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Antigone and haemon relationship
Character analysis of creon in antigone
Creon development as a tragic hero
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The quote “grief teaches the steadiest minds to waver,” by Sophocles is implied in the play Antigone a multitude of times. Grief is a characteristic that commonly belongs to a tragic hero whose decisions influence them into a scenario of a lifetime sentence of regret or death. There are various characters in Antigone such as Antigone and Haemon whose actions contribute to the theme of civil disobedience therefore acting as foil to the king, Creon. Haemon’s impact as a foil on Creon through his disregardment of his father’s decisions and his unfazed love for Antigone develops Creon’s role as a tragic hero. Although Haemon portrays himself as uncertain toward the actions of his fiance at the beginning, his motives become clear after the confrontation …show more content…
After listening to his father ridiculing Antigone, Haemon replies with,”A man who thinks that only he is wise, that he can speak and think like no one else, when such men are exposed, then all can see their emptiness inside… Permit yourself to change” (Lines 801-804, 814). The quote cited above clearly exemplifies the theme of civil obedience as well as the aspect of foreshadowing toward Creon’s end as a tragic hero. Furthermore, the concept of civil obedience acting as a foil to the king is then elaborated upon later in the passage when Creon says,”You foul creature- you’re worse than any woman” (Lines 851-852). Creon becoming very irritated with his son’s disagreement bitterly replies with a sexist comment revealing how the two characters are immediately juxtaposed. As a result, the two are juxtaposed throughout the passage resulting in Haemon becoming wiser about the situation and leaving Creon fuming over the situation causing him to make rash decisions that build toward his ascension as the tragic hero in Antigone. Haemon’s unfazed love and respect for Antigone continued throughout the play despite Creon’s efforts to convince him …show more content…
As he justifies Antigone’s actions Haemon says,”When in the slaughter her own brother died, she did not just leave him there unburied, to be ripped apart by carrion dogs or birds. Surely she deserves some golden honour” (Lines 789-792). Haemon’s justification of his fiancee’s actions consequently attributes to the theme of civil disobedience which once again juxtaposes Creon’s values. The specific value which is being contrasted is Creon’s constant belief that due to his high power he is always right in decision. The value is once again juxtaposed when Haemon concludes his support for Antigone by saying,”When men speak well, it good to learn from them” (Line 819). Creon’s unreasonableness and stubbornness is juxtaposed by Haemon’s reasonable argument toward the support of Antigone hence contributing to the theme of Antigone and revealing Haemon as the foil to
Haemon’s words, actions, and ideas contrast with Creon’s character of differing greatly and leading him to the death of his son at fault. “They say all women here, she least deserves the worst deaths for her most glorious act. When in the slaughter her own brother died, she did not just leave him there unburied, to be ripped apart by carrion dogs or birds.”(Lines 788-791) Haemon starts to reveal that he believes that Antigone, his fiance, deserves to not be killed over an act that she has not committed whether or not Creon think is was right. However, Antigone was following the law of the Gods, while Creon was abiding by the law of man. “A man who thinks that only he is wise, that he can speak and think like no one else, when such men are exposed, then we can all see their emptiness inside.”(Lines 803-806) However, when Haemon started to attempt to inform his father, Creon, whose refusal was so high to even consider not killing Antigone that he was only thinking of himself and that one death would lead to another. “Then she’ll die and in her death kill someone else.”(Lines 859) Creon then, only thought of his son as a woman slave. “You woman’s slave, don’t try and win over me.”(Lines 845-855) At first, Haemon looked up to his father, but now after his unsuitable behavior he has chosen not to follow his stubborn
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In Antigone Creon reveals his obstinate nature and how even someone as important as a king is not invulnerable to the problems such a character flaw causes. In the beginning of Antigone the townspeople of Thebes rejoice in their new leader, “Creon,” they call, “the new man for the new day” (174). The repetition of ‘new’ shows how the city is ready to welcome Creon with open arms; this outright praise of Creon shows how highly he is regarded by his people. “You cannot know a man completely…his sense of judgment, not till he’s shown his colors…making laws” (194-197). Here Sophocles is showing the reader not to trust Creon absolutely because even if it seems that it is a new age is dawning, Creon may not be a good leader. In this passage Creon seems determined to prove that he is as strong as Oedipus and Laius to whom Thebes was extremely loyal even through tough times, he is so desperate to prove himself that soon after he sentences Antigone to death. Later, after Antigone has been captured, Creon’s own son, Haemon, comes to him saying, “don’t please, be quite so single-minded” (789). At this point Creon is being directly told of what he is doing. Haemon is someone Creon shou...
In the play Antigone by Sophocles, the differences in Creon’s and Antigone’s passions and responsibilities helped illustrate both characters central flaws. By doing so, the play was also able to imply that in order to achieve a sense of inner peace and political stability; one has to be able to balance the two powers equally. Antigone and Creon are both very determined, zealous characters who were unable to achieve the stability because they were both unwilling to compromise. Often times, personal events or emotions can cause people to overlook moral or civil laws.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
The character of Creon matches up to the tragic character elements; in some ways Creon is good, he is a fair ruler, he spares Ismene’s life, and he ended up seeing error in his ways and tried to do the right thing. Creon also acts appropriately in the time for his gender and rank. His misogony, is very common among men in this time and as a male king his view that “no woman is going to lord… over [him]” (594) is also very understandable. However Antigone is rebellious and fights against how she is told to live her life, therefore her character does not follow Aristotle’s rules of tragedy. Furthermore although Creon’s views do change within the play, the changes are believable because the good comes from a place that has already been seen in him. This contrasts the way that Antigone—after remaining strong and stubborn the whole play—crumbles when she faces death and ends up killing herself. Finally Creon is the true tragic hero because he is the person who is hurt the most in this play. Although Antigone Is hurt in this play, she dies, effectively ridding herself of that pain. Creon on the other hand, unconsciously makes decisions leading to the death of his son and his wife and is left with “the guilt of all their deaths” upon him. Although clearly both Creon and Antigone’s characters have the fall associated with a tragic hero, Creon is the true tragic hero of Sophocles’
To begin with in Antigone, King Creon is a harbinger of tragedy. Creon directly cause the deaths of multiple characters within the play. In the text Creon says “ then go down to the dead. If you must love,
Like previously stated, Creon tried to remain calm and willing to hear Antigone’s side. However, because Antigone challenged his rules, Creon’s role made a total 180. This 180 changes the dynamic of the entire scene because we now see Antigone’s angry side. In particular, in the text we see that Creon is upset with the fact that she not only committed the crime, but she also gloated about doing such. Creon also begins to use gender specific words such as “girl” and “she” which shows that he was probably offended that a female insulted his authority. In addition, Creon’s ego has probably come into play and he does not want to be humiliated. Therefore, he now begins to respond with his own monologue belittling both Antigone and her sister and showing no sympathy to the fact that they are both his
In the play, “Antigone,” Antigone says, “I should have praise and honor for what I have done.” (828). Although she knew she was going to have to suffer the consequences, she still stood up for what she wanted and took the risk unlike her sister, Ismene, who did nothing. Haemon, Creon’s son, says, “No woman has ever, so unreasonably, died so shameful a death for a generous act.” (841). He confronts Creon with his beliefs about the situation of Antigone risking his own life to try to save hers. He believes that what Antigone did was right and instead of being put to death, she should have honor. Ismene, Antigone’s sister, says, “I have no strength to break laws that were made for the public good.” (817). She believed that the situation should be left alone and decided not to help Antigone. All of these different people standing up for their beliefs led to different outcomes, but they all made themselves happy by sticking by
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
Antigone utilizes her moral foundations, her religious roots, and the events of her past to form a sophisticated argument. Despite being unable to convince Creon to reverse her punishment, Antigone is able to convince the people of Thebes that she was right in her actions. After Antigone’s death, and the deaths of several others, Creon reflects on this monologue and realizes the honest truth behind Antigone’s actions and words.
In this play Sophocles , argues how the same members of the family are the most powerful tragic, for example, Haemon argues with Creon about the latter’s decision to punish Antigone .Haemon is torn between too powerful allegiances of his father and of his love Antigone. He help protect Antigone by speaking to his father on her behalf, by saying, “They say no woman has ever, so unreasonably, Died so shameful a death for a generous act, She covered her brother’s body. Is this indecent, She kept him from dogs and vultures. Is this a crime, Death, She should have all the honor that we can give her!”(Sophocles, 2028). Haemon argue how noble and good Antigone actions were and why she shouldn’t be punished for doing something the gods clearly stated that they should have done. Haemon understand that
To conclude, in the play “Antigone”, Creon is the real tragic hero. He fits what modern times would define as a tragic hero and also by Aristotle’s standards. His mistaken judgment and action led to the multiple suicides of his family, making him sorrowful and is also a punishment, which is a characteristic of the tragic hero to Aristotle. Although both Creon and Antigone hold the same qualities and character flaw, Antigone is more of an honorable, respectable hero who sacrificed herself for her brother while Creon was a misjudging, pitiful hero antagonist. The flaw is what made Antigone so great of a character, but made Creon despicable and in the wrong. Ultimately, Creon was the one who learned and taught the audience a lesson about pride and life, which is the purpose of the tragic hero and the goal of Greek writers’ plays.