William Faulkner’s As I Lay Dying, with its multiple narrators and hickish language, can sometimes prove to be convoluted and rather confusing. The narrators, unfortunately, are no less confusing. Their language aside, each individual personality serves to put a spin on the bias that the information is delivered with, and, in speaking to each other, they further confuse the reader, as their individual motives are, generally speaking, unmentioned. However, there is one character who manages to cut through the fog of individuality and communicate to us what is happening in this novel. Vardaman, who is the youngest narrator, gives us insight into the goings-on of the Bundren family with a much lesser degree of confusion. He also gives us a look into the characters of the other narrators in this novel; his childish attempts at emulation reveal the actions of characters that we may not otherwise see. It is his childish mind that provides us with this viewpoint; he is innocent and unbiased. Although this is never directly said by Faulkner, we can infer it from Vardaman’s dialogue, which is the revealing aspect of all of the characters in this book.
At the beginning of the novel, Vardaman has gone fishing, and returns with a large fish. He has returned just in time to meet Peabody, the doctor, going into his house. He is instructed, by Dewey Dell, to clean and gut the fish, and to get it ready for her to cook for dinner. This scenario sets us up for our first insight into the mind of Vardaman. Addie dies shortly after Vardaman arrives home, and, because Peabody had arrived on the scene directly before the incident, Vardaman decides that Peabody is the offending party in the death of his mother. The incident that follows reveals Vardaman’s aptitude; his insight and intelligence are shown to us in the following few pages. After chasing Peabody’s team of horses off of the property with a stick, Vardaman retreats to the barn and enters the cow’s stall. “It is dark. I can hear wood, silence: I know them. But not living sounds, not even him. It is as though the dark were resolving him out of his integrity, into an unrelated scattering of components...” It is this sort of language that reveals Vardaman’s character as an intellectual force to be reckoned with; not much gets past him, even in his youth.
Yoknapatawpha County is a fictional county made up by William Faulkner in which As I Lay Dying takes place in; this is now the third novel to take place here. As I Lay Dying was one of the last novels written in the 1920’s by William Faulkner and within fifty-nine chapters, this novel features a unique narration of fifteen different first person narrators. Each chapter is written from that particular character’s perspective telling their version of what is happening in the novel, making this not only an interesting take on narration but a compelling read as well. Faulkner uses the characters use of language to help us identify and see glimpses into the lives of the Bundren family; through this we can understand the revenge and secrets from within the characters that is blind to the most if not all-remaining characters within the novel.
“As I Lay Dying, read as the dramatic confrontation of words and actions, presents Faulkner’s allegory of the limits of talent” (Jacobi). William Faulkner uses many different themes that make this novel a great book. Faulkner shows his talent by uses different scenarios, which makes the book not only comedic but informational on the human mind. As I Lay Dying by William Faulkner is a great book that illustrates great themes and examples. Faulkner illustrates different character and theme dynamics throughout the entire novel, which makes the book a humorous yet emotional roller coaster. Faulkner illustrates the sense of identity, alienation, and the results of physical and mental death to show what he thinks of the human mind.
William Faulkner’s As I Lay Dying, chronicles a family facing a series of trials in the wake of a traumatic event, Addie’s death. Faulkner first suggests that the journey to bury Addie, a wife and mother, is a way for her family to show her their final respect, yet each character’s real motivation in participating begins to emerge as the novel progresses. The motivations and circumstances present as an over-the-top dramatic tale, something that often times only appears on reality television. Through the use of Biblical allusions and religious contradictions, Faulkner presents a sarcastic tone mocking the backwardness of the journey and the Bundren family’s ethics. Faulkner chooses to use these stylistic devices to expose the impact of religious
In As I Lay Dying, William Faulkner uses the characters Anse and Cash, and a motif/symbol in "My mother is a fish," to reveal the psychological and societal problems of the twenties and thirties. Written as soon as the panic surrounding the stock market in 1929 started, Faulkner is reported as having, “took one of these [onion] sheets, unscrewed the cap from his fountain pen, and wrote at the top in blue ink, 'As I Lay Dying.' Then he underlined it twice and wrote the date in the upper right-hand corner"(Atkinson 15) We must take care to recognize Faulkner not as a man of apathy, but one of great compassion and indignation at the collapse of the economic foundation of the U.S. This is central in appreciating the great care with which he describes the desolation and poor landscape of Yoknapatawpha County, which is where As I Lay Dying takes place.
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors.
In the novel, As I Lay Dying, William Faulkner exemplifies a popular Modernistic feature known as unreliable narrators by separating the text into fifteen different angles. Though the underlining meaning behind this novel’s format is to account for the many diverse objectives to the plot, the reader can still paint an accurate elaboration of the Addie’s Bastard son Jewel. Jewel Bundren is branded strongly by the description of his family members; however, Jewel relinquishes his true and hidden thoughts by his actions.
In As I Lay Dying (1930), Faulkner creates the deceitful, insensitive character, Anse Bundren, who will do anything to get what he wants, even if it means stealing and injuring his own children, symbolizing the avarice and apathy that can result from a world of non education, poverty, and overall suffering.
Light in August, a novel written by the well-known author, William Faulkner, can definitely be interpreted in many ways. However, one fairly obvious prospective is through a religious standpoint. It is difficult, nearly impossible, to construe Light in August without noting the Christian parallels. Faulkner gives us proof that a Christian symbolic interpretation is valid. Certain facts of these parallels are inescapable and there are many guideposts to this idea.
In As I Lay Dying the Bundren family faces many hardships dealing with death and physical nature. Nature plays a major role in moving Faulkner’s story. Nature takes a toll on the family in their time of despair of losing a loved one. They are challenged by human nature and the nature of the elements. Throughout the story the family overcomes the human nature of emotions and the nature of the weather. They face nature in the most peculiar ways, like a flood that keeps them from crossing, the decaying body of Addie, and how they all grieve over the death of Addie; Dewey Dell said, “I heard that my mother is dead. I wish I had time to let her die. I wish I had time to wish I had” (Faulkner 110). The forces of nature compete with the Burden family.
A situation can be interpreted into several different meanings when observed through the world of poetry. A poet can make a person think of several different meanings to a poem when he or she is reading it. Langston Hughes wrote a poem titled "I, Too." In this poem he reveals the Negro heritage and the pride that he has in his heritage and in who he is. Also, Hughes uses very simple terms that allow juvenile interpretations and reading.
Darl Darl, the second child of Anse and Addie Bundren is the most prolific voice in the novel As I Lay Dying, by William Faulkner. Darl Bundren, the next eldest of the Bundren children, delivers the largest number of interior monologues in the novel. An extremely sensitive and articulate young man, he is heartbroken by the death of his mother and the plight of his family's burial journey. Darl seemed to possess a gift of clairvoyance, which allowed him to narrate; for instance, the scene of Addie's death. Even though he and Jewel were away at the time.
Many mothers, regardless of age or situation, share sympathetic life ideals. They all share the common goal of raising their children wholesome; they want to create an environment of love, nurture, and support for their children as well. A mother’s effort to implant good values in her children is perpetual; they remain optimistic and hope that their children would eventually become prosperous. However, some women were not fit to be mothers. Thus, two different roles of a mother are portrayed in As I Lay Dying written by William Faulkner. Faulkner uses the literary technique of first person narrative with alternating perspectives. By doing so, Faulkner adds authenticity and the ability to relate (for some) to the two characters Addie Bundren and Cora Tull. The first person narrative acts as an important literary technique because it allows the reader to experience the opposing views of Addie and Cora; they are both mothers who act as foils to each other because of their diverse opinions and outlooks on motherhood, religion and life.
William Faulkner’s The Sound and the Fury is a novel that depicts the loss of traditional Southern values after the Civil War. This corruption is shown through the Compson family, whose notions of family honor and obsession with their family name are the driving force in severing all the ties that once held them together. Mr. Compson tries to instill these notions into his four children, but each is so occupied by their own beliefs and obsessions that this effort results in a house that is completely devoid of love and consumed by self-absorption. Caddy is perhaps the most prominent figure in the novel. The three Compson boys obsess over her, looking to her as a mother figure and source of love and understanding but ironically, it is Caddy that serves as the family’s downfall. Engaging in sex and getting pregnant, Caddy not only shames her family but also tramples all the ideals of the old South, as does her daughter after her. Quentin relies on his knowledge of Southern codes to provide order, yet Jason cares only for himself and his personal gain. These traits are pivotal in explaining Faulkner’s purpose, using one family’s corruption as a symbol of the downfall of the old South.
In William Faulkner's "A Rose for Emily," we see how past events affect the life of the main character Miss Emily, especially her inability to accept change. Throughout the story Miss Emily goes to extreme measures to protect her social status. Miss Emily lives in the past to shield herself from a future that holds no promises and no guarantees. William Faulkner illustrates Miss Emily's inability to accept change through the physical, social and historical settings, all of which are intimately related to the Grierson house.
In John Donne’s sonnet “Death, Be Not Proud” death is closely examined and Donne writes about his views on death and his belief that people should not live in fear of death, but embrace it. “Death, Be Not Proud” is a Shakespearean sonnet that consists of three quatrains and one concluding couplet, of which I individually analyzed each quatrain and the couplet to elucidate Donne’s arguments with death. Donne converses with death, and argues that death is not the universal destroyer of life. He elaborates on the conflict with death in each quatrain through the use of imagery, figurative language, and structure. These elements not only increase the power of Donne’s message, but also symbolize the meaning of hope of eternal life as the ultimate escape to death.