Analysis Of Judith Jarvis Thomson's A Defense Of Abortion

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Judith Jarvis Thomson's controversial essay: A Defense of Abortion, takes an imaginative approach to the debate of abortion being impermissible, making her paper one of the most reprinted essays of philosophy. Thomson uses atypical examples to combat the most common reason for abortion being unjust: the fetus being human and the mother having responsibility for it. It has been said to be the best possible defense of abortion, however, is Thomson’s argument unbreakable and not open to criticism? Thomas initially seemingly strengthens her argument by accepting the most common criticism of abortion and uses absurd radical analogies unseen of before. Does Thomson’s imaginative way of reasoning, specifically her acorn and violinist thought experiments, …show more content…

Thomson exhibits great constructive self- criticism within her essay, but seemingly fails to address some very obvious holes. Initially, Thomson uses the analogy comparing a fetus to an acorn, in that an acorn cannot be said to be a tree. The argument that she is trying to present is that we do not have specific criteria when an acorn is a tree and therefore a similar idea onto a fetus. However, this is a false argument as there are many natural distinctions that we do make of the process of pregnancy. A fetus is not the same as a zygote and an embryo, and in fact the three of these terms are developmental landmarks within conception. The argument: “We can’t make any natural distinctions” is therefore initially false. Even if there are no natural distinctions within the processes of conception, and we allow that we cannot determine when a fetus is human or not, should we not still be cautious considering committing murder is a terrible thing to …show more content…

The experiment follows where you wake up one morning to find yourself back to back in bed with an unconscious violinist who has been found to have a fatal kidney ailment. The Society of Music Lovers, looking at all available medical records, has found that you are the only match, and therefore they have kidnapped you and attached you to the musician. A doctor thereafter says: “Look, we’re sorry the Society of Music Lovers did this to you–we would never have permitted it if we had known. But still, they did it, and the violinist is now plugged into you. To unplug you would be to kill him. But never mind, it’s only for nine months. By then he will have recovered from his ailment, and can safely be unplugged from you” (334 Landeau). Thomson thereafter uses this argument in opposition to rape, and then changes the experiment ever slightly for every situation it cannot apply initially. I believe this experiment is initially very strong, as she starts with the most direct and relevant case in comparison to pregnancy: the violinist must stay connected, unplugged, for nine months. To deem the experiment more outrageous, Thomson adds in it that it could be nine years or even for the rest of a person’s life. I find that this falters her initial argument as it begins to become less relevant to an actual pregnancy. It seems as though she is aware that the initial

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