The play Antigone by Sophocles shows a conflict between the King Creon and Antigone. This conflict eventually leads to the destruction of the house of Creon. Upon closer analysis, it is obvious that Creon caused this to happen himself. There is an old saying that power corrupts and Creon has fallen victim to power.
In the opening of the play, we learn that Creon has been proclaimed king. We expect Creon to be the same rational man as we saw him to be in Oedipus the King who stood up for justice and defended the right deeds. However, later on we can clearly see that this is not the same Creon. Creon, the King, has been corrupted by the power bestowed upon him.
The first decree that Creon issues prohibits the burial of Polynices. Creon calls him a traitor and says that he is not worthy of a proper burial. Creon also says “whoever places a friend above the good of his own country, he is nothing.” This means that Creon considers that the duty to the state has higher priority than the duty to another man. He reiterates this when he says, “our country is our safety.” All of his points are respectable because Creon gives reasons for his statements. He uses logic to convince the people that his decree is correct and the people accept his decree.
After Antigone buries her brother’s body and the sentry discovers the grave, he unwillingly goes to Creon to tell him of this act. Upon hearing that the corpse has been buried, the outraged Creon accuses the sentry of doing this himself. He has no evidence of any sort but accuses the sentry of being corrupted by money and lashes out allegations at the poor guard. This is the beginning of Creon’s downfall. The sentry is correct when he says, “Oh it’s terrible when the one who does the judging judges things all wrong.” The old Creon who used to defend justice is now judging without justice.
Furthermore, when the leader of the chorus suggests that perhaps the gods buried the corpse, Creon is furious. He thinks it is impossible that the gods would do such a thing. He says, “Must you be insane?” He says that there is no reason why the gods would care about a person who came to destroy the city and wreck the temples honoring the gods. How can Creon, a mere mortal, know the wills of the gods?
From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
It is very common for us to ignore a problem or refute the idea of its existence. we certainly can’t solve a problem by pretending that it isn’t there. Once the problem has been acknowledged, we can proceed to explore what the causes are. Shortly after Creon placed himself at odds with the will of the Gods with his new law that forbade burial to Polyneices, he is presented with the issue that someone has disobeyed his law. Choragos, his advisor, in an attempt to make him reason that the Gods do not favor his new establishment of the law, suggests that it may have been the will of the Gods for Polyneices to have been buried by an unknown person. We notice how Creon reacts furiously and orders Choragos to stop. “Must your doddering wrecks. Go out of your head entirely! The Gods! Intolerable! The Gods favor this corpse? Why? How had he served them?” (Sophocles Scene I 236-240). Creon has twisted Choragos’s words by interpreting that the Gods may have favored Polyneices over his rule. He feels as if questioning his final word is a sign of anarchy. He is presented with the problem and yet refuses to acknowledge it. Creon has failed to realize that he has challenged the Gods and once again his pride made him lack perception and overcomes his wisdom.
Creon is an antagonist in Antigone he is the bad guy and he opposes certain things like the right to burial. An example of his actions is can be seen here: “Polynices, who returned from exile with hopes of burning his native land and ancestral gods from top to bottom, wishing to feast on kindred blood and lead the rest into slavery, it has been decreed that in this city he shall be neither buried nor mourned by anyone, but everyone must leave him unburied, a feast for birds and dogs, an outrage to see” (Sophocles 200-209). Even though he is known for doing bad things he is still considered superior to everyone of Thebes. Antigone was known as the niece of Creon but she did not express herself as a famous and important person. Creon is proud of his position as king and he takes pride in his city and his decisions. “Do you realize you speak these lies to your king?” (Sophocles 1065). Creon shows his dominance in this quote. Antigone, however, is only recognized for being the niece of the former king and committing a crime against her own family member.
In Antigone, King Creon gives an edict against burying Polynices since he was seen as a traitor. Despite death being the punishment for breaking this edict, Antigone goes ahead and buries Polynices. She feels that, as a citizen and his sister, it is her right and responsibility to do so. Creon was undermining the principles of democracy by taking away peoples’ freedoms based on his personal opinions. In a society that was greatly renowne...
A specific strength of Creon, the major adult character in Antigone, is his ability to make his opinions known to the entire kingdom. One example of this is the major decision that is the focus of the entire story. After Antigone’s brother, Polyneices, died in battle against his own kingdom, Creon told the citizens of the land that no one was to bury the traitor. The king felt that the strict edict was necessary because Polyneices “broke his exile to come back with fire and sword against his native city. (193)” Creon knew that a traitor to the kingdom should not be honored with the same ceremony given to one who fought for his own kingdom.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
Creon first abused his power when he decided to go against the God’s law that every human deserved to be buried after death not depending on what that certain per...
In addition, Creon disregards what had historically been the best counsel for the city, the blind prophet Tiresias. Despite Tiresias’ warnings that his “high resolve that sets this plague on Thebes,” will “strike [him] down with the pains [he] perfected,” Creon’s stubborn commitment to the laws of state turns to be his error. Eventually convinced by Tiresias’ warnings, Creon resolves to release Antigone from her isolated tomb. Regrettably, he’s too late and the consequences of his insolence for the divine laws were far worse than if he had “[L]ay[ed] [my] pride bare to the blows of ruin” (1220). Creon’s undoing can be viewed as an allegory of the calamities that ensue when the laws of man pursue to challenge the ancient laws of gods.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Sophocles, following the Greek standard of tragedy, casts Creon as the tragic hero plagued by his own pride, inflexibility and power. Creon believes his authority to be twofold, both as the king and as the head of his family. He claims that the throne is the source of all power, saying ?whoever is chosen to govern should be obeyed ? must be obeyed, in all things, great and small, just and unjust? (Sophocles 217), and he demands the utmost allegiance from his son, bidding him to ?subordinate everything else?to [his] father?s will? (Sophocles 216). Creon is filled with hubris, and he rejects any solution that might compromise his image. For instance, when the guards escort Antigone to the palace, he demands of the Choragos, ?Who is the man...