Analysis Of The Head Of Poseidon

1156 Words3 Pages
bulb-icon

Recommended: The greek vase essay

Romanus Iheanacho HUM 2301: Foundations of Western Culture I Summer I, 2016 Online Isabel B. and Wallace S. Wilson (227-221 B.C.) Head of Poseidon, 227-221 B.C Bronze Gallery #210 Sayre, page(s) or section number(s) This is a larger than-life size statue of the head of Poseidon, presenting his long shaggy hair and historic beard. The statue presents Poseidon staring into your eyes, as a sign to show his honor. The ancient bronze is beginning to slightly oxidize, leaving a small but noticeable teal discoloring just left of the statues nose. The statue has fine bone structure, deep-set eyes, full open lips, and a beard full of rich long defining curls; that when looked at from different angles tend to almost disconnect from certain parts of …show more content…

This particular Kore has a fairly striking large nose, it also appears that her lips curve upward into a smile, while it looks as if she’s wearing some sort of head wrap that goes across her head covering both of her ears. Her features are similar to the well-known famous group of sculptures by the Acropolis in Athens. The unknown sculptor constructed this Kore out of marble which was common in Ancient Kore Greek statues. The Kore shows Roman admiration for early Greek art; the statue is created with outstanding quality. Kores were votive offerings to Athena originally, but were soon seen as gifts for all Goddess. Whole Korai’s were normally painted and dressed in peplos, which was a rectangular cloth particular made of wool. Korai’s were also statues that showed significant realism, with the ability to show the straight lines and detailed effects. Ancient Greeks have the trait of competition to give credit to, sculptors often competed with each other in an attempt to see who created the most naturalism sculptures. Which wasn’t a bad thing as you see how beautiful the sculptures of ancient Greek

Show More
Related

  • Kroisos vs Doryphoros

    556 Words  | 2 Pages

    The first glance you’ve taken at those two statues, you just see a man standing there. They are not doing anything in particular, just standing there. That was only in the first glance of course. Now take a good look at each one. In the archaic Greek kouros figure, the pose of the figure is very frontal. The entire figure is relatively stiff with the exception of the left leg, which is in front of the body giving it the early contrapposto pose. Even though it does have a much more natural pose to it with the one leg out, the rest of the body is not in a pose as if the weight of the body was put into one leg. The head is stiff with the hair being geometric and with the hair falling back on the body. The physical stature of the body is moderately realistic. The muscles are not quite as well defined but they are still semi-realistic. They are portrayed as if they were tense. The arms are also at the side.

    Read More

  • Compare And Contrast Laocoon And His Two Sons

    957 Words  | 2 Pages

    In Ancient Greek and Roman times, Romans often made replicas of Greek statues. The Greek were extremely good at art and the Romans wanted to possess the art themselves and thus, created copies of the most famous and beautiful Greek sculptures. However, it seems to be for the better since most Greek statues were created in bronze and were later repurposed for war. The Roman duplicates of these statues remained, due to their stone medium. What there is to ponder, however, is if there are any differences between a Greek and a Roman statue. “The Seated Boxer” is a famous work of Greek sculpture that remained preserved so that we might be able to view it

    Read More

  • Statuette Of Youthful Dionysos Analysis

    718 Words  | 2 Pages

    The marble Statuette of Youthful Dionysos stands about 30 inches tall. The arms, legs, nose, and

    Read More

  • The Statue of Hatshepsut

    1844 Words  | 4 Pages

    The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.

    Read More

  • Similarities Between Portrait Of Augustus As General And Khafre Enthroned

    1205 Words  | 3 Pages

    The pharaoh named Khafre was an ancient Egyptian king of the 4th dynasty during the old kingdom. Khafre enthroned shows the pharaoh is shown in a seated potion on a throne with a look of deep serenity in his face. The king is sitting rigidly upright with one of his hands on his knee and the other one making a fist on his thigh. Khafre is also wearing a headdress as well as a strapped on beard. Khafres’ face and body are both idealized with the help of bilateral symmetry. Khafre is perfectly symmetrical on both sides; his pose is also both frontal and ridged. The Sculptor shows all movement, however, still showing eternal stillness (Kleiner, 2013). The statue of Khafre is an image of unbridled power. This work, life-sized and carved from diorite (an extremely hard and difficult-to-work stone) portrays the Pharaoh Khafre, sitting immobile. This piece of art uses the Egyptian canon of proportions, creating a very idealized figure (Kleiner,

    Read More

  • Analysis Of Monumental Statue Of The Pharaoh Ramesses II

    856 Words  | 2 Pages

    The medium is Granodiorite and the technique used was sunken relief, which is a technique were the sculptor chisels deep outlines below the stone’s surface. The sculpture does not seem to be originally painted. The Egyptians created coloristic effects through contrasting shadows and highlights. They used natural pigments to color some sculptures, however this was not the case. There are deeply cut areas in the back of the statue that create deep shadows and the use of natural light helps to bring up the highlights. The granodiorite has natural colors that helped the sculptor show more of those shadows and highlights. The statue is mostly in a warm hue and it may be caused because of the lighting inside the museum. These warm colors make the details stand out more. At a closer look of the structure there are different colors that can be easily identified, such as white, yellow, brown, black, gray and small spots of orange. The statues seems to be carved in one piece. There are no signs indicating it

    Read More

  • Athena Parthenos: The Goddess of Wisdom

    861 Words  | 2 Pages

    This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.

    Read More

  • Comparison Essay

    703 Words  | 2 Pages

    In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.

    Read More

  • The Similarities Between King Menkaure And His Queen

    609 Words  | 2 Pages

    There are many similarities between the sculpture of the kouros and King Menkaure and His Queen. Since the Greeks used the same technique as the Egyptians, the statue of the kouros is posed stiffly with his arms straight down at his sides in the same manner that Egyptian pharaohs were often depicted. His left foot is slightly in front of the right, just as King Menkaure’s left foot is. Both figures are looking straight ahead, have their feet planted on the ground, and have long hair. The kouros represented the ideal form of a young male to the Greeks, just as the figures of King Menkaure and his queen depict the ideal notion of beauty to the Egyptians. The kouros emulates the stiff pose

    Read More

  • The Head of Poseidon

    1325 Words  | 3 Pages

    "MFAH | Top 100 Highlights | #23 - Head of Poseidon / Antigonos Doson." MFAH | Top 100 Highlights | #23 - Head of Poseidon / Antigonos Doson. N.p., n.d. Web. 28 Apr. 2014. .

    Read More

  • The Nike

    952 Words  | 2 Pages

    The Nike of Samothrace captures the essence of the goddess in a dramatic pose. Her body leans forward as her robust wings heave upwards, creating a magnificent balance and sense of motion. Recovered in the Sanctuary of the Great Gods by a French explorer in 1863, the statue stands 8 feet tall. The deep lines and contrasting textures of the feathers, fabric, and skin allude to the elegance of past Greek style. Of all similar remains from ancient Greek art, this famous Hellenistic sculpture best reflects the sense of pride, honor, and victory associated with the goddess.

    Read More

  • Analysis Of Augustus Of Prima Porta

    1836 Words  | 4 Pages

    Here, we will be looking at a rendition of the high marble statue of Augustus Caesar known as “Augustus of Prima Porta.” Originating from 1st Century A.D., it is said that there is a possibility that the original sculpture could have been of greek descent. Upon a general overview of the sculpture, one can see that Augustus fulfils a millitarial role of some kind. From his very stance to the garments portrayed on him, Augustus is draped in a decorative cuirass and a tunic, accompanied by a figure of Cupid clutching on to his right calf. After taking the general themes of the work into account, one can then began to start unraveling the many symbolic elements embedded into the sculpture that allude to godly themes. Starting from the crown of his head, the very chiselment and structure of his face gives the work a youthful element to it, even though some say that Augustus was around 40 years old. A recurring theme within Greek and Roman culture is the matter of godliness and immortality amongst idolized figures themselves. This idea is usually depicted by displaying powerful human being in a younger light. This

    Read More

  • Roman and Islamic Art and Architecture

    527 Words  | 2 Pages

    The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.

    Read More

  • Analyzing the Column of Trajan

    1405 Words  | 3 Pages

    The city of Rome delivers rich culture, influential architecture, and beautiful scenery that collectively demonstrate a course of great history and a prominent civilization. There are various structures from Imperial Rome that are highly recognized and mentioned within artistic research. Some examples include the Pantheon, Basilica Ulpia, Flavian Amphitheater, Arch of Titus, and Column of Trajan. Also referred to as Trajan’s Column, the iconic sculpture retains a prestigious appearance as it’s shown with characteristics of empowering height and intricate detail (Fig. 1). When analyzing such a remarkable piece of artwork one should consider the different elements that pertain to the subject matter and historical context. With that in mind, this paper presents the argument that the column is not only a portrayal of the Dacian Wars but also a funerary monument, paradigm of military inspiration, and tribute to Trajan’s reign.

    Read More

  • Compare And Contrast Greek And Roman Art

    2107 Words  | 5 Pages

    Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological

    Read More

More about Analysis Of The Head Of Poseidon

Open Document