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Summary of plot against people by baker
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On the “Plot Against People” by Russell Baker he talks about how inanimate objects and the
roles they play in our everyday life.Throughout the essay, Russell also discusses how inanimate
objects sometimes seem to be trying to make our lives harder by causing chaos at the worst
moments.Baker describes various objects with broad comic irony, he also uses humor to convey
to his audience, what he believes which is that inanimate objects are sentient have an arrangement
to oppose man and at last annihilation him.Baker portrays different articles with expansive comic
incongruity, which makes this piece a pleasant read (where it’s ridicule genuine tone is a piece of
what he's ridiculing the human want to clarify all marvels) Baker qualities
He goes over what it felt and feels like to be looked and be able to “alter public space in ugly ways”, even when you can’t imagine yourself doing anything of the sort to harm anyone. He talks about cars locking their doors when he walks by and the occasional “unpleasantries” with people like policeman who are supposed to stop nastiness before it happens, even when he hasn’t done anything.
... of nature. In fact, this belief, which does beg the question, is what predominates his thinking.
the way in which he sums up such important parts of life in six short
First, the usage of the incongruity theory throughout the novel delivers further humanity to the depicted characters, as well as making it amusing for readers. For example, the character of Mr. Spizz is incongruous in every aspect. He rides around the town on a kindergarten tricycle and is proud of it. However, Mr. Spizz is a grown man and is thought to be deranged or demented for his actions. This is the incongruity theory because tricycles are often designed for children, but in this case an elderly man is using it. These two objects have nothing to do with one another. Furthermore, giving the readers the opposite reaction to the situation at hand.
his own example of a human hair. He says that if we look at a piece of
“…I have a distinct idea of a body… merely an extended thing and not a thinking thing.
...sthetics and defends the liberty of creation; he defends the subjective thing in the work of art, the conscious process of creation.
characters and places in the novel, as to give the impression of artificially (Miller 107).
The question this essay will be approaching towards this is ‘how to turn an object into an anthropomorphic character?’ what would you have to do to an object to turn it into a character that can be likened to that of a human being?
Do you ever lose an essential item so often you think it might be working against you? In “The Plot Against People,” Russell Baker addresses this common occurrence and provides an explanation: all inanimate objects have the goal to resist man. Throughout his short story, he describes his classification of inanimate objects into three categories. These categories are things that don’t work, things that break down, and things that get lost. Although the author, Russell Baker, had a tough childhood, he still strived to succeed in life. Journalism was the ideal job for Baker because of his ability to give useful commentary and his sharp eye for detail. Russell Baker’s style is unique and can be seen through his use of literary techniques that showcase
Lynch talks about ‘imageabilty’ which explains ‘how the quality in a physical object provokes a strong image, depending on ‘its shape, colour or composition which facilitates the making of vividly identified powerfully structured highly useful mental image of the environment’. (Lynch 1960, pg.11)
Have you ever thought that the possibility exists that inanimate objects are in fact “plotting against people” in an effort to make our lives even more difficult than they actually are? In “The Plot against People,” Russell Baker, a newspaper columnist and humorist, adopts a wry view of the world in which he gives inanimate objects mischievous aims. As a class assignment, I was called upon to write my own version in the style of Baker.
The woman, if only reading stanza one, would think her and the speaker are in total agreement. This idea, however, is fleeting as stanza two acts not only as a refutation for stanza one, but also as evidence for stanza three.... ... middle of paper ... ... The satire exists in the expectation that love has to occur before sex.
He thinks and acts, whether that is as an individual or as a group who share interests, with foremost regard to his own interests. Self-perpetuation is the number one rule. He therefore possesses his own interests, ideas and preferences, which may
In their essay, ‘The Intentional Fallacy’ (1946), William K. Wimsatt Jr. and Monroe C. Beardsley, two of the most eminent figures of the New Criticism school of thought of Literary Criticism, argue that the ‘intention’ of the author is not a necessary factor in the reading of a text.