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The saying, “a picture is worth a thousand words,” cannot be demonstrated more thoroughly than during The Great Depression, a time when there were not a lot of words to be said. The photograph of the “Migrant Mother,” taken in this time period, The Great Depression, has inspired me want to dig deeper into Dorothea Lange’s experience during that time period. When I first saw the photograph of the “Migrant Mother,” I could not get the image out of my head because it tugged at my heart and it is something I have wanted to learn more about since we discussed Dorothea Lange in class. Dorothea Lange is a photographer known for her best work during the 1930s with the Farm Security Administration. Her career however did not start out like that. At …show more content…
Dorothea had spent a long day capturing images and she was going back to print the images when she had drove past a sign that said, “Pea Picker’s Camp.” Dorothea continued to drive thinking she had enough photographs she did not need anymore. Something struck her that she could not resist and eventually she turned around saying, “I was following instinct, not reason” (Partridge, Lange 2). She stopped at the worn down camp and was intrigued by a mother and her seven children. Dorothea took her camera over to them and no one asked any questions. She captured only six images of this mother and her youngest children. The woman had told Dorothea that the freezing rain and sleet had ruined the pea crop. They did not have any work and they had to sell tires for food (Partridge, Lange 3). Dorothea had no idea what those images would do for her career, but she knew she had to show the world what those people in “Pea Picker’s Camp” were going through.
“After returning home, Lange altered the editor of a San Francisco newspaper to the plight of the workers at the camp, presenting him with two of her photos. The editor informed federal authorities and published an article that included Lange’s images. As a result, the government rushed a shipment of 20,000 lbs. of food to the camp” ("Migrant Mother,
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She used her photography to impact people all over the United States. She did not like what she was seeing happen to her country and the people in it. Dorothea tried to use her passion of photography to make social and political changes in the United States. That did not necessarily happen, but she definitely made other people aware of what was really going on in her country. Dorothea Lange was the voice for those who were living on the streets, in migrant camps, traveling west, single women with young children, and others facing difficult times. Dorothea gave those people hope through her passion of photography and really getting to know them so she could make a difference in their lives. She was truly a unique person with a special talent who was set out to change the world through her lens. She will always be remembered for her most famous photograph the “Migrant
http://www.uua.org/uuhs/duub/articles/dorotheadix.html. This site gives another overview of Dorothea Dix’s early life and career highlights, but does so with an emphasis on her finding her religious home among ...
This book talks about the immigrants in the early 1900’s. The book describes how they live their daily lives in New York City. It helped me a lot on Riis photographs and his writings on to better understand the book and the harsh reality this people lived. This comes to show us that life is not that easy and it will cost us work to succeed.
Born in Maine, of April, 1802, Dorothea Dix was brought up in a filthy, and poverty-ridden household (Thinkquest, 2). Her father came from a well-to-do Massachusetts family and was sent to Harvard. While there, he dropped out of school, and married a woman twenty years his senior (Thinkquest, 1). Living with two younger brothers, Dix dreamed of being sent off to live with her grandparents in Massachusetts. Her dream came true. After receiving a letter from her grandmother, requesting that she come and live with her, she was sent away at the age of twelve (Thinkquest, 4). She lived with her grandmother and grandfather for two years, until her grandmother realized that she wasn’t physically and mentally able to handle a girl at such a young age. She then moved to Worcester, Massachusetts to live with her aunt and her cousin (Thinkquest, 5).
Once in a while a truly exceptional person has made a mark on the growth of mankind. Dorothea Dix was an exceptional woman. She wrote children’s books, she was a school teacher, and she helped reform in prisons. Some of her most notable work was in the field of making mental health institutions a better place for the patients that lived in them. Dorothea Dix gave a great deal to humanity and her achievements are still being felt today, especially in the treatment of those with mental disabilities. Dix started out though with very humble beginnings.
The stereotypical Canadian family during the Great Depression consisted of a father who left home to find work elsewhere in the country, a mother trying to make ends meet with what little they had left, and their malnourished children. Although, as is often the case with stereotypes, this was not how all of the population lived. Specifically speaking, women were not just resigned to waiting for their husbands or fathers to come home with money and provisions. Many Canadian women in the 1930s may have been the only reason their families survived that decade of hardship and sacrifice. Women who fit this role in ways that are not often discussed, such as young women in the workforce, farm women, and women activists, shall be examined in the following
... lived in New York tenements. In Riis’s book, How the Other Half Lives: Studies Among the Tenements of New York, he uses prolific prose coupled with emotionally powerful illustrations that paint a vivid picture of immigrant families living in tenements in the late 1800s. Throughout Riss’s book, exposes how immigrant children were forced to work in factories and sweatshops. As a result, Riss successfully achieves his goal of educating the middle class regarding the challenges that urban immigrants faced. Lastly, although Riss tact regarding racial epithets of the immigrants he wrote on and photographed are offensive, the importance of Riss’s photographs outweighs the racial insults because his pictures lie not only in their power to enlighten but also to move his readers regarding how immigrant families were forced into making their children work.
First, the scene in the image was manipulated through stage-managing, a common practice in photojournalism. While the image of the migrant mother, Florence Thompson, appears to the viewer to be a genuine and unprompted look at the hardship and deprivation of a dejected migrant woman. This, of course, was the reality of Ms. Thompson’s personal situation at the time. But the scene itself was micromanaged to appear in a lucid and vivid form in the image, including editing Ms. Thompson’s older children from the image to create the more poignant scene of a mother holding a small child and using a pose in which the woman is looking out into the distance, with the two children told to lo...
...atly, was undoubtedly ruined by the diet and stress she experienced as a result of forcible removal by welfare workers not dissimilar to myself. Yet, this inescapable dilemma only reinforces my striving to achieve the ideals demonstrated by my profession. These ethics, complex and often at conflict with the reality of welfare are the light that guides my professional practice through the perils of historic white shame.
The photographers of the Farming Security Administration contributed to modern times both educationally and visually. Photographers like Russell Lee took photographs that not only captured the lives of those who suffered greatly with the Great Depression hovering over them, but also the emotions that these people felt. Russell Lee, like Dorothea Lange and Walker Evans found his opportunity to prosper during the Great Depression with his photographs that would document the average American life suffering the wrath of the Depression from either unemployment or lack of home or even both. ...
In 1890 Jacob Riis, a Danish migrant and New York Times reported introduced the immigrant problem to Americans using photojournalism in his book How the Other Half Lives: Studies among the Tenements of New York. This book provided insight into the harsh lives of the immigrants living in the slums of New York by giving photographic evidence that spoke to the hearts of many Americans. At the time many were unaware of the difficult challenges many immigrants faced and Riis brought up this social issue. Riis himself however has some bias and delineates these people into groups of the “deserving poor” and “undeserving poor”. Despite his muckraking skills and attempts to reveal the hostile conditions of immigrants Riis has some racial prejudices
In her free time, she wrote religious works.... ... middle of paper ... ... Dix played a dominant role in protecting the rights of those who could not fight for themselves, and in doing so, she exemplifies the purpose of her era. The effort and dedication that Dorothea Dix put forth in advocating the rights of the mentally insane directly led to the improvement of their conditions, and earned her the right to be called a philanthropist and true reformer.
Hoffman, A. 1994. Unwanted Mexican Americans in the Great Depression. Tucson: University of Arizona Press.
Before the 1920’s American had an ‘open door’ policy and many people from around the world travelled there to fight poverty and experience the American dream. However then America introduced two immigration laws in 1921 and 1924 which restricted immigrants from Southern, Central and Western European countries such as Italy and Russia. Fear of communism explains the changes in American policy toward immigration in the 1920’s to a certain extent. However factors such as Isolationism, Prejudice and Racism, Social Fears, the Effects of WW1 and Economic fears were also important.
That feeling of leaving his parents in the Philippines to go with a stranger when he was 12 years old is truly unfortunate, but his mother was looking looking out with his best interests in mind. She just wanted her son to get a taste of the American dream, and have a better life in America rather than suffering with her in the Philippines. Vargas’s essay moves the reader emotionally as he explains when he was finally successful in getting the highest honor in journalism, but his grandmother was still worried about him getting deported. She wanted Vargas to stay under the radar, and find a way to obtain one more chance at his American dream of being
Social realist art, which dominated in the US during the Depression, communicates the concerns of the masses: artists question the treatment of the poor and praise American values embodied in ordinary people. In painting, Thomas Hart Benton’s murals depict an extravagance juxtaposed alongside honest, hardworking people, calling into question the actions and greed leading up to the Great Depression. Benton’s murals in both subject and medium penetrate the American political landscape, purporting such ideal values as hardworking and honesty. In photography, Dorothea Lange captures in the flesh the realities of the working poor. In her photograph Migrant Mother (1936) Lange portrays simultaneously the oppression and resilience of the working