Anouilh’s Tragedy and Oedipus Rex
Many definitions exist for the genres of “tragedy” and “melodrama.” Similar to the distinction between fruits and vegetables, most can tell the two apart but have difficulty describing why. However, some definitions require a deeper look into a work, such as the interpretation provided by Anouilh’s movie version of “Antigone.” Whether or not Sophocles’s “Oedipus Rex” is a tragedy or melodrama has been debated since the teachings of Aristotle and strong arguments have been made for both sides. “Tragedy,” as defined by Anouilh, takes on a lifelike form, putting a new twist on an old definition that requires one to take a different perspective on the play. Though at a superficial level “Oedipus Rex” is a tragedy, its details point it towards the direction of a melodrama.
The first and most glaring problem found while attempting to plug “Oedipus Rex” into Anouilh’s description of tragedy comes with how tragedy runs in a play.
The spring is wound up tight. It will uncoil of itself. That is what is so convenient in tragedy. The least little turn of the wrist will do the job…. The rest is automatic. You don’t need to lift a finger. The machine is in perfect order; it has been oiled ever since time began, and it runs without friction (Anouilh’s “Antigone”).
Once tragedy has started to roll, it never ceases while continuing to snowball until the point of finality in the play. In “Oedipus Rex,” this is not seen. Rather, Oedipus himself works the machine, pulling each lever and pushing every button himself. Though “the god’s design is open, [and] all his oracle is clear… (Sophocles 76),” it is Oedipus himself that must hurry his fate. The gods seem to hurry Oedipus along his journey as well, catalyzing the actions leading to Oedipus’s final revelations and self-mutilation. “Friends, it was Apollo, sprit of Apollo. He made this evil fructify (Sophocles 73).” Oedipus recognizes that the gods, notably Apollo had ushered him along, leaving him with little else than to explore his origins and eventually go mad. Oedipus is not put into some fate machine and chewed around. Oedipus is subjected to his own curiosity and the play of his own gods.
According to Anouilh, a tragedy must be very clean, whereas a melodrama is sloppy in nature.
Tragedy is clean; it is restful; it is flawless.
As we saw earlier, both authors of both stories were born in different places and did many things. “The Sniper” sets in Dublin, Ireland, during a time of a bitter civil war. It was a war between the Republicans, which wanted Ireland to become ...
The basic plot of the story is based during an evening within the Irish civil wars. It tells of a republican sniper sitting on a rooftop and neutralising enemy units as the cross a bridge. When a free-states sniper shows himself on an opposite roof they wage a fierce and innovative war to see who would end up the better. Eventually the republican sniper gains the upper hand and after taking a bullet in the arm destroys the worthy opponent. After a curious inspection to the identity of the enemy sniper he finds himself looking into the eyes of his dead brother.
Sophocles’ Oedipus Rex introduced the one of the most important tragic heroes of Greek literature. First performed in the fifth century B.C.E., the play is centered around Oedipus, the king of the Greek city-state Thebes, and his struggle to conquer his emotions as he seeks out the true story of his life. This work, inspired by a well-known Greek myth, scrutinizes both the tragic flaws of Oedipus and his heroism. Examples of Oedipus’ tragic flaws abound in the play. In his condemnation of Tiresias and Creon, Oedipus is controlled by his emotions. However, the heroism of Oedipus is also an essential theme of the drama, though it is often downplayed. Despite this, careful analysis can uncover many instances in which Oedipus exhibits his heroism by attempting to control his emotions and discover the truth of his origins. In his finest moments, Oedipus is in complete command of his emotions as he searches for the truth, while at his nadir, Oedipus is completely controlled by his emotions and is absolutely unpredictable. This contrast is, in large part, what makes Oedipus a tragic hero. Oedipus, King of Thebes, is among the greatest Hellenistic tragic heroes because of his fight to overcome his greatest flaw, his uncontrollable anger, as he heroically searches for the truth.
“The Sniper” is a short story written by Liam O’Flaherty that was released on January 12, 1923 in an issue of a weekly socialist publication, called The New Leader. It’s a very easy read with a surprise twist at the end that I felt complimented what the author was trying to convey about civil wars. I enjoyed reading this story because of its militaristic and subtle political theme. It shows what humans are when conflict stirs. A huge downside to civil war is brought to the surface with this story’s surprise ending. I would recommend reading this because I believe it really shows the true nature behind wars and the effect it can have upon humans involved in wars. Being threatened for your life, a human can overcome unsurmountable feats with critical thinking and wit, but it’s not without its downfalls as this story shows.
The story demonstrated the tough decision the snipers had to make in the war. The snipers had to go through a lot of hard training; it took a lot of dedication and motivation. Being a sniper is a very tough position they had many responsibilities. They had to protect their teammates over night while they traveled to their destination. Snipers had to stay put overnight without being able to leave their location to make sure their teammates do not get ambushed, sniped from the terrorist, or walk into a trap. The terrorist would set traps in the ground and the sniper would have to watch to make sure the Americans do not walk into it or they would catch them planting the bomb and kill them in the
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
The most common mythological theme across different cultures is the creation of humankind because everyone has always questioned how the earth was created and so forth. Creation myths are “usually applied to a mytho-religious story which explains the beginning of humanity, life, the earth and the universe as being the result of a deliberate act of supreme beings or being” ("Creation myths," 2007). Individuals from different cultures believe in a higher power known as God and they believe that the higher power is the creator of earth, animals and humankind, however each culture believe in different Gods but they all believe that God is the creator and that is the universal theme across different cultures.
Sophocles’ Oedipus Rex has fascinated readers for over two millennia with its tale of a man who falls from greatness to shame. The enigmatic play leaves many questions for the reader to answer. Is this a cruel trick of the gods? Was Oedipus fated to kill his father and marry his mother? Did he act of his own free will? Like the Greeks of centuries past, we continue to ponder these perennial questions. Part of the genius of Sophocles is that he requires a great deal of mental and spiritual involvement from his audience.
Myths and religious doctrine are generally recognized as two entirely different things. Myths are usually referred to as a fictitious story or a half-truth; often they are stories shared between groups of people that are part of a cultural society. Religion is a set of beliefs concerning the cause, and purpose of the universe, and often containing an ethical code dictating appropriate human conduct. Although they differ in certain aspects, they still hold similarities. Comparable to parables within the Bible, myths have different versions which are both motivating, as well as entertaining. There are not only parallels to the idea of the stories but specific tales hold similar morals and equivalent characters.
Mythology is defined two ways: a collection of myths, especially one belonging to a particular religious or cultural tradition (Oxford Dictionary) and as the study of myths (Oxford Dictionary). Myths are stories that are based on tradition and have significance to a culture. They are sacred tales that explain the world and a person’s experience. Some myths may have factual origins, while others may have fictional origins that explain religion or natural phenomenons. Many philosophers and scientists all over the world have tried to answer the questions that truly can’t be answered: what is the universe and how did it all begin, who am I, where did I come from, and why am I here? Myths and mythology try to provide people with heroic figures such as gods and goddesses—representing a person, place, or thing in a past, present, or future event—to help explain natural phenomenon’s and control civilization giving people a grasp on some type of reality.
In the two thousand since “Oedipus Rex” was written, it has been analyzed and dissected innumerable times and in every possible way. Usually the analysis has been within the context of the play itself or within the context of other Greek tragedies. Perhaps it would be more relevant and interesting to evaluate the play within the context of the modern world.
Oedipus looses honor, and respect from many and especially his own self when he finally sees clearly. So of all of Aristotle’s ideas about tragedy, this tragic play acquires four, and they’re interconnected in the way that makes a good tragic play.
The time period of Greek theater’s popularity was a very influential time in our world’s history. Without knowing what Greek theater was all about, how can someone expect to truly understand a tragic play and the history it comes with? The history behind the character of Oedipus, in the play Oedipus the King, is very complicated. His intricate past dealing with prophecies, family members, and murder is the main focus of the story. There are many characteristics that complete Aristotle’s definition of a tragic hero; these being the presence of hamartia and peripeteia, a sense of self-awareness, the audience’s pity for the character, and the hero is of noble birth.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
A modern tragedy of today and a tragedy of ancient Greece are two very different concepts, but ironically, both are linked by many similarities. In “Poetics”, Aristotle defines and outlines tragedy for theatre in a way that displays his genius, but raises questions and creates controversy. Aristotle’s famous definition of tragedy states: