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Review of the tragedy plot in antigone
Review of the tragedy plot in antigone
Review of the tragedy plot in antigone
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Antigone - The Tragic Flaw
Antigone, Sophocles’ classical Greek tragedy, presents tragic flaw as the cause of the destruction of Creon, the king of Thebes. This essay examines that flaw and the critical perspective on it.
Robert D. Murray, Jr. in “Thought and Structure in Sophoclean Tragedy” gives the perspective of the Greek audience, and thereby the reason why there has to be a tragic flaw in Sophoclean tragedy: “A Greek of the fifth century would, of course, have felt. . . . that moral instruction was a vital and valuable function of tragic drama, in particular, and that the voice of the poet was the voice of morality and wisdom as well as of beauty” (23).
In Antigone the new king, Creon, brings down the wrath of the gods because he does not possess the virtues of humility and respect for the gods. Supporting this view is Herbert J. Muller, who in his essay “How Sophocles Viewed and Portrayed the Gods,” maintains that Sophocles in his tragedies condemns selfish or tyrannical pride as the tragic flaw in his heroes: “He [Sophocles] does not plainly condemn their pride unless, as in the Creon of Antigone, it is purely selfish or tyrannical” (56). E. R. Dodds says: “I shall take Aristotle as my starting point. . . . From the thirteenth chapter of the Poetics we learn that the best sort of tragic hero is a man highly esteemed and prosperous who falls into misfortune because of some serious hamartia. . . .” (18-19). Abrams states that the hamartia or tragic flaw is sometimes the vice called hubris (322).
Antigone, the drama, begins with the main woman character and protagonist, Antigone, inviting Ismene outside the palace doors to tell her privately: “What, hath not Creon destin...
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...Tragedy.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Segal, Charles Paul. “Sophocles’ Praise of Man and the Conflicts of the Antigone.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Sophocles. Antigone. Translated by R. C. Jebb. The Internet Classic Archive. no pag.
http://classics.mit.edu/Sophocles/antigone.html
“Sophocles” In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Watling, E. F.. Introduction. In Sophocles: The Theban Plays, translated by E. F. Watling. New York: Penguin Books, 1974.
Woodard, Thomas. Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
Sophocles. Oedipus the King. Trans. Robert Bagg. The Norton Anthology of Western Literature. Ed Peter Simon. 9th ed. New York: Norton, 2014. 666-706
As of February 2003 more than four-hundred thousand Darfuri citizens have been found slaughtered on the side of the streets of their home town. Prior to 2003, Darfur, Sudan has a population of six million people. In 2003, two rebel groups came to the conclusion of the government’s neglect in decision to rise against the government of Sudan. As a result, the Sudanese government unleashed the forces of Arab militias (also known as the Janjaweed). With blood on their hands, the Janjaweed have been the accused for the misplacing of many villages and people. As the war seems to expand, the Sudanese government seems to oppose any association with the Janjaweed. In spite of continuing a limited amount of humanitarian aid, many are still in contact with dreadful food shortages and disease. The U.N. (United Nations) has ventured in sending humanitarian aid repeatedly, but the Janjaweed have reused all help. Despite the ignorance of the Janjaweed, the U.N. is in the process of securing the comfort of all Darfur citizens, and not only for the foreigners, but for the road that lies ahead of Sudan as well (Reeves).
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
The American and French Revolutions were both very well known for many different reasons. Luckily, for the American Revolution, they were the ones that actually succeeded, the French on the other hand were not as fortunate in their success. The American Revolution was successful because they broke apart from the British; some of the ways that they did this were with the Declaration of Independence, and the constitution. The French on the other hand failed, they did not successes because of the beheading of Marie Antoinette, and the storming of the Bastille.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.
Murray, Robert D. Jr. "Thought and Structure in Sophoclean Tragedy", in Sophocles, A Collection of Critical Essays, Woodward, Thomas, editor,
...osed to someone who helps feed the homeless. This example may seem extreme considering in today’s world both such acts would be considered good from the generalized moral compass in the world today. One would be right to a point to say that as Kant’s moral philosophy should not be considered as an excuse for people to not act morally. His way of looking at morality is a way to look at actions and motivations to be moral even in the worst possible scenarios. His view of highest moral order may be something that looks to be inaccessible but it is definitely something that people should operate by even when they become hopeless or as Kant puts it, “overclouded by the sorrows of his own”. The standard that Kant sets in his Groundwork of Metaphysics of Morals should be one that society follows when
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.
Sophocles. Four Plays by Sophocles. Trans. Thomas H. Banks. New York: Oxford University Press, 1966.
In 1979 the International Montessori Society was founded. The IMS has worked to fight for the rights of Montessori teacher education. Gisolo discusses, (2005) The International Montessori Society (IMS) has challenged in federal court the laws of some states, like Maryland, that were used to discriminate against Montessori teacher education. (n.p.) In 1988 the Americans for Choice in Education coalition or the ACE was created with the IMS as well as other organizations. The ACE has had lead initiatives that support the changes in educational
The ineffaceable impression which Sophocles makes on us today and his imperishable position in the literature of the world are both due to his character-drawing. If we ask which of the men and women ofGreek tragedy have an independent life in the imagination apart from the stage and from the actual plot in which they appear, we must answer, ‘those created by Sophocles, above all others’ (36).