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Why identity is important essay
Why identity is important essay
Why identity is important essay
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Both Oscar Wilde and Virginia Woolf’s novels depict the image of an artist and their muse. Within The Picture of Dorian Gray, Basil Hallward is inspired by Dorian Gray to create his greatest work of art. While in To the Lighthouse, Lily Briscoe finds her inspiration through Mrs. Ramsay and through her art she is able to blossom into her own woman. Briscoe grows through her art while Hallward is killed because of his masterpiece. The fates of the two artists differ so vastly because of how each artist envisions the idea of legacy and how they connect to their own muse.
To the Lighthouse and The Picture of Dorian Gray both present the dichotomy of legacy into male and female legacy. The women within Virginia Woolf’s novel come to see legacy as the “little daily miracles” of life (Woolf 161). Mrs. Ramsay is remembered for the small things she did such as the dinner she arranged in the first section of the novel and the time she spent with her children. Lily also addresses this idea at the end of the novel when she finally finishes her painting. Lily talks about how “[her painting] would be hung in attics” how “it would be destroyed” and she concludes “But what did that matter?” (208). Lilly is not worried about the future of this painting. She has a feeling of self-satisfaction with her painting and knows that everything comes to an end. She is happy with the small moment where she completed her painting and she sees her painting as he little personal legacy. While the women of the novel focus on the small moments within life Mr. Ramsay focuses on the larger idea of a legacy. He desires a legacy that will surpass time and spread throughout the world. Within the novel Mr. Ramsay debates on his potential to achieve his extravagant...
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...). At the end of the novel Lily is able to finally create her own image of Mrs. Ramsay and have a deeper understanding of her muse.
Lily creates a work of art that will not transcend time, but through her experience with Mrs. Ramsay she is able to become a New Woman born from an integral connection with the Ruskinian wife. Lily is able to appreciate the ways of the Ruskinian woman even when she does not desire those ideals for herself. While Lily grows through her art Basil remains static and fails to comprehend the destruction that his veneration of Dorian Gray causes. Basil’s failure as an artist can be seen through his untimely death. Lily’s art may not be considered a great masterpiece, but she is the character who lives. Lily’s success not only shows her as the triumphal artist, but it also illustrates the victory of the feminine over the masculine.
Lily’s idea of home is having loving parent/mother figures who can help guide her in life. Because of this desire, she leaves T. Ray and begins to search for her true identity. This quest for acceptance leads her to meet the Calendar Sisters. This “home” that she finds brightly displays the ideas of identity and feminine society. Though Lily could not find these attributes with T. Ray at the peach house, she eventually learns the truth behind her identity at the pink house, where she discovers the locus of identity that resides within herself and among the feminine community there. Just like in any coming-of-age story, Lily uncovers the true meaning of womanhood and her true self, allowing her to blossom among the feminine influence that surrounds her at the pink house. Lily finds acceptance among the Daughters of Mary, highlighting the larger meaning of acceptance and identity in the novel.
Lily is finally able to let go of the burdens she holds as her trust for August grows. She is able to come clean to August about all the lies and explains the real reason her and Rosaleen are in Tiburon. As the true story of Deborah unfolds, August is able to finally understand the troubles Lily face and how depleted the young girl is. With the help of August and all of the other influential black women Lily encounters along this journey, she is finally able to release her burdens and believe in the strength she possesses within. The last scene of the novel includes this powerful imagery of Lily’s new life, “I go back to that one moment when I stood in the driveway with small rocks and clumps of dirt around my feet and looked back at the porch. And there they were. All these mothers… They are the moons shining over me” (302). It is clear Lily can now grow and develop as the young woman she has always yearned to become with these important new women in her life there to guide her and be her supporters. They have shown Lily that she needs to be her own number one provider of love and strength, but as seen in this imagery, they will always be there when she needs them. By using this technique at the end of the book, Kidd is able to wrap Lily’s
...This essay discusses enough of The Picture of Dorian Gray to explain how floral imagery impacted the novel’s meaning. The use of floral imagery and symbolism has earned Wilde a place as one of the greatest and most influential writers of all time.
The scene concludes with Selden noting that “noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of the trivialities of her little world, and catching for a moment a note of that eternal harmony of which her beauty was a part”, shortly followed by the exchange between Gerty and Selden mentioned at the outset wherein Gerty says “Don't you like her best in that simple dress? It makes her look like the real Lily—the Lily I know” (XX). For Selden the “real Lily Bart” is her staged beauty and that she truly is just a beautiful spectacle to be admired from afar, shown through how the “poetry in her beauty that Selden always felt in her presence” is very much temporary because once he is not viewing the spectacle that is Lily’s beauty, it is gone, and it takes Selden literally seeing Lily as a work of art in the tableaux to realize this. Gerty, on the other hand, believes that this is the “real Lily” because she chose a simple painting and is presented in an unostentatious way. The problem with the “real Lily” therefore is that her
However, the plot twists with the introduction of the character ‘Lily’. Lily functions as a provider of unknown knowledge to not only the audience but eventually to the character, Mark Rutland.
Over the course of several months, August guides, teaches, and helps Lily to accept and forgive herself. August once knew Deborah, and she knows that Lily is her daughter, but she does not confront Lily about the issue. Instead, she waits until Lily puts the puzzle pieces together and discovers for herself the relationship between her mother and August. August knows she is not ready to learn the truth about her mother when she and Lily first meet, so she waits for Lily to come to her. When Lily finally realizes the truth, she comes to August and they have a long discussion about Deborah. During this discussion, Lily learns the truth about her mother; that her mother only married T. Ray because she was pregnant with Lily, then after several years she had enough of living and dealing with T. Ray, so she left. Lily is disgusted by the fact that her mother would've done something like this, she did not want to let go of the romantic image of her mother she had painted in her mind (“‘The Secret Life of Bees’ Themes and Symbols of The Secret Life of Bees). Lily struggles to stomach the fact the her mother truly did leave her and she spends some time feeling hurt and angry, but one day, August shows her a picture of Lily and her mother. As Lily looks at the picture she is comforted and thinks, “May must’ve made it to heaven and explained to my mother about the sign I wanted. The one that would let me know I was loved” (Kidd 276). Seeing
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Lily definitely undergoes a transformation, from being unable to make sense of her painting to an artist who completes her painting, through which she finally establishes her homosexual identity aesthetically through art. From “the Lighthouse had become almost invisible, had melted away into a blue haze, and the effort of looking at it and the effort of thinking him landing there, which both seemed to be one and the same effort, had stretched her body and mind to the utmost. Ah, but she was relieved” (169), Woolf highlights Lily’s enthusiasm when she was able to eliminate Mr Ramsay from her physical, emotional and psychological realm. By mentioning that the Lighthouse has melted away, Woolf metaphorically emphasizes the deconstruction of the patriarchal conditions through which Lily has come to terms with her homosexual identity. Lily clearly feels liberated and independent, although after undergoing great amount of emotional and psychological torment where she suppressed her homosexual desires in the face of patriarchy. By expressing and figuring out her emotional and psychological turmoil through art and her painting, Lily is able to visualise her immense independence autonomous of the patriarchal conditions. Hence, Lily finally asserts a masculine ambiance similar to the men in patriarchal order, where she can eventually be who she wants to be without any external pressure, particularly from male hegemony, that tells her how she is expected to act like a woman. Thus, Lily does not simply advocate gender equality, but radically promote acceptance of homosexuality as the truer reality of woman empowerment and
During this time an artist was seen as an important figure to society because he was able to visually create and give meaning to beautiful things, which was considered art. Art and beauty became correlated this way. Sometime it is thought that artwork has to be significantly beautiful to be considered art. Basil believes that he has created his one and only master piece, which is the picture of Dorian Gray. He sees so much of himself in the art that becomes insecure about his masterpiece. In Victorian times the artist was always more important than the artwork because of what he could possibly represent in the eyes of society as an artist. This allowed Basil to become insecure about his artwork, he did not want to be judged based off of his artworks that he put some much of himself into; artistically and intelligently. This is the reason he becomes too reluctant to exhibit his artwork, “I know you will laugh at me,” he replied, “but I really can’t exhibit it. I have out too much of myself into it.” (6). This statement by Basil shows his insecurities and afraid of judgement as an artist. it also depicts that he is very concerned with the reaction and judgements of others because he tells Lord Henry his reason for not wanting to exhibit his painting Dorian, which he becomes very drawn and attracted to. Basil pushes Victorian gender roles by showing
Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him all for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12). Dorian’s beauty is greatly appreciated by Basil, and he is the one who makes Dorian realize his beauty and charms.
In chapter 20 of Oscar Wilde’s The Picture of Dorian Gray, Dorian reflects on his past and wonders whether he will ever regain his innocence. In this passage, Gothic elements underline the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings also highlight Dorian’s personal yearning to let go and forget about his past.
...msay’s death, Lily is able to reject the ideals of marriage and family that Mrs. Ramsay represented and choosing to remain unmarried and pursue her art (Koppen 386).
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama. " Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corruption. Before we examine the quality of the error that Dorian Gray commits, we should first examine his friends and their relation to him, because Dorian falls into this error with a little help from his friends. 1. What is the difference between a. and a The relationship between Dorian Gray and Basil Hallward.
Mr. Ramsey makes excuses for not becoming intellectually enlightened in the same vain that he makes excuses for not sailing to the Lighthouse. Mrs. Ramsey is the ideal wife and mother. She uses her love to create and build, not in the physical sense, but more in the sense of relationship, community, and hope building. She is perhaps the most successful of the characters, in that her goals are what she feels she has become her goal: one who helps people, brings them together, and infuses them with hope and love.... ... middle of paper ...