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Stanley kubrick essay
Cinematic techniques example
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Stanley Kubrick was one of the first people to make great use of the extreme wide-angle lenses so tremendous that the lenses cause some sort of barrel distortion. For Example, in the A Clockwork Orange, is a great example of how Kubrick uses the wide-angle lenses. The lenses were used in both dolly handheld shots. The wide-angle lenses were very consistent and steady with the tone of the movie all together. His camerawork was something people should really resemble off of. The camerawork really makes a big
There have been many books published solely on philosophy, and many more than that solely written about human nature, but very infrequently will a book be published that weaves these fields together as well as A Clockwork Orange, by Anthony Burgess. In this Book Burgess speculated on the fact “the significance of maturing by choice is to gain moral values and freedoms.” He achieved this task by pushing his angsty teenaged character, Alex, through situations that challenge the moral values of himself and his friends. In the novel, A Clockwork Orange, by Anthony Burgess, Alex himself, must choose good over evil in order to gain moral values which will allow him to mature into a “man” in the latter of his two transformations.
“The Intoucables” is a French comedy movie filmed by Éric Toledano and Olivier Nakache in 2011. The plot of this film is based on a true story in between a wealthy disabled old man, Philippe Pozzo di Borgo, and his caretaker Abdel Sellou (In the film, Abdel’s character is named as Driss). The story of Philippe and Driss is inspiring. As a student who is learning to be a qualified volunteer, I think there are several things that we can learn from the experience of these two men. Thus, in this paper, I am going to explore what abilities should a good volunteer have, referring to the process of Driss taking care of Philippe.
owner of the resort, and after a length scuffle with her, ends up giving her a
Running water, a high-pitched scream, shrill violins, pierced flesh, a torn curtain, gurgling water: these were the sounds that gave a whole new meaning to the word "horror" in the year 1960. With enough close-ups and cuts to simulate the feeling of a heart attack, the notorious shower scene from Alfred Hitchcock's Psycho serves as the ultimate murder sequence in cinematic history. What makes the scene so frightening isn't so much the blood or the screams or the cross-dressing murderer: the true horror lies Hitchcock's use the camera. It enables us to enter the mind of the killer and literally "cuts" up our protagonist. Through the use of carefully crafted sounds, lighting, camera angles and cuts, Hitchcock creates a visually striking and emotionally stimulating sequence to serve as the essence of his film.
“I’m friends with the monster that’s under my bed/Get along with the voices inside of my head.” are lyrics to Billboard’s number two on the The Hot 100 list, Monster, which shows how much of an issue defining sanity vs insanity is (SongLyrics, Billboard). The line between the two is unclear, as pointed out in this song, sung by Eminem and Rihanna presumed to be sane but show signs of a mental disorder with the internal voices. This song is fictitious, but it relates to the real issue if determining sanity and insanity. Insanity is defined as severe mental illness, as shown through Ken Kesey’s novel One Flew Over the Cuckoo’s Nest the nurse in charge of making the patients sane may be insane herself (Merriam-Webster, Insanity). The patients may show the most signs of being normal even with diagnosed disorders. In many situations in the novel the line is blurred as to who is insane and who should really be institutionalized.
Linking the fundamental conflict between individual identity and societal identity with musical imagery in Anthony Burgess’ A Clockwork Orange creates a lens through which one can recognize the tendency that violence has to destroy an individual’s identity. Although Alex clearly associates violence with his own individual identity and sense of self, he consistently reveals the impossibility of remaining an individual in the face of group-oriented violence. Images drawn from the realm of music parallel the destruction of Alex’s identity, either through conformity to a group’s style of violence or through failure to embrace the homogeneity of group actions associated with violence. As Alex’s narrative progresses, musical imagery follows the decline and re-emergence of his personal identity as a function of his involvement in violence. Musical references underscore the power of violence to negate individual identity in favor of group identity, thereby illuminating the destructive effect that violence as on the human personality.
When we think of the story the “Shining” there are two very different approaches to look at. There is the novel by Stephen King and than there is the movie by Stanley Kubrick. In both stories the title and the characters are the same, but the story lines are completely different. Both the novel and the movie start off with the main character Jack Torrance. He is being interviewed to become the winter caretaker at The Overlook Hotel. From the very beginning it is stated in the novel that Jack has a drinking problem along with anger issues, and because of those issue Mr. Ullman (the manager of the Overlook) is resistant to hire him, were as in the movie Mr. Ullman is ecstatic to hire Jack. Mr. Ullman lets Jack know upon hiring him that the
Burgess' A Clockwork Orange, a critically acclaimed masterstroke on the horrors of conditioning, is unfairly attacked for apparently gratuitous violence while it merely uses brutality, as well as linguistics and a contentious dénouement, as a vehicle for deeper themes.
Many movie directors have mastered a genre or two. Wes Craven and John Carpenter are two of the horror film legends. Alfred Hitchcock is probably one of the five greatest directors of all time, with thrillers being his primary claim to fame. George Lucas has been the reigning king of science fiction ever since the release of Star Wars. John Ford is arguably the premier director of westerns. In my opinion, however, Stanley Kubrick may be the person who mastered more genres than any other director. Kubrick was a movie-making genius, much like Steven Spielberg. Anyone you meet on the street can probably name five Spielberg movies. Not many people, however, are aware that Stanley Kubrick was the director of The Shining, Full Metal Jacket, A Clockwork Orange, 2001: A Space Odyssey, Spartacus, Dr. Strangelove, and eleven other movies.
A Beautiful Mind, released in 2001, is a biographical movie that depicts the extraordinary life of John Nash. The film begins as John Nash is entering graduate school at Princeton University as a mathematician with his eccentric roommate, Charles Herman. Nash’s socially awkward personality is seen as he struggles to communicate with other people and dedicates the majority of his time trying to find a novel mathematical idea that will distinguish him from others. Nash is able to distinguish himself and get the position at Wheeler Defense Labs with his profound economics plan; however, he is enlisted by the government under William Parcher to decode secret messages in American newspapers to uncover a Russian conspiracy of bombing the U.S. Nash’s
I chose to view the Film Psycho (1960) by Alfred Hitchcock for this assignment, and after reading a bit more history I can see how he changed the filming industry. One famous quote by Hitchcock states “there is no terror in the bang, only in the anticipation of it” and this film was the premiere example of it. As a casual viewer, I feel that the film left me wanting more in some ways and less in others. I feel like the talking scenes were of very dialogue heavy and then in the very next scene there would be 2-3 minutes without any speaking. If the film could have had better flow I would have enjoyed it much more but in my opinion, while the film was innovative and cutting edge in 1960, I did not enjoy it.
“Forman’s movie without Bromden’s perspective is empty and devoid.” (Shmoop Inc.). Ken Kesey’s novel, One Flew Over the Cuckoo’s Nest, has been adapted into a film version, directed by Milos Forman. It has won numerous Oscar awards including “Best Picture”, “Best Director”, and “Best Actors”. However, many readers of Kesey’s original novel agree that it did not capture the essence and intent of the story. After reading the novel and watching the movie, I also feel the movie version did not accurately renovate the original novel. With various important scenes missing, confusion about the main character, and an indistinct recreation of the plot, Forman did not precisely revive the authentic purpose into his film.
Alfred Hitchcock has always been one of my favorite directors ever since I was little. My dad got me into his films at a young age and part of our bonding time revolved around watching his movies, famous or not. Psycho is a film that has always been a classic to me and one of all-time favorite Hitchcock movies. Hitchcock films present a vast of information and can be dissected and written about all based on his remarkable techniques such as his character development and his ability to create suspense and keep the viewer’s guessing. Hitchcock would use underlying messages throughout his films that completely turned the normal to twisted by his plot development. Psycho does this through having the audience suspecting a particular characters
The Kite runner is one of the best foreign film award in the Oscar trophy. This movie is quite interesting for the lovers of film because it teaches a wide range of values of the life that is truly moving. Originally the film was just a novel written by Khaled Hosseini however because included in the best seller so he along with Marc Poster tells the story in a movie called The Kite Runner.
One of the main cinematic elements that Citizen Kane challenged was the focus of the camera lens. Until this picture, movies highlighted the actors in the forefront of the