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As Oedipus as an aristotelian tragic hero
As Oedipus as an aristotelian tragic hero
As Oedipus as an aristotelian tragic hero
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Mercedes Ruehl plays Anne Napolitano a strong spirited, authoritative woman who owns a video store in a seedy part of New York. Anne is a stern woman who wants to be loved and give love. She knows what she wants her life to look like, but feels insecure. Anne is a Byronic hero because she wants love reciprocate from Jack, whom, she provides solace to after his fall from grace (Smart.co.uk). As a Byronic hero, Anne is jaded, socially and sexually dominant, and she is intellectually perceptive. Anne will find her holy grail, but not before she is categorized within the Madonna ‘whore’ complex. Anne has a social and sexual dominant presence, who according to Freud, could be called a ‘Madonna complex.’According to Penn State, “Sigmund Freud developed a theory to explain men’s anxiety towards women’s sexuality, suggesting that men cast women into one of two categories to allay the uncomfortable dichotomy of fear and desire: the Madonna (women he admires and respects) and the whore (women he is attracted to and therefore disrespects). …show more content…
Anne’s holy grail is finally receiving the love she craved for so long, and after the long wait she didn’t have to change who she was. She never changed herself because that’s just the person she is: loud, dominant, and confident. Anne being herself, real, made Jack see that she is who she is, and she is not going to change for anyone not even for him. Once Anne’s holy grail is found she is categorized by Jack as the ‘Madonna.’ It took Jack the whole movie to realize that she is who she is, and at the end, she gets the love she wants, and has craved for so long. As an existential Byronic hero Anne stayed true to who she is, while facing a love crisis that ultimately solved itself. “Life begins on the other side of despair” (Jean-Paul Sartre), Anne lives in a speedy, loud world, found love staying true to herself and letting love be
“There is in fact no such thing as an instantaneous photograph. All photographs are time exposures, of shorter or longer duration, and each describes a discrete parcel of time.” -John Szarkowski
Anne of a Thousand Days. The way that she behaves, and the decisions that she
Anne’s thoughts and perspectives of stuff she encountered with, or the struggles she endured weren’t shown in depth in the film. Her curiosity and wonders of countless stuff weren’t shown to the best of ability. Anne was a young girl figuring out many new things in life, in the film however her thoughts aren’t really elaborated. Making the film less interesting, considering the book is a diary full of her encounters of war and the disruptive life that she constantly envisaged throughout her life. She says, “What does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart. (20 June, 1942). This quote accentuates the way she wants to write stuff, in the film however she doesn’t
Agnes of God is about a young, simple-minded nun Sister Agnes who gets pregnant and her newborn child is found dead in a wastebasket in her room. Sister Agnes claims to not remember the conception or the birth so psychiatrist Dr. Martha Livingston is appointed by the court to determine whether Sister Agnes is fit to stand trial for the murder of the baby. When it comes time to question about who the father is, who is never mentioned in the play, it becomes a mystery of it all as that the nuns lead a sequestered life and so it seems there are no men who could possibly have been the father other than old Father Metineau. Dr. Livingston a lapsed Catholic is determined to get to the bottom of this. She meets her match in the convent's mother superior, Mother Miriam Ruth, who seems determined to protect the fragility of Sister Agnes and the story she says of her immaculate conception. Agnes is not concerned with the solution to the gruesome murder; it merely uses the suspense generated as the backdrop for a much wider debate between science and rationality on one hand, and religious faith on the other.
Margaret Atwood’s Anne of Green Gables essay presents a possible alternate protagonist. She suggests that despite Anne being the most popular protagonist, Marilla is the central character. Atwood compares the superficial changes in Anne to the purposeful ones in Marilla. There are examples of this throughout the text as well as Atwood’s essay. Atwood discusses Anne's popularity in modern times. She dubs this cult following the “Annery,” and gives a list of the resulting products. The list includes things such as Anne cookbooks, notepaper, and aprons. This creates images of factories and mass production, adding to the idea of a superficial Anne. The public idolizes the untamed girl Anne was, and shows little demand for anything else. A close reading of the text shows that although Anne becomes tempered and less vain, her personality remains static. It also shows
The third decade of the twentieth century brought on more explicit writers than ever before, but none were as expressive as Anne Sexton. Her style of writing, her works, the image that she created, and the crazy life that she led are all prime examples of this. Known as one of the most “confessional” poets of her time, Anne Sexton was also one of the most criticized. She was known to use images of incest, adultery, and madness to reveal the depths of her deeply troubled life, which often brought on much controversy. Despite this, Anne went on to win many awards and go down as one of the best poets of all time.
As a young girl, Anne’s first “teacher” was her very own mother. Anne was a curious little girl. With her curious ways and always wanting to find out what is happening around her, her mother wouldn’t give her any information. Her mother mostly told her to keep quiet and act like she doesn’t know what is happening. Besides
"The book is about the anxiety of self-presentation; Bridget is both Everywoman and an implicitly ironic observer of Everywoman." (New Yorker) Helen Fielding writes about the anxiety of self-presentation in Bridget Jones's Diary. The New Yorker accurately identifies this central theme. Moreover, it correctly asserts that Bridget's search for meaning and order in her life exemplifies Everywoman. However, the New Yorker credits her with a far more heightened self-awareness than she possesses. Bridget is not an observer but a reporter. Observing suggests wisdom, often attained through detachment, but Bridget remains in the thick of it-usually blind to her girl friends' follies. It is up to the reader to infer the social criticisms that Bridget conveys without realizing.
When Harvard symbologist Robert Langdon is called to The Louvre on account of Jacques Sauniere's death, he is greeted by a carefully placed arrangement of clues the curator all so strategically left behind. One clue was an anagrammed grouping of the Fibonacci sequence. At first glance the structure seems like randomly strewn numbers, but Langdon knows that Sauniere is a smart man, and that they must mean something. Before he can possibly make any sense of it, Agent Sophie Neveu from the DCPJ's Cryptology Department arrives to break the code. While at the museum she reveals privately to Langdon that they are both in great danger. The Judicial Police think that Langdon has killed Sauniere - Sophie's grandfather.
The Holy Grail has been a mystery for the mankind throughout ages. The Da Vinci Code opens up the curtain and reveals the backstage of this matter as it may be considered the reflection and summary of all Holy Grail theories which have ever existed Though the topic is rather sensitive the theory is chosen on the subjective preferences of the author and the definition of the Holy Grail is presented through the prism of this
Mary Magdalene was a woman who was a mystery to many people for centuries. She was mentioned only a handful of times in the New Testament. Even though she was only mentioned a few times she carried a lot of character. To this day there is not an extended amount of information to help support people’s thoughts and ideas about this woman.
...an only find true happiness in marriage with someone who shares similar manners and treasure people’s qualities over their look and status. This is when Anne’s sensibility allows her to disregard her family’s persuasion and become determined to fulfill her love with Wentworth.
The acting retains the realistic essence of the film, although the three protagonists act in rather different fashions. Gorgeous Adinia Wirasti plays the disillusioned rich woman, whose horizons have been opened by her stay in New York. The fact that she exemplifies that she is cultured but also a bit spoiled is the highlight of her performance. Ina Panggabean presents her character in a rather vocal and externalized fashion, being the main source of comedy in the film. Marissa Anita as Naomi is the exact opposite, as she is quite laconic in presenting Indri's sadness.
...thinks she has no dignity as she is unable to become the perfect daughter her parents expect her to be. She thinks negatively only because she loses faith in herself. Anne loses her self-worth as she believes, “wholeheartedly in her shortcoming” (Ohlin 19). This shows that Anne believes that she deserved to be raped and she is worthless. Anne loses her faith and as a result she blames herself for the sexual assault. Anne’s negative tone shows degradation of her self- esteem. Contrary to the speaker who gains faith and achieves inner peace, Anne loses faith in herself and ends up losing her self-esteem.
...nt, independent, and thoughtful character, there is an undertone running throughout he novel that suggests that she has failed to adopt the befitting social role for a woman. Ultimately, she is portrayed as irrational and emotionally labile, driven by insatiable desires: "I don't know myself," says Anna as she sinks near to her lowest ebb; "I only know my appetites, as the French say."15