Batman Criminal Justice

1132 Words3 Pages
bulb-icon

Recommended: Batman the dark knight analysis

>Issue One When we become part of the fictional world of comics, either through the mediums of comic books/graphic novels, movies or television, our first thoughts do not go to the injustices we see before us. Instead of “Hm, that criminal is not being given his proper rights due to him”, we think, “Holy shit, Superman just punched that guy through a building” and enjoy the thrill of the story. We don’t pay attention to the forms and importance of justice, or better yet the lack of traditional justice we have come to know and respect in our world. We see flashy heroes in colorful spandex race through the sky or on the land to the next big criminal act to halt it in its tracks and deliver them to law enforcement, wrapped in a bow. However,
These concepts also include dealing with the criminal justice system, ranging from criminals actually facing jail-time or heroes being viewed as dangerous vigilantes. For example, DC Comics’ Batman, the comics have him as a feared Boogeyman of the night respected by the police and given free reign in their city to fight crime and hand over the criminals after. In the Dark Knight Trilogy, where Batman is played by actor Christian Bale, he is a violent vigilante at odds with the law, fully understood by the police to be both a hindrance and help when catching criminals. Which version is more relatable to the real world, our world? The answer would be the movies, as in the real world vigilantism is against the law, no matter how helpful they are. Another example, also from DC, is Superman. In the comics, he is nicknamed the “Big Blue Boy Scout”, and is well-known for having incredible, godlike powers and only using them for good, following the laws and rules of the world and never taking it into his own hands (or at least never killing anyone). In the film Man of Steel, Superman is forced to break an almost cardinal character rule and kill General Zod, a fellow Kryptonian who was threatening the lives of innocents and had to be stopped. In the real world it would have been viewed as acceptable for the death of people viewed too dangerous to be allowed alive, and thus Zod’s death was allowed (even if it did break Superman’s traditional

Show More
Related

  • The Dark Knight: Brilliant Movie that Sets a New Standard in the Superhero Film Genre

    1013 Words  | 3 Pages

    “Some men aren’t looking for anything logical, like money. They can’t be bought, bullied, reasoned or negotiated with. Some men just wanna watch the world burn...”

    Read More

  • Mad TV: The Impact of Televised Violence on America

    1889 Words  | 4 Pages

    Everyone’s seen the classic cartoons. Wile E. Coyote chasing the Roadrunner around a bend, only the Roadrunner turns, but our comedic--and usually stupid--villain doesn’t. So, he falls from a height of what looks like about 500,000 feet, only to become a small puff of smoke at the bottom of the canyon. After all, if what happens to you when you fall from that height were to have happened to Mr. Coyote, that would have been a very short lived cartoon series. Maybe this example is an exaggeration, but the idea is the same: violence comes streaming into our homes every single day through our TVs not to be viewed, but to be devoured. It’s been proven that sex and violence sell. For those of us who can tell the difference between reality and fantasy, the effect of TV violence is miniscule. But for our children--who think when the Mighty Morphin’ Power Rangers come to the local shopping mall, that it’s the biggest event since Bert told Ernie he snores too loud--the violence seen on TV seems like a logical reaction to life’s problems. And that’s a problem within itself. The impact of televised violence on children is only a slice of the pie that is the problem with the endless stream of violent acts on TV.

    Read More

  • Understanding the Heroic Spectrum

    1781 Words  | 4 Pages

    Perceptions of the superhero and supervillain are mainly based on subjective definitions of each concept. These observations often lead to a definitive dichotomy that precisely splits characters into two impermeable divisions. However, this stringent separation is unable to account for the characters that are not at the extreme ends of their respective side. Neither is this rift capable of classifying characters that flirt with both sides of the superhero-supervillain dichotomy. Therefore it is imperative to analyze the established criteria for both superhero and supervillain to derive a more adequate explanation. Most superheroes are not easily characterized, but rather fall somewhere between Superman, the bastion of moral purity, and Doctor Doom, the display of indubitable corruption. This solicits genesis of an entirely new notion about the differences between superheroes and supervillains. A more precise idea is that superheroes and supervillains are lined on a spectrum that spans from pure good to pure evil. Disparities between superheroes and supervillains are not black and white, but rather these characters are on a spectrum that radically changes based on individual cases.

    Read More

  • Writing Techniques in Art Spiegelman's Maus and Kurt Vonnegut's Slaughterhouse Five

    1986 Words  | 4 Pages

    What images do these words bring to mind? For many people, they illicit scenes of Batman and his sidekick Robin, fighting their way through a legion of bad guys while arriving only seconds after their arch-villain has escaped. From these short, succinct, nonsense words, images of battles are painted over a much larger canvas; the delicate balance and constant struggle between good and evil is illustrated in black and white terms. Unlike comics or television, life does not fit within these binary opposites. In a war there are good guys, bad guys, and everything imaginable in-between. ZONK! POW! Did a bad guy get thrown into a pile of crates or did our hero get knocked out from behind? These simple words are not enough for us to distinguish the difference between good and bad or right and wrong. At the same time, no artist or writer or illustrator could ever hope to present a situation in its entirety. How would a sentence like, ‘the hero, who although he treats his wife in a derogatory manner, punched a bad guy to save a damsel in distress’ serve as a gauge of morals or justice? It is not the creator’s job to portray an entire event, but rather, to present the event in a way that the audience can understand and draw their own conclusions from.

    Read More

  • Vigilantes: Cleaning Out The Wound

    1959 Words  | 4 Pages

    Do you believe in vigilantism? Do you believe in criminals and outlaws being punished for their crimes in the name of justice? What if you knew someone who was so close to you, you would do whatever it took to find those responsible for the pain they caused and punish them in the name of justice. Would you walk down the path of a vigilante and help bring about an end to their tyranny? Vigilantism can be looked at as crime if you look at it in a negative way, or it can be looked at in a positive way. Many vigilantes help make the world a better place every day by doing away with the evil people in this world who kidnap, rape, murder, and loot people in the streets. Vigilantism is justified because the vigilantes help make the world a better place and help bring to justice the ones that the law cannot catch.

    Read More

  • Peopl Niccolo Machiavelli's Views Of Justice In Popular Culture

    1043 Words  | 3 Pages

    Can the way that justice is depicted in popular culture affect the views of those that consume it? Many people form their notions of justice based on the messages that get portrayed in the media. Justice is often depicted in a way that is ambiguous. It is up to the observer to interpret what they are presented with. The injustice that is shown may have the potential to threaten the way people understand justice in the real world. News outlets depict crime is a sensational way that cause people to develop a negative view of the world. They depict procedural justice as slow and often times inefficient. Popular culture becomes a medium for people to escape from the inadequacies of justice in their real lives. Although these shows are fictitious, they subconsciously affect people’s notions of justice. The Japanese manga and anime, DeathNote, is a form of popular culture that has influenced that way that

    Read More

  • The Thematic Paradigm by Robert Ray

    1361 Words  | 3 Pages

    In conclusion my expectations were met because we all want to be a certain hero in our everyday lives but sometimes don’t know which one is actually the better and more positive one. Strength, power, intelligence, and authority are the most important things the outlaw hero and official hero will bring even if they are above a certain rule or really beneath it. Outlaws are not always the bad guys, but are not always the good guys either. In this case Batman is the good guy disguised as the bad guy. Official heroes are always the good guys no matter the circumstance. Superman in this case is the good guy disguised as the actual good guy. Being above the law or against it, official heroes and outlaw heroes will always paint the picture that you can be strong, powerful, intelligent, and have the authority you deserve.

    Read More

  • Christopher Nolan’s Batman Trilogy

    1923 Words  | 4 Pages

    The Dark Knight Rises (2012) is a superhero epic of a scope hard to explain in a few short paragraphs. It is the third film in Christopher Nolan’s Batman trilogy. This film takes place over the course several months, primarily in the fictional Gotham City, an American city which had until recently been rife with crime and corruption which had made great progress in these areas due to the events in the previous films. The protagonist is Bruce Wayne (Christian Bale), the eponymous Dark Knight, who has retired his Batman alter ego after taking the fall for the crimes of Harvey Dent at the close of The Dark Knight.

    Read More

  • Compare And Contrast Marvel And Dc

    733 Words  | 2 Pages

    Every child in the United States has heard or read the Marvel and DC comics books. If you have not then you have probably have heard of their characters like the famous star spangled hero, Captain America, or the Dark Knight himself, Batman. Both Marvel and DC has influenced the children and adults of American in its darkest times. The great wars affected many by its poisonous grasps, and its victims sought comfort with the antidote provided by the marvelous illustrators and writers of comic books. Now their cinematic counterparts are here to inspire the 21st century. The Marvel and DC cinematic universes have similar content, they both have unique characteristics that set them apart.

    Read More

  • Analysis of the Super Hero Series Batman

    1529 Words  | 4 Pages

    The purpose of this paper is to provide the reader with an insight into the Super Hero Series Batman. This crime fighter originally appeared in Detective Comics issue #27 in 1939. It later became a comic book series, a TV series and a movie series. The character Batman is second only to Superman as a Super Hero. Amazingly Batman has no super powers, but he does have a lot of neat crime fighting gadgets. In this paper, we will explore the creation of Batman, his supporting cast of characters both good and bad and the gadgets he used.

    Read More

  • The History Of Criminal Justice

    1016 Words  | 3 Pages

    The definition of justice and the means by which it must be distributed differ depending on an individual’s background, culture, and own personal morals. As a country of many individualistic citizens, the United States has always tried its best to protect, but not coddle, its people in this area. Therefore, the criminal justice history of the United States is quite extensive and diverse; with each introduction of a new era, more modern technologies and ideals are incorporated into government, all with American citizens’ best interests in mind.

    Read More

  • Is Batman A Hero Or A Villain Analysis

    462 Words  | 1 Pages

    The terms "hero" and "villain" are as distinct as the terms "good" and "evil." They are mutually exclusive; the hero is courageous, popular, strong, morally, and willing to save the people at whatever cost, while the villain is despicable, hated, and heinous to his core. However, when we turn away from the archetypal world of comic books, this distinction is no longer as clear. When we look at real human beings we do not see a hero as a hero or a villain as a villain, but rather individuals composed of varying degrees of both extremes. No hero is perfect, and no villain is completely heinous. The most recent film adaptation of the DC Comic series Batman presents this truth of human nature. The Dark Knight Rises effectively communicates the

    Read More

  • Analyzing The Media's Perceptions Of Forensic Psychology

    1524 Words  | 4 Pages

    Media portrayal of crime and criminal justice has become incredibly widespread in the last decade, with crime often considered both a source of news and entertainment. As a source of entertainment, crime and criminal justice have emerged as central themes across various sources of media. Most individuals do not have any direct experience with the criminal justice system, so their only source of information on this topic is the media. Particularly in television shows, portrayals of crime and criminal justice can be seen in everything from courtroom dramas to nightly news programs. Indeed, the popularity of crime shows has lead to some of television’s most enduring series, such as Law and Order and CSI. Because of this, fictional

    Read More

  • Does The Punishment Fit The Crime?

    864 Words  | 2 Pages

    Punishing the unlawful, undesirable and deviant members of society is an aspect of criminal justice that has experienced a variety of transformations throughout history. Although the concept of retribution has remained a constant (the idea that the law breaker must somehow pay his/her debt to society), the methods used to enforce and achieve that retribution has changed a great deal. The growth and development of society, along with an underlying, perpetual fear of crime, are heavily linked to the use of vastly different forms of punishment that have ranged from public executions, forced labor, penal welfare and popular punitivism over the course of only a few hundred years. Crime constructs us as a society whilst society, simultaneously determines what is criminal. Since society is always changing, how we see crime and criminal behavior is changing, thus the way in which we punish those criminal behaviors changes.

    Read More

  • The Dark Knight

    1023 Words  | 3 Pages

    "The Dark Knight" is grimly magisterial. It's a summer blockbuster that contemplates near-total civic disaster: Crowds surge, tractor-trailers flip, and buildings explode, but the pop violence feels heavy, mournful. Light barely escapes the film's gravitational pull.

    Read More

More about Batman Criminal Justice

Open Document