In the essays "You Can Go Home Again" by Mary TallMountain and "Waiting at the Edge: Words Towards a Life" by Maurice Kenny, both writers are in search of something. Throughout their lives, they 've been mocked and felt out of place due to their Native American heritage. Both authors wanted to disown their heritage; however, it is through this attempted renunciation, that both authors wanted to fit in amongst their peers. In order to do so, TallMountain and Kenny had to search for their selves. Both, TallMountain and Kenny, search for their identity through family, school, and nature. At a very young age, TallMountain 's family was nonexistent; her mother died at a young age and as a result, was adopted by Anglos. The emotions she felt as …show more content…
Her family was nonexistent and when she was adopted, she had a teacher named Agnes. While TallMountain learned much from her, she hated school. TallMountain says, “I refused to go to school because my schoolmates mocked my Indianess” (6). TallMountain has always looked for who she really was. She never had a sense of who she was because everyone degraded her as a human being. She felt alone, she couldn 't be kind to anyone and, as a result, became pessimistic. She felt as if she would never fit in. Her quest for self stemmed from childhood enigma. The school children took her identity and from that moment on, she would search for her inner …show more content…
TallMountain grew up under "families" that fought for the bane of her adoption. Ever since she was a little girl, she 's experienced violence. The Anglos who debated the adoption were against it and the village disputed on whether it was a good idea or not. However, this was not the only event that TallMountain experienced that made her grow into the pessimist she is. She had several encounters at school that mocked her for who she really was. This treatment eventually translated to the day when she visited her mothers grave. She asked Whites were her mothers grave was only to discover that she hated everything about their voices. Everything soon changed as she held her mothers scraper; TallMountain says, "I have her. I have Mom, her blood and her spirit" (11). It is at this pivotal moment that she realized that her heritage is what makes her her. She now appreciates all the land has developed and gained an optimistic view of the world. She 's come to realize that the person she tried to neglect this entire was the person that would help her grow into the "Indian" she always
In the young life of Essie Mae, she had a rough childhood. She went through beatings from her cousin, George Lee, and was blamed for burning down her house. Finally Essie Mae got the nerve to stand up for herself and her baby sister, Adline as her parents were coming in from their work. Her dad put a stop to the mistreatment by having her and her sister watched by their Uncle Ed. One day while Essie Mae's parents were having an argument, she noticed that her mothers belly was getting bigger and bigger and her mom kept crying more and more. Then her mother had a baby, Junior, while the kids were out with their Uncle Ed. Her uncle took her to meet her other two uncles and she was stunned to learn that they were white. She was confused by this but when she asked her mom, Toosweet, about it her mom would not give her an answer one way or the other. Once her mom had the baby, her father started staying out late more often. Toosweet found out that her dad was seeing a woman named Florence. Not long after this, her mother was left to support her and her siblings when her father left. Her mother ended up having to move in with family until she could obtain a better paying job in the city. As her childhood went on she started school and was very good at her studies. When she was in the fourth grade, her mom started seeing a soldier named Raymond. Not too long after this, her mother got pregnant and had James. Her mother and Raymond had a rocky relationship. When James was born, Raymond's mother came and took the baby to raise because she said that raising four children was too much of a burden for a single parent to handle. Raymond went back to the service for a while but then when he came back he and Toosweet had another baby. Raymond's brothers helped him build a new house for them to live in and they brought James back to live with them. During this time Essie Mae was working for the Claiborne family and she was starting to see a different point of view on a lot of things in life. The Claiborne's treated her almost as an equal and encouraged her to better herself.
This quote describes how Louise Halfe uses all four common elements of native literature in her writings. I have chosen to discuss two of the elements she frequently uses, Spirituality and Orality in relation to three of her poems: My Ledders, She Told Me and The Heat of my Grandmothers.
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
... perceptions their ancestors held centuries earlier. Stories are not set in stone, and this means that all stories - even the most powerful - can be altered. The Blackfoot mother refuses to accept the prevailing stories pushed onto her by society and, as a result, her access through the border is restricted. But in persisting for a third, viable alternative, the mother is able to shape the dominating assumptions of society. She tells her own counter-narratives, introducing an "alternative to the narratives of the nations [she] refuses to acknowledge" (Andrews and Walton 609). She presents a story that is capable of altering the metanarrative that governs that governs Canada and America; the mother succeeds in changing the fundamental beliefs held by both societies, and she is able to free the Canadians and Americans from the restrictive, dichotomous way of thinking.
She is in her kitchen, working away, when she hears the screams of the horses; “the song was so pained and tortured that Big Mom could never have imagined it before the white men came along” (Alexie 9). This quote describes the horse’s reaction to their slaughter at Wounded Knee many years ago, and shows that their screams are still heard today. As the novel proceeds the horses scream countless times to foreshadow the negative events that are to come for the Native Americans on the
Identity is 'how you view yourself and your life.'; (p. 12 Knots in a String.) Your identity helps you determine where you think you fit in, in your life. It is 'a rich complexity of images, ideas and associations.';(p. 12 Knots in a String.) It is given that as we go through our lives and encounter different experiences our identity of yourselves and where we belong may change. As this happens we may gain or relinquish new values and from this identity and image our influenced. 'A bad self-image and low self-esteem may form part of identity?but often the cause is not a loss of identity itself so much as a loss of belonging.'; Social psychologists suggest that identity is closely related to our culture. Native people today have been faced with this challenge against their identity as they are increasingly faced with a non-native society. I will prove that the play The Rez Sisters showed this loss of identity and loss of belonging. When a native person leaves the reservation to go and start a new life in a city they are forced to adapt to a lifestyle they are not accustomed to. They do not feel as though they fit in or belong to any particular culture. They are faced with extreme racism and stereotypes from other people in the nonreservational society.
Taylor Greer had been running away from premature pregnancy her entire life. Afraid that she would wind up just another hick in Pittman County, she left town and searched for a new life out West. On her way getting there, she acquires Turtle, an abandoned three-year-old Native American girl. Taylor knows that keeping Turtle is a major responsibility, being that she was abandoned and abused. Yet, Taylor knows that she is the best option that Turtle has, as far as parental figures go. "Then you are not the parent or guardian?’…. ‘Look,’ I said. ‘I’m not her real mother, but I’m taking care of her now. She’s not with her original family anymore." (Kingsolver 162) As the story progresses, Taylor accepts Turtle as part of life. This sacrifice later turns into a blessing.
In Mary Hoods “How Far She Went” A grandmother struggles with the burden of experience, loss and a life of unsparing decisions; where a girl strives to live in a naïve and free spirited illusion. The paths of a grandmother and her granddaughter soon collide when experience and naivety rendezvous on a dirt road in the south. “How Far She Went” illustrates how generational struggles and contretemps can mold people and predispose their lives and the way
Life at Lowood is extremely harsh, the pupils are very often given inedible meals, horrific clothing, and extremely cold conditions. It is through miss Temple and Helen that Jane receives her first taste of love and acceptance.
In a desperate attempt to discover his true identity, the narrator decides to go back to Wisconsin. He was finally breaking free from captivity. The narrator was filling excitement and joy on his journey back home. He remembers every town and every stop. Additionally, he admires the natural beauty that fills the scenery. In contrast to the “beauty of captivity” (320), he felt on campus, this felt like freedom. No doubt, that the narrator is more in touch with nature and his Native American roots than the white civilized culture. Nevertheless, as he gets closer to home he feels afraid of not being accepted, he says “… afraid of being looked on as a stranger by my own people” (323). He felt like he would have to prove himself all over again, only this time it was to his own people. The closer the narrator got to his home, the happier he was feeling. “Everything seems to say, “Be happy! You are home now—you are free” (323). Although he felt as though he had found his true identity, he questioned it once more on the way to the lodge. The narrator thought, “If I am white I will not believe that story; if I am Indian, I will know that there is an old woman under the ice” (323). The moment he believed, there was a woman under the ice; He realized he had found his true identity, it was Native American. At that moment nothing but that night mattered, “[he], try hard to forget school and white people, and be one of these—my people.” (323). He
In this poem, there is a young woman and her loving mother discussing their heritage through their matrilineal side. The poem itself begins with what she will inherit from each family member starting with her mother. After discussing what she will inherit from each of her family members, the final lines of the poem reflect back to her mother in which she gave her advice on constantly moving and never having a home to call hers. For example, the woman describes how her father will give her “his brown eyes” (Line 7) and how her mother advised her to eat raw deer (Line 40). Perhaps the reader is suggesting that she is the only survivor of a tragedy and it is her heritage that keeps her going to keep safe. In the first two lines of the poem, she explains how the young woman will be taking the lines of her mother’s (Lines 1-2). This demonstrates further that she is physically worried about her features and emotionally worried about taking on the lineage of her heritage. Later, she remembered the years of when her mother baked the most wonderful food and did not want to forget the “smell of baking bread [that warmed] fined hairs in my nostrils” (Lines 3-4). Perhaps the young woman implies that she is restrained through her heritage to effectively move forward and become who she would like to be. When reading this poem, Native American heritage is an apparent theme through the lifestyle examples, the fact lineage is passed through woman, and problems Native Americans had faced while trying to be conquested by Americans. Overall, this poem portrays a confined, young woman trying to overcome her current obstacles in life by accepting her heritage and pursuing through her
...en she goes home to her family and friends, her attitude toward Indians in general changes greatly. At first, living with Indians is the most appalling thought that she could ever have. Over time, she realizes that she must somewhat befriend them in order to survive adequately. In the end, she even appreciates the Indians, and the experiences she has had with them. Her captivity also brings her closer to God, because during every hardship, she turns to her faith to help her through it. Her time with the Indians also gave her the affliction that she had always hoped for. Mary lived in prosperity before, and had too many comforts of the world around her. The journeys with the Indians give her a kind of reality check, because she sees that not everyone lives in prosperity as she did. The biggest lesson that she learns is to “look beyond present and smaller troubles, and be quieted under them, as Moses said, Exodus.xiv.13, Stand still, and see the salvation of the Lord.”
equates her time on the reservation to a spiritual self-discovery that absolutely needed to take
The mother’s resilience proves to be the key to overcoming her strife. “The second night in the car was not as much fun as the first, but my mother seemed in good spirits” (King 143). Refusing to betray her values as a proud First Nations people, the mother had her and her son spend two nights in their vehicle, and would remain doing so until they let her through. “Early the next morning, the television vans began to arrive” (King 144). It was only once news reporters heard of Laetitia’s mother’s plight and brought awareness to the matter, that something changed. The government has no desire to appear in a negative light, so they allowed the family to cross the border while still declaring them as Blackfoot. The mother’s pride for her Blackfoot identity spread to her daughter as well and after seeing her mother and brother appear on the news, she contemplates returning back to her community. “Laetitia said she was thinking about moving back” (King 147). The narrative ends with the final sentence; “I watched the border through the rear window until all you could see were the tops of the flagpoles and the blue water tower, and then they rolled over a hill and disappeared.” (King 147) The disappearing flagpoles symbolize the families experience with injustice. Even though their personal experience with oppression had ended, it is still a factor that remains for other minorities, even if the injustice is not always
tragedies that befell her. She is an example of a melancholic character that is not able to let go of her loss and therefore lets it t...