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Old horror movies analysis
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To some people it has happened, you see something standing in your dark room and when you turn on the lights, the figure is gone. Lights Out does the job of showing the audience the fear of the monster that looks at you or is with you in the darkness. The monster in this film would make the audience think back to their childhood and remember the fear of being in the dark alone because they would feel someone looking at them. This film gives the rule for the monster, you will be safe when you’re in the light, but be very careful when the lights go out and it gets dark. The whole idea of the monster is introduced at the beginning of the film when a woman is walking through a factory and she thinks she saw a figure in the dark when the lights went out. Like anyone else, she thought she was hallucinating and kept on going with her work. A few minutes later, her boss is killed by the figure which turned out to be the monster. Lights Out begins with a great hook because it gets right to the point of the monster killing people when it is dark and there is no light. This might make some people uncomfortable, knowing that there is something in the dark that is going to kill you. Being out in the woods, a place where it is extremely dark during …show more content…
Not everyone is happily ever after like in most movies. At the end of Lights Out, when Sophie sees that her kids are at risk with Diana, she decides to kill herself to protect her children. If Sophie died, Diana would die with her and she took her life in order to save the ones she loved. In many movies, mostly everyone survives and only the “bad person” dies but not in this case. Sophie’s death was something very unexpected and it was something that was shocking because again, it does not happen most of the time. Lights Out plays the role of making the audience think twice about being alone when the lights go out or even being alone in the
In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
In order to scare us, books, movies, and television shows will take the most ordinary things and make it into a monster. For instance, the movie IT takes a clown and turns it into
Monsters and the Moral Imagination, written by Stephen Asma, presents many possible outcomes as to why monsters are the rise. Mr. Asma discusses why monster portrayals could be on the rise in movies, books, and stories throughout his subsection Monsters are on the Rise. Perhaps the rise is due to traumatic events in recent history such as the holocaust or the terroristic attacks of 9/11 in
The act of fear is much more common in the dark. In the dark, people expect things to be lurking around the bend, waiting for someone to summon it. I can relate this selection to my past experiences with my friends. When we were in elementary school, we would go into a dark bathroom and say the name, ...
Monsters are symbols and representations of a culture. They exist because of certain places or feelings of a time period. Monsters are “an embodiment of a certain cultural moment”. Author of Grendel, John Gardner, and author of Frankenstein, Mary Shelley, both create a monster to represent something larger than itself in order to have the reader reflect on their “fears, desires, anxiety, and fantasy” in society, which is explained in Jefferey Cohen's Monster Culture (Seven Theses). The latest trend in monster media, zombies, also fit into Cohen's theses on what a monster is.
When the monster (also Nature) is created, the role of antagonist and protagonist changes due to enforcement. When the monster was created, it wasn’t the antagonist. It tried to do many good things such as saving a small girl. Those good deeds were never rewarded, causing the monster to be disgusted with humanity making it, by...
The setting gives the reader a sense that terror awaits. This story shows this by talking about the lighting
1. In "The Thing in the Forest", the monster represents everything that is going on in the Penny and Primrose's lives that makes them feel out of control and scared. War is ravaging their country and both of their mothers sent them away with no explanation at all. The monster in the woods is described vividly, from the putrid stench it gives off to its mangled features. It seems unstoppable and consumes everything in its path, even an innocent child.
Frankenstein’s Creature, or the Creature, presents an example of the environment affecting the personality and actions of a being. During the early part of its life, the Creature only observed the nature around itself. It explains its reaction to different elements such as darkness and fire. On light versus darkness, it states:
While this account is probably a poor model of how an actual entity would behave upon being thrust into a brand new world of sensations with sufficient cognitive apparati to comprehend the impressions (categories and systemization are utilized almost immediately, although there would be no reason for the monster to arrange things in this way, "light from my eyes" is a physical principal [an incorrect one at that] and would not likely be used in a naive description.
Nowadays, people are still enticed by fear, they have a curiosity for the supernatural, evil and frightening. Although modern day society is supposedly politically correct, we are still an immoral society and many of us would treat a creature like Frankenstein’s creation or a vampire like Dracula like a monster. In this way, the novels still have social significance.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
In addition, the elements of lighting can be a supplement to a visual story with alluring amount of light and darkness. Firstly, light versus dark is a complex theme in the film. It is looking at terms of the film’s images with use of lighting, day and night, and use of color. Second, is the way the film examines the dark recesses of the human mind and its dimensions of evil. For example, in one scene in the film, Marion Crane gets to know Norman Bates a little too well. Norman states, “Well a boy’s best friend is his mother”. There is an alluring shadow behind Norman Bates, as a shadow is not seen from Crane. It was implied in the film that Bates was deranged and had multiple personal...
Monsters have been depicted in different ways throughout history, but scholars like Jeffrey Jerome Cohen have been able to dissect how monsters are viewed by culture along with examining the various functions that monsters serve in horror fiction and films. His theses cover a broad expanse of interpretations, ranging from topics as different as how monsters represent cultural and societal conflicts to how they fascinate us. Stories like Peter Crowther’s “Ghosts with Teeth” make the reader reflect on a different type of monster, one that constantly undermines our societal and cultural expectations through taking the form of a human. Crowther’s story is profitably interpreted through Jerome Cohen’s “Seven Theses” about monsters, suggesting that “Ghosts with Teeth” is more than the horror story seen at face value.
Therefore, a horror movie can affect someone’s life for a long time. When I was a senior in high school, I was camping with my friends. One of my friends named Mckyle brought a light because he could not sleep without light, and he was scared of the dark. I was asking him why he was scared of darkness, and he told me a story about himself. He told me that he was watching a scary movie with his cousin when he was seven years old, and the movie was talking about a spirit would come out when the light turned off. Therefore, he had a phobia of dark. This horror movie affected his life for a long time because he was sleeping with light more than ten years, and he still needed the light for sleeping. If he slept without light, he could not sleep at all. Also, he would have a nightmare about the movie. Until now, he still cannot sleep without light, and he is still scared of darkness. He never watches a horror movie in his life because it will remind him the spirit. Therefore, a horror movie can affect people for a long time because horror movie may cause a phobia to anyone. Horror movies do not potentially benefit to all the