Musicals are here to stay no matter how old or how new it is, it will always be accepted by the people. Musicals began being produced on stage with theatre actors along with musical bands and musical directors. It takes a bunch of people to create a musical and back then these were only shown in theatres if you were lucky enough to get a ticket with its limited seating in one show. However, with it being a hit Hollywood took part into bringing musicals into the big screen. One of the most successful musical films even as of today would have to be the film, "Singing in the Rain", which was released in 1952 and directed by Stanley Donen and Gene Kelly. The songs from this musical film were so remarkable that even 'til this day Singin' in the Rain is still on going on theatres and even the famous musical TV show, Glee, covered the song Singing in the Rain. Musicals …show more content…
The film showed slapstick humor with their witty lines and with the way they delivered their dialogues. This humor and attitude that the actors put into the characters makes them unique and distinctive as each of their characters. As an example for this, Lina Lamont had her voice as her asset on being distinctive among the different characters. Another characteristic that was seen in the film was how taken in one take when there would be dancing scenes. That characteristic kept the film's distinctive way of being a musical as there were no other angles and showed the continuity of the dances in the film. The numerous songs and dances filled with a bunch of people in the film respected Singing in the Rain's being as a musical on theatres. Also, the songs served as the film's transition to different plots and scenes and were highlights to the important parts of the film. The film was truly filled with positive vibes and joyous songs, which is ready to set anyone into a good laugh and a great time watching this musical
Wise. Dreamtime. Elder. Violence. Isolation. Addiction. These words represent some of the features of Aboriginal culture for the past two hundred years. Good evening everyone and it is an honour to commence an Australian Film representing Aboriginal culture and how both film interpret Aboriginal culture. Warwick Thornton Samson and Delilah, which was released in 2009 and Henri Safran Storm Boy, released in 1976, both invite their audience to view, how both movie represent Aboriginal culture in their own way. Exploiting the dramatic component of the Aboriginal cultural class, the director acquaint the gathering of people with youthful characters that represents the Aboriginal culture for as far back as two hundred years. Samson and Delilah are two Aboriginal adolescents who battle and take a stab at living harsh condition, as the director portrayed some of the negative side of Aboriginal culture. On the other hand, Storm Boy, is a film where the director depicts the Aboriginal individual and their way of life in positive point of view, for example, the wisdom and traditional culture of the old day. These two motion pictures together speaks to
Motion pictures from Hollywood had taken Broadway’s place as the king of entertainment. The main reason behind this was that because it was culturally relevant and coming out with new flashy techniques such as Todd-AO and Cinerama.
After watching the movie, Living Out Loud, I was fairly surprised about the sociological issues I found myself pointing out through out the whole film. Every since I have been a sociology major student I find myself pointing out these issues more often than ever before. The basic summary of plot of this film centers on the life of Judith Moore and he attempted at finding out who she is after a divorce from a 16 year old marriage. With the assistance of a club singer named Liz and the elevator operator man from her Fifth Avenue apartment, Patt, Judith tries to pick up the pieces of her life and to become something more in life. As Judith strives to find herself, she must adjust to her newly single lifestyle for being a middle-aged woman and overcome certain obstacles in order to be happy again. One of the problems in todays’ world is defining one’s self in our society without having to give some sort or explanation of why or who you’re with. How can you still be your own individualistic self
In this section, I will argue that La La Land meets and engages with enough of Rick Altman’s criteria for an American film musical to be considered a proper one. Altman outlines two different sets of criteria: the semantics and the syntax. The semantics covers the basics of essentially any musical: format, length, characters, acting, and sound. The syntax, however, is far more specific. It details the specifics the narrative and technical structures of the film must meet in order to be considered a film musical. La La Land meets most the semantic criteria with ease. With a runtime of 128 minutes, it is a feature length film. The narrative of the film focuses on the development and achievements of a heterosexual romantic couple, Mia and
In my opinion, what set the stage for the level of entertainment that this movie contains is the opening scene. The opening scene set the role of sarcasm in the movie and gave the movie an immediate sense of humor. Four individual parts of movie making come together in this film to create a dynamic opening sequence. The basic principles of sound, editing, mise en scene, and cinematography collectively give this opening sequence a memorable quality that is without match. The opening of Singin' in the Rain takes place at the opening of the new movie "The Royal Rascal" starring Don Lockwood and Lena Lamont.
The narration of the story is beautifully divided into parts: the first part is set in an unnamed town in Michigan and it depicts Milkman’s life from birth to his early thirties, within this section the author focuses on the emptiness of the protagonist’s life and his aimless visions caught between his father’s materialistic lifestyle and his aunt’s traditional values. This is the part infused with the most flashbacks to the characters’ past which enables the reader to truly understand each one individually. We learn that Milkman’s father and his aunt have run away after their father has been murdered and although they crossed paths eventually they don’t speak to each other because they have different views and standards and Macon feels embarrassed by such abnormally spiritual sisters and thinks that she threatens his social position. This part ends with Milkman’s attempt to leave his town in search for his concrete inheritance.
First it is important to understand what kind of movie Rocky Horror Picture Show is, how I became acquainted with it, and the immense culture that follows. I have loved musicals ever since I saw Tim Burton films as a child, and one of
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
In many of his films, Gene Kelly was not only in front of the camera acting, dancing and singing, but he was behind the camera also, co-staging/directing the musical numbers as well as co-directing the film with Stanley Donen. When working on a film Kelly could be seen as a bit tyrannical at times but his controlling need to make his works perfect pays off in the end and although he was a bit tough to work with at times actors says that the time they spent working with him was one of the best experiences of their lives. In the film Singin’ in the Rain Kelly along with partner Donen worked with Arthur Freed as well as
In the movie And the Band Played On, stakeholders’ interests stymied public health efforts to research and implement health policy to control the rapidly emerging disease, acquired immune deficiency syndrome (AIDS). The stakeholders within the movie, those whose interest would be impacted by policy change, included the affected populations, scientists, state and federal public health officials, and organizations including blood banks. Early in the epidemic, the Center for Communicable Disease Control and Prevention (CDC) were tentative in disclosing vital information – many homosexual men were becoming infected in the bathhouses (Pillsbury, Sanford, & Spottiswoode, 1993). Despite having the supporting evidence of patient zero and a sexual cluster
Not all films which adhere to the classical Hollywood paradigm eschew issues. The film Singin’ in the Rain follows Don Lockwood, a popular silent film actor, as he attempts to maintain his star status during the advent of “talkies”. Lockwood’s journey manifests fame’s capricious temperament, the studio’s commercial interest, and the influence of outside variables on a film. Singin’ in the Rain uses Lockwood’s struggle with celebrity to expose the importance of public image and self esteem.
If I had a children in my class with an exceptionality I would keep it
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Savant syndrome isn’t bad or harmful at all to the autistic person it is actually highly beneficial to the person and other people so there is no need for treatment for this. There have been no previous records of anyone trying to treat savant. A big benefit that Charlie had from Raymond was being able to count playing cards. Charlie taught his brother how to play black jack. After Charlie took Raymond to the casinos in Las Vegas Raymond help Charlie when a bunch of money.
Theatre is something that brings people together; it needs and audience to exist unlike movies and television. For a performance to happen, anywhere from a hundred to a thousand or more people need to gather in one place for a few hours, and share together in witnessing a live event that may be beautiful, funny, moving, or thought-provoking. Each type can fade in and out of popularity but it is not foreseeable that live performance will ever really "die out". Even in a world where all narrative performances have migrated to video, some musician at some point may introduce a new element of theatricality into their show, or some standup comic will act out something for their routine, people will respond to it, and suddenly we 'll see Shakespeare, Tennessee Williams, and Rogers and Hammerstein popping up all over the