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Gender and roles of women in literature
Female writers in literature essay
Gender and roles of women in literature
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While reading the poem “Daystar,” written by Rita Dove, its readers most likely do not ask thought-provoking questions like “Why did Dove write this?” or “What is the true meaning behind this poem?” but the poem has deeper meaning than what its outside layer portrays. Dove, an African American woman born in 1952, has not only viewed the racism of the United States society, but she has also seen how gender can or cannot play a role in the advancement of a person’s life (Rita Dove: The Poetry Foundation). The poem “Daystar” not only takes an outside perspective on the everyday life of a woman, but it closely relates to Dove’s family history. Dove uses the experiences of her life as a woman, and the knowledge gained from living in countries other than the United States, to depict the pressure and desire felt by mothers and/or wives on a daily basis. “She wanted a little room for thinking” (1) is how Dove begins her poem, and this automatically lets the reader know that the female subject of the poem has been troubled by something, or someone. This line alone portrays the gender of the poem, and it welcomes the reader into the life of this woman who desires to reflect on whatever has been troubling her. By using the pronoun “She,” as opposed to “I,” Dove looks in on the life of an unknown woman and not on the life of her own. Throughout the poem, we learn about this woman’s miniature escape away from her daughter, Liza, and all of the responsibilities that come with being a mother. The poem’s title also tells the reader that this stressed woman is in search for something not within reach. Taking a look at the role of gender, the life of Dove herself, and the knowledge shared by scholars Stein, Meitner, and Righelato, a deeper look... ... middle of paper ... ...own life and the research of others’ are two of her prime techniques in writing her world-famous poetry. Works Cited "Comprehensive Biography of Rita Dove." The Rita Dove Home Page. University of Virginia. Web. 27 July 2011. . Meither, Erika. "On Rita Dove." Callaloo 31.3 (2008): 662-666. Project MUSE. Web. 21 Jan. 2011. . 26 July 2011. Righelato, Pat. "From Understanding Rita Dove." Callaloo 31.3 (2008): 668-668. Project MUSE. Web. 21 Jan. 2011. . 26 July 2011. "Rita Dove: The Poetry Foundation." Rita Dove. Poetry Foundation, 2011. Web. 27 July 2011. . Stein, Kevin. “Lives in Motion: Multiple Perspectives in Rita Dove's Poetry.” Mississippi Review 23.2 (1995): 51-79. JSTOR. Web. 27 July 2011.
De Burgos, Julia. “To Julia de Burgos.” Song of the Simple Truth- The Complete Poems of Julia de Burgos. Ed. Jack Agueros. Willimantic, Ct.: Curbstone Press, 1996. 3-5.
O'Hara, Frank. "The Day Lady Died." The Norton Anthology of Modern and Contemporary Poetry. Ed. Jahan Ramazani et al. 3rd ed. 2 vols. New York: W.W. Norton and Company, 2003. 2: 365.
Throughout history, the story of womankind has evolved from struggles to achievements, while some aspects of the lives of women have never changed. Poet Dorianne Laux writes about the female condition, and women’s desire to be married and to have a home and children. She also seems to identify through her poetry with the idea that women tend to idealize the concept of marriage and settling down and she uses her poetry to reach out to the reader who may have similar idyllic views of marriage or the married lifestyle. Though Dorianne Laux’s poem “Bird” reads very simply, it is actually a metaphor for an aspect of this female condition.
McKusick, James C. "The Return of the Nightingale." The Wordsworth Circle 38 (Winter/ Spring 2007): 34-38.
In conclusion, the motivated girl turned influential inspiration became one of the most famous women in history through her literature, albeit she had some trouble getting started in her chosen industry. While Louisa May Alcott is most often identified as an author, she also was a dedicated daughter and sister, a Transcendentalist, and an inspiration. Part of the reason that Louisa May Alcott stands out is because of her interesting family, career, and medical history, but undeniably, the masterpieces she constructed in the form of prose will keep the memory of this outstanding woman alive for as long as persons on this earth can read literature, understand the context in which it was written, and truly comprehend Louisa May Alcott’s purpose for writing.
When I first read some of Miss Porter’s work, I came away feeling depressed, empty and wondering why she even wrote. Her stories seemed unfinished, incomplete and pointless. However, I find myself thinking about those works, discovering new things and realizing a deeper meaning in the stories.
Poetry Foundation. Ed. Poetry Foundation. Harriet Monroe Poetry Institute, n.d. Web. 26 Jan. 2014.
Barnstone, Aliki, and Willis Barnstone. A book of women poets. New York: Schocken Books, 1980. Print.
Influenced by the style of “plainspoken English” utilized by Phillip Larkin (“Deborah Garrison”), Deborah Garrison writes what she knows, with seemingly simple language, and incorporating aspects of her life into her poetry. As a working mother, the narrator of Garrison’s, “Sestina for the Working Mother” provides insight for the readers regarding inner thoughts and emotions she experiences in her everyday life. Performing the daily circus act of balancing work and motherhood, she, daydreams of how life might be and struggles with guilt, before ultimately realizing her chosen path is what it right for her and her family.
Marchino, Lois A. "My Last Duchess." Masterplots II: Poetry Series. Ed. Frank N. Magill. Vol. 4. Pasadena: Salem, 1992. 1443-1445.
...ve for what is dear to her, nature. The world from the top of the pine tree, “the see with the dawning sun making a golden dazzle over it…two hawks with slow-moving pinions” flying east (Jewett, 1884, 1914, qtd in McQuade, et.al., 1999, p. 1645). Sylvia was speechless from the world’s beauty, she “felt as if she too could go flying away among the clouds…” (Jewett, 1884, 1914, qtd in McQuade, et.al., 1999, p. 1645). She climbed down but her soul still remained at the top of the world and stayed true to herself and to what she loved.
Mason, Jr., Julian D. The Poems of Phillis Wheatley. Chapel Hill: The University of North Carolina Press, 1989.
The poem also focuses on what life was like in the sixties. It tells of black freedom marches in the South how they effected one family. It told of how our peace officers reacted to marches with clubs, hoses, guns, and jail. They were fierce and wild and a black child would be no match for them. The mother refused to let her child march in the wild streets of Birmingham and sent her to the safest place that no harm would become of her daughter.
This, in fact, is an example of “dynamic decomposition” of which the speaker claims she understands nothing. The ironic contradiction of form and content underlines the contradiction between the women’s presentation of her outer self and that of her inner self. The poem concludes with the line “’Let us go home she is tired and wants to go to bed.’” which is a statement made by the man. Hence, it “appears to give the last word to the men” but, in reality, it mirrors the poem’s opening lines and emphasises the role the woman assumes on the outside as well as her inner awareness and criticism. This echoes Loy’s proclamation in her “Feminist Manifesto” in which she states that women should “[l]eave off looking to men to find out what [they] are not [but] seek within [themselves] to find out what [they] are”. Therefore, the poem presents a “new woman” confined in the traditional social order but resisting it as she is aware and critical of
Rodd, Laurel Rasplica., and Mary Catherine. Henkenius. Kokinshu%u0304: a collection of poems ancient and modern. Princeton: Princeton UP, 1984.