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Character analysis of Creon in King Oedipus
Character analysis of Creon in King Oedipus
Character analysis of creon in antigone
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Moreover, she threatens to disown her sister Ismene after she opts not to help her bury Polynices. Another defining instance of her stance on family ties is perceptible when she refuses her sister to be part of the punishment for her deeds. The refusal is traceable in the play when she responded to her sister Ismene, “No, justice will suffer that-not you, you were unwilling. I never brought you in” (Line 605). In contrast, Creon is a reflection of a person who does not respect the importance of the family. For this reason, Sophocles uses the perspective of Creon on family to warn the audience against the vice because of dire consequence. His lack of family appreciation is evident from his decision to not only kill his nieces; Antigone and Ismene,
but also disregarding the sober opinion from his son on not to kill Antigone. The stance on duty by the two characters is distinctive concerning the civic duty. Founded on the two characters the author presents Creon to be a character that hides behind civic duty to enforce cruel deeds and settle personal vendetta. In contrast, Antigone is fashioned to be a character that upholds the civic duty to a degree where it does not conflict with family or personal interest. Being the king, Creon believes that he is the law and the judge who sole duty to serve the public is manipulated to serve his interests by eliminating his enemies or persons that share conflicting opinions or disobey him. The claim is visible in the play when he asserted to the guards, “Tie them up, no running loose; even the bravest will cut and run, once they see Death coming for their lives” (Lines 650-655). Creon makes the decision to kill Antigone and Ismene for disobeying his order not to bury Polynices. In contrast, the character Antigone is shaped to observe her state duties and only rebel when they conflict with her family and personal interests. She disregards her civic duty of obeying the king when she opts to give her brother a decent burial. The indifference is apparent when she asserted to the king, “They see it just that way but defer to you and keep their tongues in leash” (Line 570).
Human emotions and beliefs can be some of the most powerful and forceful factors in the world. They can often time cause humans to overlook their moral and civil duties and instead confront the demands of a private passion. Two people that have contrasting views about passion and responsibility can cause a major conflict which could cause a “classic war” in literature. In the play Antigone, the differences in Antigone and Creon’s passions and responsibilities helps Sophocles illustrate their central flaws. By doing so, the playwright implies that one needs to achieve a balance of passion and responsibility in order to maintain a sense if inner peace and political stability.
Have you ever met someone that uses their power to their advantage and doesn't care how it affects another person; Well that is Creon. The actions that Creon took to punish Antigone for buring her brother costed him his wife and son. When you are born or brought up with power don’t use it to your advantage , use it for good.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
She expresses her allegiance to family by giving her beloved brother, Polyneices, a proper burial despite Creon's orders. She ignores his threats to any citizen of Thebes who buries him will be executed for treason. Antigone, daughter of Oedipus, puts her own life on the line to do what she thinks is right for her brother, and honoring him in death. "He is my brother still, and yours; though you would have it otherwise, but Ii shall not abandon him." (193) She feels that everyone deserves a proper burial regardless of circumstance and in support of the Gods wishes. Antigone pays the ultimate high price for her loyalty to her brother Polyneices because it results in her death when she commits suicide after being locked up by Creon, This which sets up a chain reaction forof the suicides of Haemon and Eurydice. Antigone is also loyal to her sister because she wouldn't let Ismene participate in the burial and share any blame or punishment. She says "I will not press you any more. I would not want you as a partner if you asked" (194) . Regardless of Creon's edict, she decides to do what is right according to a much stronger law, her own personal law of family loyalty. When faced with Creon's anger, Antigone does not deny burying Polyneices' body, showing pride in her decision. Antigone realizes that regardless of what a king or a ruler wants, family loyalty comes
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
Her father committed suicide. Her mother committed suicide. Her two brothers killed each other in a battle for the kingdom. Her uncle, Creon, took the throne and decided to give one of his dead nephews, Eteocles, an honorable funeral and give the other, Polynices, nothing at all. He also made it clear that no one was allowed to as much as touch Polynices. Should anyone decide to try to take action against the law and bury him, they were punishable by death. Was Antigone supposed to have simply accepted the fact that she was to abandon her dead brother out in the open? Was she expected to leave his dead corpse outside the gates of Thebes exposed to the world to rot and be picked at by the birds? How could she do such a horrible thing to her own brother? The answer is simple: she couldn't.
Creon in the play of Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy.
In Sophocles’ Ancient Greek tragedy Antigone, Creon, as the ruler of the city of Thebes, fails to care for others, and ultimately brings about his own downfall. Creon has great power as the head of the great city of Thebes, but although Creon has power, he does not act responsibly. He does not care for Antigone, and ignores her explanations for why she buried Polynices. He does not care for his own son, Haemon, in his pleas for Antigone, his fiancée. Finally, he does not listen to the prophet Tiresias until after Tiresias has left, with Tiresias tells him not to kill Antigone and to allow Polyneices to be buried. In the end, Tiresias get through to Creon, but Creon gives in too late, and Antigone, Haemon, and Creon’s wife, Eurydice, all commit
Antigone, although it concerns the last events in the mythic history of the family, was the first of three plays to be written. In it certain elements of plot seem to indicate that Sophocles, was still imitating the works of the previous Aeschylus. For instance, both Antigone and Creon find themselves caught in a "double bind," a situation in which they are doomed no matter which course of action they choose. Although Antigone suffers because she violates the law of Creon by burying her brother Polyneices, she would have neglected her religious duty had she left him unburied. Creon suffers because he regards his will as more important than the demands of the gods, although political pressures drives him to punish the traitor of his city.
You shall leave him without burial...” (222). Opposing the king, she neglects the decree and is now to die at the orders of the law for being disobedient; yet Antigone proudly states her crime. There is no sign of remorse shown by Creon as he states: “No; though she were my sister’s child or closer in blood than all that my hearth god acknowledges as mine, neither she nor her sister should escape the utmost sentence-death” (530-33). Bobrick, explains that Creon values the love for his land more than he values family and this becomes a struggle for Antigone as it becomes a fight between obeying the laws of man and the laws of the god’s. The second struggle Antigone faces comes when she realizes she is alone. Antigone confides in her sister Ismene with her plans to disobey Creon; but Ismene, a clear example of how a lady was obliged to be in this time, urges Antigone not to commit the act. Antigone rejects her advice and declares that Ismene is an enemy to her now (41): “If you talk like this I will loathe you, and you will be adjudged an enemy…” (109-10). Antigone must fight on her own. Thirdly, per Bobrick, Antigone
SAY: Within this section on page 67 of Sophocles’ Antigone, Creon states to the leader that the nation that he belongs to has somehow survived the turmoil that it’s so mercilessly witnessed. On top of that, he mentions how the people of Thebes have so faithfully followed their king, Oedipus, and even after his death, they honored him and stood valiantly at the side of his children, proving how their “loyalty was unshakable”(187). To bring it to a close, Creon solidifies the fact that Oedipus’ two sons, Eteocles and Polynices, have killed each other, and that due to the nonexistent heir to the throne, Creon, their uncle, states that he his next in line for the throne, and he is now the possessor of all of the powers that it beholds.