There is a difference between being a good mom and a bad mom. What characteristics set the good mom’s from the bad ones? Amanda's actions in The Glass Menagerie by Tennessee Williams were made clear from the beginning on which type of mom she will be. First, she was an bossy person. Especially when it came to her children, constantly putting them down and making them feel as if they weren’t good enough and couldn't do anything right. Secondly, she would make decisions for her children, allowing them to have little say in their own futures. Finally, she placed a large part of her responsibilities on Tom. Despite any views people may have on determining if a mother is good or bad, it was made clear that Amanda was a little more on the selfish side of things, putting her needs ahead of her children's. Amanda seemed like she cared more for herself than her own children. Being bossy is one of Amanda's characteristics that stand out the most. She points out her children’s weaknesses more than their strengths, when she expresses this trait. She would constantly degrade her children on what...
Are all mothers fit for motherhood? The concept of motherhood is scrutinized in the stories “The Rocking Horse Winner” and “Tears Idle Tears”. In “The Rocking Horse Winner” by D.H Lawrence the mother, Hester, unpremeditatedly provokes her son into providing for her through gambling. In the story “Tears Idle Tears” by Elizabeth Bowen, Mrs. Dickinson disregards her son’s emotions and puts more emphasis in her appearance than her son’s wellbeing. Hester and Mrs. Dickinson both were inadequate mothers. Both the mothers were materialistic, pretended to love their offspring, and their dominance hindered their children’s progress in life.
She is very strict and very gossipy and later becomes Scout and Jem 's guardian in a way.
However, I disagree with Patrick’s decision of sending Amanda back to her own mother because he thinks parenting should be a right. I know that every mother loves her child. Helene also loves her daughter. But it does not mean that she can be a good mother and she has the ability to take care of her child. In the beginning, Helene was not really concerned about her daughter’s disappearance. Her daughter had disappeared for three days already. She could still ...
We all feel unhappiness at some point in our lives. It’s human to feel like you want more or something is not good enough for you. You want more out of life. You want to do something to make you happy. In The Glass Menagerie Tom, Laura, and Amanda Wingfield all expierence unhappiness through out the play in their own way. They are a family but their goals and dreams are quite different from each other. Their dreams and goals lead to their unhappiness because they seem impossible to reach. One reason that holds them back from being happy is the decade they are living in. The story is taking place in the 1940’s right after the great depression. Times are tough so dreams and future goals have to be moved to the back of the to do list while you
mother Amanda and here two children Tom and Laura. Amanda has a life that is
In The Glass Menagerie, by Tennessee Williams, we embark on the task of seeing a family living in the post WWII era. The mother is Amanda, living in her own world and wanting only the best for her son, Tom. Tom, a dreamer, tired of Amanda’s overbearing and constant pursuit of him taking care of the family, wants to pursue his own goals of becoming a poet. He is constantly criticized and bombarded by his mother for being unsuccessful. This drives him to drinking and lying about his whereabouts, and eventually at the end of the play, he ends up leaving. An example of Amanda and Tom’s quarrel I when he quotes, “I haven’t enjoyed one bit of this dinner because of your constant directions on how to eat it. It’s you that makes me rush through meals with your hawklike attention to every bit I take.”(302) Laura, on the other hand, is shy and out of touch with reality because of a slight disability, in which she is comfort...
Amanda Wingfield is mother of Tom and Laura. She is a middle-aged southern belle whose husband has abandoned her. She spends her time reminiscing about the past and nagging her children. Amanda is completely dependent on her son Tom for finical security and holds him fully responsible for her daughter Laura's future. Amanda is obsessed with her past as she constantly reminds Tom and Laura of that " one Sunday afternoon in Blue Mountain when she once received seventeen gentlemen callers" (pg.32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. Amanda also refuses to acknowledge that her daughter Laura is crippled and refers to her handicap as " a little defect-hardly noticeable" (pg.45). Only for brief moments does she ever admit that her daughter is crippled and then she resorts back into to her world of denial and delusion. Amanda puts the weight of Laura's success in life on her son Tom's shoulders. When Tom finally finds a man to come over to the house for diner and meet Laura, Amanda blows the situation way out of proportion. She believes that this gentlemen caller, Jim, is going to be the man to rescue Laura. When in fact neither herself nor Laura has even met this man Jim yet. She tries to explain to Laura how to entertain a gentleman caller; she says-talking about her past " They knew how to entertain their gentlemen callers. It wasn't enough for a girl to be possessed of a pretty face and a graceful figure although I wasn't slighted in either respect.
All of the characters in The Glass Menagerie have specific symbols in the play representing
Mothers always tend to want the best for their children so that their kids do not struggle in life and become dependent on their parents. Rose Mary Walls from “The Glass Castle” by Jeannette Walls acts like the complete opposite from mothers who want the best for their kids. Rose Mary goes through her own struggles throughout the book but she decides to create wrong choices by not working when her children need her the most. Each of her four children are brilliant in their own ways especially Jeannette and Lori who find their way out of Welches and head to New York followed then by Brian. The three of them became successful on their own but their mom did help them in a different way when compared to other mothers. The youngest daughter, Maureen,
...oes not make mothers” ~ Anonymous (Quotations about mothers, 2011). Daisy seems to be more of a child than a mother, and Ma brings out the characteristics people would want in their ideal mothers. The mother they would want is the one that cares about them, is always there for them, and takes real responsibility for their job as a parent.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
Abandoned by her husband and left penniless, Amanda Wingfield, in The Glass Menagerie by Tennessee Williams, lived in a small alley apartment on the lower middle-class section of town with her two adult children Tom and Laura, a far cry from Amanda’s youth during the Victorian era at Blue Mountain to her present situation of poverty and uncertainty. As a single mother, Amanda was worried about her family’s financial security along with concerns about her daughter’s lack of marital prospects; for that reason, her need to enrich her life by molding the lives of her children resulted in illusions overpowering reality that also brought out destructive illusions within herself, her son Tom, and her daughter Laura. Endowed with beauty, charm, and elegance, Amanda remembered living an affluent life at Blue Mountain where she was courted by several prospective suitors and spent many nights attending social balls and galas. The world she envisioned was one of formality and manners in which high expectations of a person were part of being a socialite. As time went by, she married a man who did not fulfill the expectations of sophistication and monetary abundance that she had visualized; hence, shattering the lifestyle she imagined for herself and her children.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
providing for them. The idea of the sense of duty she has for Tom and
of - was charm!' - or trails off - 'And then I - (she stops in front