Auschwitz Shifts From Memorializing To Teaching Analysis

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When people hear the word Holocaust, many ponder of inhumane and horrific events created by Adolf Hitler, but the problem is, does anyone know more than that? Just like Hitler, people make do. Television shows, movies, songs, art, novels, and plays - any type of literature - have information and stories pertaining to and or solely dedicated to the Holocaust. Two examples of this informative freedom of speech and remembrance are the famous novel The Book Thief, by Markus Zusak, and the 2011 article Auschwitz Shifts From Memorializing to Teaching, written by Michael Kimmelman. Both of these sources of literature have many similarities as well as differences in the development of their information about the true, detailed story of the Holocaust. …show more content…

Secondly, both The Book Thief and Auschwitz Shifts From Memorializing to Teaching demonstrate the symbolism of the Holocaust and everything that occurred, ranging from emotions to actions, through showing, not telling. Zusak creativity wrote about the dark scenery: “I’ll never forget the first day in Auschwitz, the first time in Mauthausen… There were broken bodies and dead, sweet hearts. Still, it was better than the gas.” (Markus Zusak) The two, Markus Zusak’s The Book Thief and the Auschwitz-Birkenau State Museum have a goal, which is to educate people, young and old, about the history of this tragic event to therefore avoid repetition. Piotr Cywinski, director of the Auschwitz-Birkenau State Museum, states, “If we succeed we will show for the first time the whole array of human choices that people faced at Auschwitz,” he explained.” (qtd. in Michael …show more content…

He wrote, “Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.” (Markus Zusak) Showing information and experiences with creative writing allows the reader to understand the emotions that were already comprehended by the author and the plot. This writing functions as an experience that most likely happened, but through the eyes of fictional characters instead of once living, or fortunately still, breathing

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