Paulo Coelho, Author of bestselling books such as The Alchemist, Warrior of the light, and The Pilgrimage, wrote “When you want something, all the universe conspires in helping you to achieve it.” (Coelho 12) In his Journeys, Coelho unlocks and discovers characteristics similar to the ones in our readings. Through his travels he comes to an enlightenment just like the character in Myth of the Cave, proves himself knowledgeable despite doubts from outer influences like Wind-Wolf in An Indian Father’s Plea, and teaches himself –as well as the others around him— that knowledge may come at times you wouldn’t expect just like Malcom X in Coming To An Awareness Of Language. Because of these unique characteristics Coelho has come to be known by some …show more content…
This Story details a conversation between Socrates, Plato’s Teacher, and one of his students. This conversation was, and still can be, an attempt to “show in a figure how far our nature is enlightened or unenlightened” (Plato 333) This conversation goes on to tell the story of three humans that have been chained and living in an underground cave their whole lives, and because of this they have never been able to see the real world. The reality of the prisoners has become the interpretations of the shapes that the prisoners see passing by on the walls, but in reality the shapes are just shadows of “vessels, and statues, and figures of animals made of wood” being carried by people that live above ground. (Plato 333) Eventually one of these humans is unchained and brought to the surface. Plato explains that after that human is brought to the surface, he will have a hard time adjusting to the exposure of the world around but after he learns of the world above he will begin to think of his old companions in the cave and try to enlighten them as well. (335) Coelho’s journey of enlightenment is comparable to Plato’s Myth of the Cave. Coelho’s cave begins to manifest only because of his initial ignorance of the world around him but wanes and eventually dissipates as Coelho begins to learn of himself. He states “The wellsprings of creation bubble up in ways that are to some extent unpredictable . . . Writers are like pregnant women. They have made love with life and have a child without knowing who the father is.” (Coelho 2) in his interview, Coelho speaks of enlightenment and the path to god saying “Religion is there to satisfy a desire to belong to the community, to find brothers and sisters. But it does not show us the path to God. This path starts from within each of us. It is up to us to unravel the thread....” (Coelho
The most significant journeys are always the ones that transform us, from which we emerge changed in some way. In Paulo Coelho’s modern classic novel The Alchemist, and Robert Frost’s poem The Road Not Taken, the journey that is undertaken by the central exponents leaves both with enlightening knowledge that alters their lives irrevocably. In stark contradiction to this, Ivan Lalic’s poem Of Eurydice , delves into the disruptive and negative force of knowledge, in contrast to The Alchemist which details an antithesis of this point relative to knowledge. In all journeys, the eventuality of knowledge is a transformative one.
Imagine a group of people, prisoners, who had been chained to stare at a wall in a cave for all of their lives. Facing that wall, these prisoners can pass the time by merely watching the shadows casted from a fire they could not see behind them dance on the walls. These shadows became the closest to what view of reality the prisoners have. But what happens after one of these prisoners is unbound from his chains to inspect beyond the wall of shadows, to the fire and outside the cave? How would seeing the world outside of the walls of the cave affect his views of the shadows and reality? It is this theme with its questions that make up Plato’s Allegory of the Cave. It is in Plato’s Allegory of the Cave that there are several key ideas presented in the allegory. The ideas presented in the allegory can be related back to themes of education and the gaining of knowledge and in ways that can relate back to “us”, the people.
What is reality? An enduring question, philosophers have struggled to identify its definition and basic concept since the beginning of time. Plato, in his provocative essay, The Cave, used symbols and images to ridicule and explain how humanity easily justifies their current reality while showing us that true wisdom and enlightenment lies outside this fabricated version of reality. If he were alive in modern times, he would find society unchanged; still uneducated and silently trapped in our own hallucination of reality with only the glimmer of educational paths available. While this may be a bleak comparison, it is an accurate one as the media influences of today present a contrasting picture of education and ignorance that keeps us trapped
The Allegory of the Cave is a parable that demonstrates how humans are afraid of change and what they do not know. In this work, Plato suggests a situation in which men are living in an underground cave. The one entrance is located near the top and there, a burning fire casts shadow. The men of the cave are chained so that they can only see the wall and cannot turn around. When objects pass by it creates a shadow on the wall. The shadows are the only thing they can see and therefore is the only thing they know to exist (747). Somehow one of them gets loose and wanders outside the cave (748). When he gets out, he is astonished at what he finds. He comes back in to tell the others about what he saw. The other men think he is mad and plot to kill him (749). This illustrates how fear, inherent in the primitive nature of man, only serves to promote his ignorance.
The Allegory of the Cave has many applications to both Plato’s writing and life in general. It describes the education of a philosopher, as well as how others look on the philosopher after he has gained the knowledge of the Forms. It also describes what it is like to see the forms. After understanding the forms, what once were objects, real things, become merely shadows. One sees everything as it truly exists, as it’s form.
Plato claims that self-existent and unchanging forms and not the reality obtained through sensory experience are perfect concepts for objects that can be seen in our physical reality. In his Allegory of the Cave, Plato explains how a slave could be set free from chains to the shadows of this world by becoming aware of the higher reality of forms (the objects’ true forms once they leave the cave). His allegory claims that all humans are held prisoner in darkness as we believe actual reality to be the things that we can see around us. However, there is a true reality that exists beyond the physical world. For Plato, he believed we experience this absolute reality when our soul detaches from the body. He believed that the body and soul are two
As people, we tend to believe everything we see. Do we ever take the time to stop and think about what is around us? Is it reality, or are we being deceived? Reality is not necessarily what is in front of us, or what is presented to us. The environment that we are placed or brought up has a great impact on what we perceive to be the truth or perceive to be reality. Plato’s Allegory of the Cave is one of the most significant attempts to explain the nature of reality. The cave represents the prisoners, also known as the people. They are trapped inside of a cave. They are presented with shadows of figures, and they perceive that to be reality. The cave can be used as a
In "The Allegory of the Cave," prisoners in a cave are forced to watch shadows as people behind them are forced to accept these shadows as reality -- "To them... the truth would be literally nothing but the shadows of the images. One prisoner, however, is released, and stumbles into the real world, containing more depth and complexity than they had ever known. At first, the prisoner will be pained at the bright, piercing light, but will eventually recover. According to Plato, the freed prisoner is then obligated to return to the shadows of the cave, to inform the shackled prisoners left behind of the real world. The prisoners, however, will not believe the freed prisoner, and may even go as afra s to kill him for such "lies" contrary to their "reality." The pursuit of the truth is, therefor, a painstaking but rewarding process. According to Plato, the physical world is a world of sight, one that lacks meaning if left alone. Only those who manage to break into the sunlight from the cave will ascend to the intellectual world. The prisoners in the shadows only know of the dull physical world, while those who ascend into the sunlight learn of the spiritual world, and are exposed to the first hints of truth. The soul ascends upward into the realm of goodness and of the truth, where "... souls are ever hastening into the upper world where they desire to dwell.." The pursuit of goodness and of the truth, then, improves the soul, as the soul desires to be elevated to a higher state of knowledge and morality. Caring for the self and the soul involves freeing the shackles of the physical world and ascending to the "... world of knowledge... the universal author of all things beautiful and right... and the immediate source of reason and truth in the intellectual..." The soul yearns to dwell in a world of morality and knowledge, and only the pursuit of
The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. He sees it as what happens when someone is educated to the level of philosopher. He contends that they must "go back into the cave" or return to the everyday world of politics, greed and power struggles. The Allegory also attacks people who rely upon or are slaves to their senses. The chains that bind the prisoners are the senses. The fun of the allegory is to try to put all the details of the cave into your interpretation. In other words, what are the models the guards carry? the fire? the struggle out of the cave? the sunlight? the shadows on the cave wall? Socrates, in Book VII of The Republic, just after the allegory told us that the cave was our world and the fire was our sun. He said the path of the prisoner was our soul's ascent to knowledge or enlightenment. He equated our world of sight with the intellect's world of opinion. Both were at the bottom of the ladder of knowledge. Our world of sight allows us to "see" things that are not real, such as parallel lines and perfect circles. He calls this higher understanding the world "abstract Reality" or the Intelligeble world. He equates this abstract reality with the knowledge that comes from reasoning and finally understanding. On the physical side, our world of sight, the stages of growth are first recognition of images (the shadows on the cave wall) then the recognition of objects (the models the guards carry) To understand abstract reality requires the understanding of mathematics and finally the forms or the Ideals of all things (the world outside the cave). But our understanding of the physical world is mirrored in our minds by our ways of thinking. First comes imagination (Socrates thought little of creativity), then our unfounded but real beliefs. Opinion gives way to knowledge through reasoning (learned though mathematics). Finally, the realization of the forms is mirrored by the level of Understanding in the Ways of Thinking. The key to the struggle for knowledge is the reasoning skills acquired through mathematics as they are applied to understanding ourselves. The shadows on the cave wall change continually and are of little worth, but the reality out side the cave never changes and that makes it important.
They are in the dark about the truth and reality because they are unwilling to see the truth about the light, or the real world. They live with illusions of the real world but never get to see what really happens because of this unwillingness to believe others to see. They are stuck in their predisposed ways because they were never exposed to reality. If you can only see what is in front of you can ever know true reality. This story is representative of they way people live their everyday live and how what they live constantly might not be the highest knowledge. Ultimately when he can finally see the sun it represents what s the truth and goodness. The cave represents how people live their lives, in the dark, and “world of illusion” (Plato). The shadows in the cave represent the false reality everyday people see. This allegory make one question their own believes and reality. It teaches one to think about all their experiences in their life and think if the reality they know is true. He uses this story to explain how being a philosopher is like being the prisoner that can see, and the others stuck in the cave are the general masses that will not go though the pain of losing their reality to see the
To begin, Plato’s Allegory of the cave is a dialogue between Socrates and Glaucon and its main purpose, as Plato states is to, “show in a figure how far our nature is enlightened or unenlightened.”(Plato) The dialogue includes a group of prisoners who are captive in a cave and chained down, only with the ability to stare straight at a wall. This wall, with the help of a fire, walkway, and people carrying different artifacts and making sounds, create a shadow and false perception of what is real. This concept here is one of the fundamental issues that Plato brings up in the reading. “To them, I said, the truth would be literally nothing but the shadows of the images.” (Plato). These prisoners, being stuck in this cave their entire life have no other option but to believe what they see on the wall to be true. If they were to experience a real representation of the outside world they would find it implausible and hard to understand. “When any of them is liberated and compelled suddenly to stand up a...
Plato’s allegory of the cave is an example of what Plato deems “the accent of the mind to true knowledge.” In the parable, the prisoners at the bottom of the cave represent the obliviousness of humans to what Plato believes constitutes true knowledge. What they judge to be reality is only a shadow depicted on the wall of the cave. These obscurities are all the prisoners have known of their lives and realities, and so they do not question them, leaving them in blissful ignorance of the world above them or what Plato likens to “true knowledge.” If one of the prisoners were suddenly released from the chains that hold him in his current state of ignorance, the movement would be uncomfortable, even agonizing, and he would...
The circumstances that are described by Plato have a metaphorical meaning to them. The allegory attacks individuals who rely solely upon; or in other words are slaves to their senses. The shackles and chains that bind the prisoners are in fact their senses .In Plato’s theory, the cave itself represents the individuals whom believe that knowledge derives from what we can hear and see in the world around us; in other words, empirical knowledge. The cave attempts to show that believers of empirical knowledge are essentially ...
Plato, a student of Socrates, in his book “The Republic” wrote an allegory known as “Plato's Cave”. In Plato's allegory humans are trapped within a dark cave where they can only catch glimpses of the world above through shadows on the wall.2 Plato is describing how the typical human is. They have little knowledge and what they think they know has very little basis in fact. He describes these people as prisoners, in his allegory, and they are only free when they gain knowledge of the world above the cave.
Written more than 2000 years ago, The Republic is one of Plato’s most influential and widely read works in the whole of western philosophy . Consisting of a series of ten books and contained within Book VII is the Allegory of the Cave, one of his best known works to emerge. The point of the allegory aims to conceive knowledge as a sort of illumination; Plato portrays the process of education as an ascent from darkness into light. This theory of knowledge still applies to events in our lives today, just as Plato directed it to the people of his time.