a very long time. “Doctor—do I look like a sane man?” (Page 30). McMurphy has been set up to believe that he is extremely mentally unstable. This forces him to seek confirmation in his doctor. McMurphy does not let it show, but he deeply fears that is mental state will deteriorate during his time in the ward. Asking the doctor whether he thinks that he looks sane is McMurphy’s way of admitting that he is desperate for a release from the hospital and from Nurse Ratched’s controlling ways. “You seem to forget, Miss Flinn, that this is an institution for the insane."(Page 19). The way in which Nurse Ratched addresses the mental institution resembles her dehumanization of the patients in the ward. Nurse Ratched speaks of the mentally ill as if they should be ashamed and punished for something they have no control over. The nurse inflicts pain onto those whom are mentally ill as a way of treatment. McMurphy, who is originally the most mentally stable of the patients, is given pain treatments prescribed by Nurse Ratched. The treatment, in which Nurse Ratched gives McMurphy, is a punishment for not being in the right mental state. Because McMurphy’s mental state has not yet deteriorated tremendously, the pain treatment does nothing but make him internally fight with