Analysis of the Final Scenes of Alfred Hitchcock's Notorious After viewing Alfred Hitchcock's Notorious for the first time, the film did not strike me as particularly complex. Nothing specific about the film lodged itself in my brain screaming for an answer—or, at least, an attempted answer. Yet, upon subsequent viewings, subtle things became more noticeable. (Perhaps Hitchcock's subtlety is what makes him so enormously popular!) Hitchcock uses motifs and objects, shot styles and shifting points of view, and light and dark to help explain the relationships between Alicia, Devlin, Sebastian and Mrs. Sebastian, and an overall theme of being trapped. An analysis of the film from the first poisoning scene to the final scene in the film shows how the above tools lead to a better understanding of the character's motivations. The most obvious recurring object in the final scenes is the poisoned coffee cup. In the first scene of the portion being analyzed, Sebastian suggests to Alicia that she drink her coffee, and Hitchcock zooms onto the object as she slowly takes a sip. In a later scene, Mrs. Sebastian pours the coffee into the cup for Alicia, and sets it on a small table in front of her. Here, Hitchcock not only zooms in on the small teacup, but heightens the sound it makes connecting to the table, includes it in every shot possible, and shows us not only the full coffee cup, but the empty cup as well after Alicia has drank it. Again, the cup is zoomed in on after Alicia realizes she's being poisoned. Because the coffee is poisoned, the coffee itself becomes a metaphor for life and death, supported by the fact that the poisoner herself ours it, and the shots of the full and empty teacup. In this way, it also suggests Alicia's inability to escape her situation—whenever she drinks the coffee, she becomes trapped due to the poison in her cup—and the poison in her sham of a marriage.. A repeated object not so noticeable is Mrs. Sebastian's needlework. Mrs. Sebastian is constantly working on her needlepoint while Alicia is being poisoned. Hitchcock, in fact, goes out of his way to make sure that a shot of her `toiling at her work' is included several times. One cannot help but be reminded of Dickens classic A Tale of Two Cities—with Madame Defarge knitting everyone's fate into her work. At the beginning of the film, Devlin hands Alicia a handkerchief, and a scarf, which she keeps, but returns to him in this segment. These pieces of cloth throughout the film help tie Alicia to the
In the first story, entitled The Magic Pony, one learns about the “Man Poison”. The story is narrated by Jasmine, who lives with her Auntie Faye Faye tells her daughter Ruby and Jasmine that all men are poisoned because of a mistake from her past She stole her cousin Anna’s boyfriend Joaquin, by lying t...
The Delian League was an empire that included most of the island and coastal states around the northern and eastern shores of the Aegean Sea. As a result of this, Athens had a strong navy. Athens was also financially prepared for war, owning a large fund they had amassed from the regular tribute paid to them from their empire.
King Agamemnon has come to a hault, Achilles has already decided not to defend his
The film, Vertigo (1958) directed by Alfred Hitchcock, is classified as a genre combination of mystery, romance, suspense and thriller about psychological obsession and murder. Filmed on location in San Francisco and on the Paramount lot in Hollywood, California in 1957, the cultural features of the late 1950’s America were depicted in the films mise en scène by costume and set designs current for that time period. The film was produced at the end of the golden age of Hollywood when the studio system was still in place. At the time Vertigo was produced, Hollywood studios were still very much in control of film production and of actor’s contracts. Hitchcock’s groundbreaking cinematic language and camera techniques has had great impact on film and American popular culture and created a cult following of his films to this day.
While Alfred Hitchcock is most well known for causing his audiences to feel fear, there is more to his movies then that. The themes of inadequateness of the police, control of all details in his films, and long stretches of no dialogue are prevalent in several of his films. He does not just happen to do these things by chance, but they are all related to things that happened to him during his childhood and his early career. No one can escape their past and not let it influence at least part of their life, and Alfred Hitchcock was no exception.
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
Alfred Hitchcock’s film Shadow of a Doubt is a true masterpiece. Hitchcock brings the perfect mix of horror, suspense, and drama to a small American town. One of the scenes that exemplifies his masterful style takes place in a bar between the two main characters, Charlie Newton and her uncle Charlie. Hitchcock was quoted as saying that Shadow of a Doubt, “brought murder and violence back in the home, where it rightly belongs.” This quote, although humorous, reaffirms the main theme of the film: we find evil in the places we least expect it. Through careful analysis of the bar scene, we see how Hitchcock underlies and reinforces this theme through the setting, camera angles, and lighting.
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
love. He goes to see her in her place of rest, and as he drinks the
(In the Berea Coffee and Tea Shop sitting on a couch is Ms. Crockett drinking Mocha, Ms. Cocker drinking organic tea, and Lord Henry drink a Pumpkin Spice Frappuccino in with bendy straw)
In Hamlet, a play written by William Shakespeare, poison is often used as a metaphor. Poison is seen throughout the play in many different ways. Characters throughout may not even be physically affected by poison, but in some way or another it's almost as they have been poisoned in the mind. The best way to describe it is, it's like a chain reaction all the way through the play. Beginning with Claudius, who not only murders Hamlet's father but at the same time he basically murders Hamlet as just more in a mental state. Then from there it's like the poison seeps through and moves on to affect Polonius and Gertrude. Polonius again is just another victim of the poison in the mind, but Gertrude is affected physically when she drank the poison all because she thought she should, since she is royalty. Finally, Ophelia is the final poisoned victim. This one poison really seems to do a lot of damage all the way through the play, and it shows because once the King was murdered, everyone begins to die from there. The poison, metaphoric or not, both ways it is a brutal killer in the play.
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
Macteer’s household, Mrs. Macteer offers Pecola a glass of milk to drink. When she receives the cup of milk it is in a
Throughout the play, Romeo and Juliet incorporate figurative poisons through their dialogue and play on the different meanings of the uses of poison. Their desperation for these poisons and herbal remedies accentuates the utter violence and hate that revolves around their families. Oxymoron reflects the violence of feud that eventually consumes the love that evolves between Romeo and Juliet. The feud creates the passion of their new love as well as cause their downfall. Their deaths conveys that opposites become closer, including the force of the two dignified families, Montague and Capulet.