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Consequences of the cuban revolution
Examine the political effect of the Cuban revolution
Consequences of the cuban revolution
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Toroyana D. Caruth Jr. SCARFACE THEME ENG225: Introduction to Film Ms. Allison Boldt 12/22/2014 A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a) …show more content…
Scarface shows how the fast life is not the best life to take. The illegal drug business will always end in negative ending resulting in death or being imprisoned. This movie showcased what the public in the area of Miami had to go through including the law. The 1980s was a major time for the break of cocaine. Tony Montana gained so much power with the distribution of cocaine. This movie came together so well because of the time frame. The break of cocaine caused a lot of crime to rise in Miami, Florida. An estimated 70% of all marijuana and cocaine imported into the U.S. passes through South Florida. Drug smuggling could be the region’s major industry, worth anywhere from $7 billion to $12 billion a year. (Rivers, 1996) This movie correlated with the immigration of the Cuban community in America. Since the spring of 1980, when Cuban President Fidel Castro opened the port of Mariel to those who wanted to leave, about 125,000 “Marielitos” have landed in South Florida. In addition, 25,000 refugees have arrived from Haiti; boatloads of half-starved Haitians are washing up on the area’s beaches every week. (Rivers, 1996) A lot of illegal immigrants rose the rate of unemployment, taxed social services, irritated racial tensions and helped send the crime rate to staggering heights. Rebellious immigrants are believed to be responsible for half of all violent crime in Miami. Tony Montana was one of those rebellious immigrants who wanted to …show more content…
One can learn from Tony’s mistakes. One can learn that family comes first. Society can also learn that taking shortcuts in life sometimes lead to a dead ends with no u-turns. This film showcases the time line of how a drug lord could rise to power from nothing. This film also shows how that same power one gets from becoming a drug lord could be taken at any time. Studying how to analyze a movie has definitely changed my perspective on how I view movies. I actually look at all the detailing in movies. I look at the camera angles and how they affect the scene. I even start to question why the director did not use a different angle for certain shots. By using film theories and criticism one can generate enough ideas in order to understand the movie better. When a film is being captured the director focuses on certain angles and lights to get the meaning of the scene to the audience. Just like everything in life has a meaning, everything in film also has a comparison meaning. This course has widen my intellect on how movies affect our societies. Movies can play a major role in how we act or how laws are even created. Movies has the same power as music. I say movies has the same power because one can look at a movie and want to become whatever he or she saw in the movie. One major skills that I developed in this course is being able to focus. Before this course, I could not focus on anything at all. I was the type to focus on three or
The movie “Scarface” is the story of one these immigrants who came to the United States seeking money and power but ended up with much more than he ever excepted. Al Pacino plays the main
In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.
Like most things captured on film for the purpose of being marketed, the richness of gangster life, with sex, money, and power in surplus, is glorified, and thus embraced by the audience. And as a rule, if something works Hollywood repeats it, ala a genre. What Scarface and Little Caesar did was ultimately create a genre assigning powerful qualities to criminals. Such sensationalism started with the newspapers who maybe added a little more color here and there to sell a few more copies, which is portrayed in Scarface’s two newspaper office scenes. Leo Braudy denounces genres as offending “our most common definition of artistic excellence” by simply following a predetermined equation of repetition of character and plot. However, Thomas Schatz argues that many variations of plot can exist within the “arena” that the rules of the genre provide.
Film genre is a distinctive collection of comparisons in the narrative aspects from which the films are produced. Genre denotes the characterization of narrative films, through the stories the literature tells and the way it presents these stories (Barsam and Monahan, 2013.) Film genres are often described by a set of conventions of storytelling such as themes, conflicts, situations, setting, character types, story formula, presentation, visual style, and even movie stars associated with particular genres (Barsam and Monahan, 2013). These conventions are not always enforced as filmmakers incorporate only some of these elements within any particular film. A few commonly recognized film genres include the Western, musical, horror, science fiction, and etc. A genre-bender film steps outside some of the defining features of its genre in terms of its conventions but is easily identified when it has been blended with another genre. The gangster film genre concentrates on stories whose principal struggle is between criminals and the society they live in. This genre typically emphasizes a cautionary tale that is demonstrated by the main character who commits crimes (Barsam and Monahan, 2013.) Also, this genre is often blended with film noir, a distinct genre made discernible by its mood of pessimism, and fatalism. The film, Bonnie and Clyde directed by Arthur Penn in 1967, is an example of a genre-bending gangster film due to its distinct genre conventions of story formula, setting, and character types that step outside of the typical gangster film genre conventions.
The genre of the film is how we know what kind of film it is. Genre is a French word which literally means type; it shows what category a film comes under. There are certain factors in a genre which will identify it. Things like settings, characters and themes can all be similar in one specific genre.
During the first few weeks of our FYS-X class, the students are required to view the movie “Dead Man Walking. Unfortunately, I was not able to make it to the showing at school, but I rented the DVD from Block Buster Video. I missed an opportunity to gain some bonding time with my classmates, but I could not get off work in the short notice that the class was told about the film viewing. When I viewed film, I had the pleasure of being in my home atmosphere, and I had the opportunity to better concentrate on the movie and the ability to rewind at certain points in the film. Before viewing the film, I was not too excited about having to watch it. I was under the impression that this movie would be boring and more of an educational video. After I watched the movie, I knew that my prediction about it was very inaccurate. “Dead Man Walking” is one of the finest films I have ever seen, and it has raised my bar of standards for a drama.
The movie I watched this week was Casablanca. It was released in 1942, and was a romance drama film. The story is set in a city called Casablanca in a French ruled Morocco. It consists a nightclub owner named Rick Blaine striving to protect and old girlfriend named Ilsa Lund from the Nazis. Rick goes through many emotions and as the couple tries to flee from Casablanca to America they are met with many challenges like Ilsa’s already having a husband named Victor Laszlo. Ilsa eventually escapes with Victor while Rick end up staying behind. The part I loved most about this movie is the dialogue. I feel like the delivery, timing, and actors spoke them very well. One of my favorites was when Rick forgives Ilsa for leaving, saying they will always
As an audience, we become involved in the plot not through learning about characters’ backgrounds and traits. Instead, we learn information at the same time through the mechanics of the plot and editing. We are made to work to understand the workings of the plot. As we watch the film unfold, the editing takes the along for the ride rather than watching from a distance. the audience and characters sweat together as surprises arise in the well-thought out plan and the way the movie ...
“Types of films are commonly referred to as genres (pronounced “zahn-rahz”). The word genre is originally French and simply means kind or type.” (Bordwell & Thompson, 2004: 108). Genre groups films, which share similar filmic qualities and themes, into various subsections according to the type of film they are associated as.
In conclusion, from my perspective, the movie is presented in the middle 70’s, showing a portrayal of a City of New York overcrowded. The violence presented is the primary ingredient, drugs, betrayals and murderers are also included in this film that shows the city from a perspective of the streets and the world of the mafia, probably something that happened in those days and remains part of an unseen
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
There are many more examples throughout this movie that can be connected or assessed to the many different concepts that was learned. There are many real-life events and these concepts are important because they allow people to see how different types of people and families deal with stress and problems and it is important not to judge or jump to conclusions and maybe take a step back and take time to consider what others may be going
“Scarface”, an original gangster film created by Brian De Palma, has captured audience’s attention by remarkable editing shots and the superb use of mise-en-scene. “Scarface”, originally released December 9 of1983, is a drama revolved around the life of Tony Montana who is played by Al Pacino. Tony gets his name by the scar on his face going over his right eye. He was born in Cuba who immigrated to the United State who then starts his life in Florida from the bottom of the drug cartel to soon making his way up to becoming one of the most powerful cocaine cartel leaders in Miami. What made this film so realistic was because at the time, Miami was becoming a huge crime scene to cocaine smuggling and drug wars. According to Answers.com, this time was brutal and the people associated with this lifestyle were known as “Cocaine Cowboys” (par.3). It was a time where it wasn’t unusual to see and hear about drug related deaths. Brian De Palma captured all of this by his utilization of editing style and application of precise mise-en-scene.
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’