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Psychotherapy in Crime and Punishment Qudsia Monique Ahmad Psychology: Special Topics Dr. Mary Jacobsen 27 April 2014 Summary The following essay explains the viewpoint of both psychoanalytic and cognitive therapy. It goes in depth about their beliefs and forms of therapy. The essay discusses how to deal with patients who deal with narcissistic personality disorder. The end of the essay relates these theories to Crime and Punishment by Fyodor Dostoevsky. It focuses on the main character’s narcissism and the bases of it. Psychotherapy in Crime and Punishment Introduction In this essay the main character from Crime and Punishment by Fyodor Dostoevski, Rodion Raskolnikov, is broken apart to show how Psychoanalysis and Cognitive therapy deal with narcissistic clients. Cognitive therapy focuses on how the client categorizes experiences in his/her head leading them to have a unique set of ideals relating to the world.. This type of thinking will allows us to better understand why Raskolnikov, the main character of Crime and Punishment, views the people around him to be inferior in intellect. Psychoanalysis therapy’s main goal is to insure that patients become aware of themselves and their surroundings by digging deep into their unconscious mind. Both therapies work on making the client change their way of thinking by showing them how to think differently. These two therapies will be used to find a way to understand why Raskolnikov acts in impulsive ways causing others around him trouble. Psychoanalytic Therapy Sigmund Freud known to be the father of Psychoanalysis , contributed a large deal of this research on the construct of the unconscious mind. Freud valued the effect that the id, ego and superego had on a pe... ... middle of paper ... ...we must understand that these patients involve a long process that allows them to change their belief system. Cognitive therapy uses looking at the clients thought processes to get closer look at their abnormal ideals and works on finding a better way to thinking about life. The psychoanalytic therapy looks at how a person's childhood events affects their adult life. These therapist work on getting rid of this ideas and help them find comfort in them. Works Referenced Dostoyevsky, F., & Garnett, C. (2001). Crime and punishment. Mineola, N.Y.: Dover Publications. Sharf, R. S. (2012). Chapter 2 and Chapter 10. Theories of psychotherapy and counseling: concepts and cases (5th ed., ). Belmont, CA: Brooks/Cole. Mone, L. C. (1983). The Blancks' and Kohut's views of narcissism: Comparative analysis. Clinical Social Work Journal, 11(2), 107-125.
Freud, Sigmund. Ego and the Id of Sigmund Freud (The Standard Edition of the Complete Psychological works of Sigmund Freud Series).
Sigmund Freud is known for creating the concept of psychoanalysis, also known as psychoanalytic theory, which requires one to explore the unconscious mind. Over time, his theories have been revised as well as criticized in a variety of ways. Be that as it may, they have remained strong influences within the world of psychiatry, as well as in the worlds of film and literature. Many works generally exhibit Freudian influences, balancing the conscious life with the subconscious and dreamlike undertones. Key ideas of Freudian Psychoanalysis are the three psychic zones of id, ego and super-ego, the libido, and the Oedipus complex.
An egocentric attitude can be seen in Fyodor Dostoyevsky's Crime and Punishment. Dostoyevsky's young Raskolnikov is staggeringly arrogant. Raskolnikov commits a murder and a failed robbery in the story. His journey in overcoming his ego can be seen through his initial crime, denial of failure, and acceptance of mistakes.
In "On Dreams," Freud asserted that feelings of guilt, if repressed from consciousness, inevitably surface in unconscious symptoms, such as nightmares or madness. Although a person may repress his conscience, the guilt is merely displaced to another part of the mind, and eventually, this repressed matter must return. In the works of Dostoevsky, a character's guilt often manifests itself in dreams by presenting the character's purely devilish self or his worst fears. Not only does the character himself assume in dreams a totally fiendish nature, but the beings he encounters do also. Whether the devil appears literally, as in Ivan Karamazov's case, or in the likeness of the character's victim, as in the cases of Raskolnikov and Stavrogin, the mere fact of the devil's emergence reveals that the character has failed to elude guilt, a human universal, despite what he thinks or says consciously. In that the character himself is responsible for his nightmare, in that he is incapable of escaping the guilt that plagues him, the character constitutes his own devil. Because he is human, he suffers guilt, and hence, cannot get away with his crime. He is not as good at being bad as he believes. What do these dreams mean, in light of the fact that they are the literary creations of an author? How does guilt effectively temper pride? We shall attempt to answer these questions in examining the crimes, the dreams, and the devils of Raskolnikov, Stavrogin, and Ivan Karamazov.
Sigmund Freud was born in 1856 to Jewish Galician parents in the Moravian town of Pribor in the Austrian Empire (“Sigmund Freud” n. pag). During his education in the medical field, Freud decided to mix the career fields of medicine and philosophy to become a psychologist (“Sigmund Freud” n. pag). During his research as a psychologist, he conceived the Structural Model Theory, which he discussed in his essay Beyond the Pleasure Principle. The theory states that the human psyche is divided into three main parts: the id, ego, and super-ego (“Id, Ego, and Super-ego” n. pag). He concluded that the id was the desire for destruction, violence and sex; the ego was responsible for intellect and dealing with reality; and the super-ego was a person’s sense of right and wrong and moral standards (Hamilton, n. pag). Freud argued that a healthy individual will have developed the strongest ego to keep the id and super-ego in check (“Id, Ego, and Super-ego” n. p...
Few novels delve as deeply into the twists and turns of the human psyche as Fyodor Dostoevsky?s Crime and Punishment. The novel explicitly describes the protagonist Rodion Romanovich Raskolnikov?s fluctuating mental state as he commits a brutal crime, becomes tortured by guilt, and finally turns himself in. This detailed description of Raskolnikov?s psyche gives readers a clear picture of his character within the context of the events that take place in the novel. Yet we know little of Raskolnikov outside of this context. How, for instance, does Raskolnikov come to develop those beliefs and characteristics that impel him to commit his crime? We know only that he embodies these beliefs and characteristics from the outset of the novel. In order to fully comprehend the whys and hows of Raskolnikov as a character, then, we must examine him outside the framework of this novel.
Psychopathy was first written about by psychiatrist Philippe Pinel in the early 19th century. He referred to it as “insanity without delirium” and described individuals suffering from this as being “morally neutral”. In 1941, Hervey Cleckley wrote a book 'The Mask of Sanity' which is today considered as the cornerstone of the study of psychopaths. He wrote that the psychopath is capable of “concealing behind a perfect mimicry of normal emotion, fine intelligence, and social responsibility, a grossly disabled and irresponsible personality.” This supports the theory that not only is talk therapy inadequate as a treatment, but on the contrary it has the potential to make the condition worse as it enables the individual to practice the art of manipulation. Today worldwide, we use a checklist c...
Dostoevsky's three great novels, Crime and Punishment, the Possessed, and the Brothers Karamazov, represent a continuum. That is, in those works, Dostoevsky traces the degenerative effects on the Russian psyche of the doctrines of radical and Nihilistic idealogues by beginning with a psychoanalytic study of one solitary man and then chronicles the movement of that crisis from the intelligentsia outward to the masses.
Cognitive Behavioral Therapy provides a collaborative relationship between the client and the therapist with the ultimate goal of identifying irrational beliefs and disputing those beliefs in an effort to change or adapt behavior (Corey, 2013). The developers of Cognitive Behavioral Therapy saw humans as capable of both rational and irrational thoughts and able to change the processes that contribute to irrational thinking (Corey, 2013). CBT is a more direct approach than some other therapy theories practiced today in that it challenges the client to identify aspects about their self through cognitions. This therapy, as discussed in Corey (2013) also provides an educational component such that therapist teach clients tools to effectively change the way they think to a healthier way. There are a multitude of techniques associated with CBT such as shame attacking exercises, changing ones language...
Freud, S., & Strachey, J. (19621960). The Ego and the Super-ego. The ego and the id (pp. 19-20). New York: Norton.
Psychoanalysis is a science that deals with the interaction between conscious and unconscious processes and laws of mental functions of an individual. Psychoanalysis is used to understand subjects of semiotics. Psychoanalysis is also used to understand the unconscious development that comes into play in society and how that shapes us as humans and as a society. Sigmund Freud did not discover the unconscious mind set, rather he developed the concept the most thorough. Structural hypothesis is part of Freud 's mental functioning of id, ego, and superego. Id is the psychic drive, impulsive, that is the source of energy, yet lacks direction. Ego consists of functions that relate to an individuals environment, the mediator between id and superego, the reality checker. The superego consists of moral perceptions and aspirations of an individual. The superego is mostly an unconscious psyche.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion.
"Id, Ego, Superego, and the Unconscious in Psychology 101 at AllPsych Online." Psychology Classroom at AllPsych Online. Web. 12 Apr. 2011. .
Sigmund Freud is best known for his development and use of psychoanalysis. The theory of psychoanalysis focuses on the concept of how our unconscious thoughts, feelings, and emotions play an active role in our daily lives. The id, ego, and superego are the three mental zones that encompass our psyche. Each zone has a specific function: The id functions on the pleasure principle; the ego on the protection of the individual; and the superego on protection of society. The degree of which each zone has been developed can be broken down and then analyzed. These three zones can be visualized by imagining a pie cut into three slices.
Freud likened the mind to an enormous iceberg, of which consciousness is only the small exposed tip. The massive structure of the iceberg that lies beneath the surface is the vast region of the unconsciousness. To Freud unconscious was both a reservoir of instinctual drives and a storehouse of all the thoughts and wishes we...