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How did Andy Warhol influence the art world
Andy warhols arts impact on society
Andy warhol and post modernism
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The modern artist, Andy Warhol, is one of the most well known pop artists of the 1960’s. Warhol purposely strayed away from the very emotional painting style of the Abstract Expressionists. He was influenced heavily by American Pop culture, borrowing several images as well as ordinary consumer products for his pieces. Ultimately he approached his art in a way to have commercial or advertisement look. Warhol’s goal was to strip down art of its magical qualities, and wanted it to look like anybody could do it. Warhol’s work explores a vast number of ideas in American Pop culture. In his most famous piece, “Campbell’s Soup Cans”, Warhol created 32 canvases each hand painted to resemble the image of the canned Campbell’s brand soup. The reason …show more content…
He argued that past art demanded thought and understanding, whereas advertising and celebrity culture demanded only immediate attention, very quickly becoming uninteresting and boring(). Art should stimulate more the viewer than just visually. Art that has substance behind it I tend to remember more or think about more. This piece is innovative, it brings about ideas with it that hadn’t been discovered in our society. I can see how the audience at first glance could consider this not to be art. I probably would’ve agreed, but learning about it I know that every time I see the repeated images of the soup cans I now think twice. I consider good art to be art that is able to stimulating the mind visually, by bringing about new …show more content…
He created a façade with his identity by wearing a wig and created a particular fame for staying away from the limelight. His personal life was very private. With these self-portraits and his façade, he was able to hide in plain sight uncamouflaged. Warhol promoted himself as an anti in the celebrity world. Being a Pop artist the influence of celebrity culture that affected our society made him aware of how much we conceive an idea about his or her identity just because we see them all the time. He explained early in his career, “If you want to know all about me, just look at the surface of my paintings and films and me, and there I am, There’s nothing behind
Nobody comes to watch his show, which makes him feel frustrated. He even receives the harsh criticism that his “processed cartons and tin cans [cannot be classified] as sculpture”. Indeed, there is high possibility that Hap agrees to this comment, calling it “something other than art”. Hap’s reaction to the reality that Warhol’s work has been sold for 23 million dollars is imaginable; of course he would be shocked, pondering whether it is reasonable. The tolerance to embrace others’ style of art does not exist in Hap, since he has distinct
Warhol, Andy, and Pat Hackett. POPism: the Warhol '60s. San Diego: Harcourt Brace Jovanovich, 1990. Print.
Andy Warhol and Frida Kahlo had an immense amount of impact on the world of art. Warhol has always explored the rooted connection between celebrity culture and artistic expression, which left him with a lasting legacy that has marked him for one of the most famous artists to have existed. The population was fascinated by Warhol’s ability to blur the lines between fine art and innovative design, providing him a large following and work that will be remembered for decades. Kahlo too is a name that is not likely to be forgotten. Her work is recognizable on a global level and her works are loved by many people. The deep admiration her followers have given her, and the amount of modern artists that she has influenced, creates an immortalization
Andy Warhol, born as Andrew Warhola, is famously known as the leader of the pop art movement back in the 1950’s. One of Warhol’s most famous prints is Campbell’s Soup Cans consists of thirty two canvases lined up in a row of eight and columns of four; another of artwork of Warhol similar to this is Green Coca-Cola Bottles which consisted of 210 Coca-Cola bottles. Many of Warhol’s artwork consisted of a subject repeated and cloned multiple times. Many would say it was because Warhol was raised during the time period where factories began the mass produce, which does contribute to his artwork. But, Andy Warhol was also an incurable hoarder. Warhol wrote in his autobiography that his conscience wouldn’t let him throw anything away, even when
The nineteen sixties, seventies, and eighties were periods of self righteousness and discovery. With many new styles and beliefs arising during those eras, Warhol’s imagination would begin to produce ideas that were unheard of but revolutionary at the same time. American values were altered and so Warhol saw a chance to highlight how easily people are influenced by the media and pop culture. He used many aspects of the new cultural society to create his artwork.
...ma that he worked so hard to create. Everything Warhol has ever saved from his life has been archived and goes through daily inspections to uncover new meanings for his art or hidden secrets about his infamous life, always without luck. If Warhol did have any secrets they were well covered up, he led his life like he always wanted living in the limelight, befriending the rich and famous getting his own “fifteen minutes of fame”. Is this the only life Warhol led however? At the end of each day when he was without his Superstars, did he take off his “Andy suit” and become Andrew Warhola again? Or did the lines between reality and fantasy become so blurred that the long term performance of Andy Warhol was the only life he lived? It can never be fully known if his persona of Andy Warhol was truly his identity or if in fact it was the greatest piece of Pop Art ever made.
Andy Warhol’s Gold Marilyn Monroe is a canvas with a silkscreen of Marilyn Monroe’s face. It is placed behind gold background. Warhol produced this painting of Monroe to imitate how the public perceived the film start. The image portrayed in the painting also shows the side of Monroe that is not seen when not in the medias eyes. It can be portrayed as a sad figure, one who’s life is not all that it seems to be. The painting is reflected in a time when media has an influence in the people’s perception of life, how they should live and what to strive for.
The subject of Andy Warhol work was mostly about the mass produce world in a modern day New York City. He would explore with other medium besides art such as celebrity, media and commercial advertisement. Warhol was really fond of the social status of Hollywood stars. The glamour and fame was what makes him inspired. He would collect magazine and newspaper tabloid just so he could stay updated with the latest trend.
In the 1960s a new art movement was born. This new artistic style included artwork that looked juvenile but was balanced equally with fine art. This new movement was called Pop Art. Pop Art was influenced by modern pop culture and mass media. It usually is critical towards traditional art values. This style elevated the status of everyday objects through artistic expression mainly focusing on consumerism. The movement originated in New York and included renowned artists such as Andy Warhol, James Rosenquist, and Claes Oldenburg. The movement’s co-founder was also Roy Lichtenstein who, as society came to know him, was not the typical artist of his time.
theartstroy.org. 2013. The web. 22 November 2013. Warhol, Andy.
America had gone through a depression and a world war; Warhol had lived through this and saw the changes of development and manufacture. During the war production changed to mass production, and when the war was over they related this technique to modern advertising. What Warhol did was take this change in production and turned it into art.
Campbell's Soup Cans work suggests a mechanical uniformity that is repeated in the thousands of homes that have a similar object, a banal and common representation of the spirit of our time. Warhol continued to express his ideas about consumerism and kept using repetition in his work. He created several works that involved the same theme of Campbell’s Soup Cans throughout the years.Campbell’s Soup Cans is a work of art produced by pop artist Andy Warhol in 1962. It consists of thirty two canvases of the same size, each 20x16 inches, with a painting of one can of Campbell’s soup, each representing one of the flavors that the company offered in that time. Because of this, it is also known as 32 Campbell’s Soup Cans. The individual paintings were done with a semi mechanized process of serigraphy ("Campbell's Soup Cans").
Pop art began in the 1950s in Britain and later became a phenomenon in New York. It instantly appealed to the younger masses, but also the middle-aged generation that searched for the excitement of youth within the arts and entertainment. (Lippard 2004) Pop art does not depict a style; it is much rather “a collective term for artistic phenomena” in which the feeling of being in a specific time discovered its solid expression. Pop art harmonized the “progress-orientated prospects of the epoch” and also the disastrous viewpoint of the period. (Osterwold 2003) According to Osterwold the word ‘Pop’ is a fashionable and popular term. It is lively, unexpected and critical, fast to react to the mottos of mass media, “whose stories make history, whose aesthetics shape the paintings and our image of the era, and whose clichéd ‘models’ determine our behavior.”(Osterwold 2003)
Clive Bell theorizes art in terms of a theory known as Formalism. Formalism is based upon a relatively simple line of logic. All art produces in the viewer an emotion. This emotion is not different but the same for all people in that it is known as the Aesthetic Emotion. There must be a factor common to all works of art that produces in the viewer a state of Aesthetic Emotion thus defining the works as art. This common factor is form. Formalism defines artworks as that which has significant form. Significant form is a term used by Bell to describe forms that are arranged by some unknown and mysterious laws. Thus, all art must contain not merely form, but significant form. Under Formalism, art is appreciated not for its expression but instead for the forms of its components. Examples of these forms include lines, curves, shapes, and colors. Abstract art, twentieth century, or modern art such as color field painting or the works of Mondrian, are examples of art that are not representative and thus are most lik...
Warhol’s 1962 Marilyn Diptych, featured one of the greatest icons of that time, Marilyn Monroe; of the two portions of this piece, one contained several prints of Marilyn painted in vibrant neon colors, while the other was created using only black and white. The vibrant piece demonstrated how, though Marilyn had recently passed, she was still very much alive in American culture; the black and white portion represents the downward spiral that eventually lead to her suicide. Though, in this particular instance Warhol used colors not present in the original photograph, he still produced a piece that lacked obscure significance; his work continued to be purely