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‘Assisi’ By Norman MacCaig- Essay By Zaynab Zahra “Assisi by Norman MacCaig is a poem which deals with a religious issue within the Catholic Church. MacCaig’s speaker visits a church, which is being celebrated for its riches, while a beggar sits outside needing help, revealing the hypocrisy of the church. The lack of a regular meter or rhyme scheme allows the narrative of the poem to convey MacCaig’s important message to all. In the first stanza of the poem the speaker graphically describes the pain and suffering of the beggar and explores his physical condition. The MacCaig introduces the poem by stating: The dwarf with his hands on backwards The writer describes the beggar as “The dwarf with his hands on backwards”. The poet refers to the beggar as a dwarf and “his hands on backwards” suggests his grotesque position and also tells us he is in pain and distress. The use of a metaphor helps to portray his discomfort and suffering which further develops our image of the beggar’s situation. Following that, the narrator continues describing his appearance and says: …show more content…
This line is also an example of sibilance and helps the reader picture a vivid image in their minds of his suffering and imagine how deformed he is that cannot support his body. Nearing the end of the stanza the poet conveys his feelings about the beggar and he
A poem which evokes a mood of pity in the reader is “Assisi” by Norman MacCaig. In this poem, MacCaig recounts an experience that shaped his own life while visiting the Basilica of St Francis of Assisi in Assisi, Italy. While the church is known for it’s outstanding beauty and priceless artwork, the poet discovers a beggar with severe physical disabilities begging outside the church. MacCaig then exposes the irony of the church constructed to celebrate a man devoted to poor, is now a symbol of hypocrisy. Instead of being a lasting monument to the original and noble philosophies of St Francis. Norman MacCaig evinces pity within us by effectively applying techniques such as vivid imagery, emotive word choice and contrast.
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
McCaig gives the reader a graphic description of the dwarf in both stanzas 1 and 3 where he uses many littery techniques to describe the dwarf. In stanza 1 he uses alliteration, simile and metaphor to give the reader a graphic view of the dwarfs deformed body:
Chapter one, ‘Beginnings at Assisi,’ offers a vivid description of the social, political, economic, cultural, demographic description of Assisi and its inhabitants. Here, the author describes the life of Francis and the situations and circumstances prompting his journey to spread the ideal gospel life to the world. This chapter is relevant in determining the circumstances that instigated a need for reforms in the Catholic Church. This chapter is applicable in my life because it offers insight on the fundamental Christian I can rely on in my daily life.
In his Earlier Rule, Francis encouraged the friars to preach through their actions rather than their words (Let all the brothers, however preach by their deeds). For Francis, gestures and symbols were as important as the words themselves. In the Franciscan sources, Francis depended as much on dramatic gestures and images as he did upon words he spoke (or didn’t speak) to preach his message. The meal at the Greccio provides an excellent example of how Francis used both of these elements, as well as words to make manifest “sermon”. This paper will examine this Greccio meal through the lens of two sources, the earlier Assisi Compilation and the later work, The Remembrance of the Desire of a Soul by Thomas of Celano. The Greccio meal will be compared and contrasted in these two sources, especially with regards to the significance of Francis unspoken actions within these writings. For Francis, actions did indeed speak louder than words.
The narrator begins developing the thesis by using a figurative language, imagery, found in the second stanza: “I love people who harness themselves, an ox to a heavy cart,
Harper begins the poem by detailing the start of the speaker’s relationship with a man, developing it through the use of metaphor and concrete diction. From the first few lines of the poem, the reader learns that the relationship was destined to be futile through Harper’s use of metaphor: “If when standing all alone/ I cried for bread a careless world/ pressed
The poem focuses on the son’s feelings and thoughts as he is looking up at what he perceives to be his father’s hospital window. The second stanza concretes the literal foundation for the poem—the son is despondent about the gravity of the situation revolving around his father’s cond...
The tone of this poem is very dark, with is shown with words such as “grim” (Mcfee, 11), and “graves” (Mcfee, 12). These words are used to show the defeat the protagonist faces in his battle with himself. He can no longer stand living his repetitive lifestyle, in which he has lost his ability to love himself. Moreover, this enhances the theme of a midlife crisis through the use of depressing language. Mcfee writes, “belly’s cambium/ expanding to match each birthday” (6-7) to show how the protagonist is comparing his body to a tree. Cambium describes the addition of rings to woody plants. This shows how the protagonist is dehumanizing himself and can only view himself in terms of how he looks. As he grows older, he feels he grows more and more unattractive due to the excess of weight he is carrying. In addition, as the poem progresses, the language become more and more dark, similarly to his life. Mcfee writes, “stars collapsing on themselves” (13) which symbolizes the narrators loss of hope. It can also represent him physically collapsing from the weight he has to carry both physically and
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
Even with his prayer, and his wine-induced courage, the speaker still despairs. He compares himself to “the poor jerk who wanders out on air and then looks down” and “below his feet, he sees eternity,” when he realizes that “suddenly his shoes no longer work on nothingness” (5.12-15). It is as though he is submitting to the reality that, if he steps beyond the safe borders of the proven approaches to writing, there is no magic potion that will guarantee his success. Nevertheless, he appears to be willing to take his chances, and, ironically, he does so with this prayer, which is stylistically unconventional. In a desperate attempt to remind his readers that he was once considered a good writer in the event that this poem does not meet their traditional standards, he makes one final request: “As I fall past, remember me” (5.16).
The entire story was a symbol of Needy’s life. The setting in the story was symbolic to the way Needy was feeling. Needy’s life was diminishing right before his eyes, and he did not realize it. The different changes in the story represented how much Needy’s life had gradually changed over time. By reading the story the reader can tell that Needy was in a state of denial.
Standing tall during trials and tribulations and fighting his battles in private, he continues to fight without showing an ounce of second thought or withdrawal. “In the fell clutch of circumstance,” the speaker does not show his pain or hurt with action. He takes the beating without backing down or crying aloud. Keeping his head up, he tells us in the last line of stanza two that, “My head is bloody, but unbowed.” He refuses to be defeated. This line provides imagery of just how bad the speaker feels on the inside. Readers begin to picture how broken and hurt the speaker must feel, while at the same time seeing how brave and strong he is for not giving up. Encouraging readers to reflect upon their own problems and inspiring them not to throw in the towel when things get rough. You begin to connect with the speaker and relate your own “bludgeonings of chance” to his, while identifying with
The poet uses examples of imagery in this poem. The poet uses a simile in the first line of the first stanza to start off the poem. The simile she uses is ''the skin cracks like a pod''. The opening of the poem gives a clear message that something is severely wrong. A pod cracks with barely any resistance so the comparison to the skin is a unreserved statement outlining how easily the skin is. There is obviously a drought or a vast undersupply of water. The opening surprises the reader and gives an indication of what is to come. The poet uses a short and abrupt line which is effective
In doing this, the usher of the church on “Fifth Avenue,” abandoned someone less fortunate in order to maintain a good appearance. This “house of God,” which should be opening its doors to give a he lping hand, turns away a man in need of help. Hughes shows betrayal in the same poem, when the less fortunate man asks St. Peter if he can stay. St. Peter replies, “You ca...