Trauma: Progressive Loss of Rationality
Trauma is most often unexpected and usually leaves open wounds that can rarely be healed. In order to heal, one feels as if they need closure to the trauma they have suffered, whether the way they get that closure be right or wrong. Just like in the play, psychological trauma can shatter the shield of protection an individual has and disconnect them from the reality of things. This can cause a person to act on impulse when they see or hear something that reminds them of the trauma that they have suffered. Similarly, in the play Death and The Maiden by Ariel Dorfman, Paulina’s actions, behaviour and thought process in face of her torturer progressively leads her to a loss of rationality due to the horrors of her past.
In Ariel Dorfman’s play, Death and the Maiden, Paulina 's actions were planned but the way she executed them showed that she was starting to act more on impulse then rational thinking. Her impulsiveness is seen at many times in the play for example when she drives off with Dr. Roberto Miranda’s car in ACT I, scene 3: “We hear the sound of Roberto’s car. When the car’s headlights are turned on, they sweep the scene and that stark brutal shot of light clearly reveals Roberto Miranda tied [...]” (19). This scene shows the impulsive thinking of Paulina, who
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Otherwise, all you have is an opinion.” As demonstrated in Ariel Dorfman’s play, Death and the Maiden, Paulina’s confrontation with Roberto made her become erratic and lose touch with rationality which made her case weak. This was caused by the fact that her rage towards her torturer and her past made her search for a confession that might not ultimately have been there. Nevertheless, the play portrayed the fact that a person cannot surpass a trauma or take the law within their hands because the result might not be what they
Diane Urban, for instance, was one of the many people who were trapped inside this horror. She “was comforting a woman propped against a wall, her legs virtually amputated” (96). Flynn and Dwyer appeal to the reader’s ethical conscience and emotions by providing a story of a victim who went through many tragedies. Causing readers to feel empathy for the victims. In addition, you began to put yourself in their shoes and wonder what you would do.
Though, acceptance of trauma can allow hindered development, eventually allowing full self-acceptance. Bernice, a once strong woman has been verbally, emotionally and physically abused since her childhood. Resulting in a loss of her sense of being. Within the beginning of the novel, when she is reflecting on her past memories, it becomes clear to the reader that in order for her to be able to accept herself, she needs to surface her past traumas. Bernice explains that, “In the tendrils, Bernice realizes there is remorse in her body and she is trying to kick it out. Her shell rejects remorse. Shame. Feeling bad over feeling good” (49). This mindset is negative and expresses her inability to share her emotions due to previous emotional abuse from her family and the many men that have taken advantage of her. This idea of disallowing happiness hinders her ability to accept herself and her past actions. However, through more time of self-reflection (over 200 hundred pages of her lying in bed with the author switching perspectives, confusing the hell out of me lol) Bernice realizes that she must learn to cope with these traumas and attempt to have a positive outlook on life. As Bernice is accepting the damaged part of herself, she comes to the realization that, “She can feel her body now, its loose and stiff at the same time. Her head, though will be the hard part. Part of her lost for so long that it is hard to enunciate what, exactly, she has found” (228). In comparison to when Bernice was unable to acknowledge her feelings and thoughts, it is now clear that she is slowly learning to manage her issues. By Bernice discovering that she is beginning to acknowledge her thoughts, this is the first step to being able to accept one’s self. In Total, It is shown that Bernice is deeply affected by the trauma within her life, however she is able to
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
Throughout Rajiv Joseph’s play, Gruesome Playground Injuries, the two characters, Doug and Kayleen, sporadically meet throughout the course of 30 years due to injuries ranging from getting “beaten up pretty badly” (Joseph 31) to going into a “coma” (Joseph 27). The play starts out with the two characters first meeting in the school nurse’s office with injuries of their own. This is the start of a relationship that is full of pain and healing throughout the years. Told in a very unique structure of five year increments, the play shows how injuries, a reoccurring image that may be self-inflicted or inflicted upon one, bring the pair together when either is in a dire situation.
Post Traumatic Stress Disorder, also known as PTSD, was recognized as a disorder with specific symptoms and was added to the Association’s Diagnostic and Statistical Manual of Mental Disorders in 1980. However, prior to this acknowledgement, father of psychology, Sigmund Freud, had already developed a theory on it. Freud’s Seduction theory states: “both forgotten childhood trauma and a variety of adult stresses could cause neurosis”, such as we have seen in Euripides’s Medea; in which Medea acted irrationally after having gone through traumatic events. Whether it was Freud in the 1890s or Euripides in 430 BC the idea that PTSD is present in one’s daily live has always been a suggestion.
When one faces a traumatic experience, his or true nature often reveals itself. Trauma forces its sufferers to cope. How one copes is directly linked to his or her personality. Some will push any painful feelings away, while others will hold onto pleasant memories. Both of these coping mechanisms can be observed in Katherine Anne Porter’s “The Jilting of Granny Weatherall” and William Faulkner’s “A Rose for Emily.” In “The Jilting of Granny Weatherall” and “A Rose for Emily,” the two protagonists’ prominent characteristics distinctly affect the way they cope with trauma and influence the short stories’ outcomes.To begin, Granny Weatherall is a prideful control freak. In contrast, Miss Emily is delusional and stubborn.
Gail Godwin's short story "A Sorrowful Woman" revolves around a wife and mother who becomes overwhelmed with her husband and child and withdraws from them, gradually shutting them completely out of her life. Unsatisfied with her role as dutiful mother and wife, she tries on other roles, but finds that none of them satisfy her either. She is accustomed to a specific role, and has a difficult time coping when a more extensive array of choices is presented to her. This is made clear in this section of the story.
To understand why she loses her mind, we need to know how people’s mind is formed. A woman dancer who is the main character of this play was a normal person, but she became angry and had an urge to get back at the priest who she loved after she knew that the priest got the runaround about marriage. And then, she changed to a horrible snake because she could not manage to hold back the rage. According to psychoanalytic theory, people’s minds are not created fixed states, but minds are formed depending on how minds develop as people grow (Fortier 85). In additio...
Once in a while many people make bad decisions. Usually these decisions don’t cause them any harm in their futures, unlike Romeo Montague’s and Juliet Capulet’s decisions. In Verona, a city in Italy, two lovers fall in love. The catch is their families despise each other. Eventually Romeo get’s banished from Verona, and Juliet is forced to marry someone she doesn’t want to marry. Juliet takes a potion that knocks her out for 42 hours, and feigns her death, hoping she does not have to marry Count Paris. Romeo assumes Juliet is dead, and drinks a potion that kills him, and when Juliet wakes up and realizes that Romeo is dead, she stabs herself. In William Shakespeare’s tragic play, Romeo and Juliet, the main protagonists, Romeo and Juliet, make poor choices which eventually lead to their death at the end of the story.
Comparison Between the Play and Movie Versions of Death and the Maiden There is a significant difference between the play and movie versions of Death and the Maiden. The movie version emphasizes visual and sound effects, while the play highlights the importance of language. The movie version starts by playing a section from Schubert’s quartet Death and the Maiden. After the melodious music, viewers immediately see and hear lightening outside a small house as well as ocean waves clash against rocks. This contrast not only shocks the viewers, it also prepares them for the upcoming “action” in the movie.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
In the play “Trifles” by Susan Glaspell, the play approaches the psychoanalytic perspective. As the play approaches many different angles from many characters, it is discussed from two women the behavior she accumulated. The inner mind of an individual develops unconscious thoughts which in result proceeds to the psychoanalytic perspective. The woman in this story is affected by it because of the environment that cages her in turmoil.
A timeless topic--fate and free will--still captivates society today. Fortune cookies, physics, and horoscopes all contribute to the obsession people have with this controversial debate over who manipulates life; fate or free will. No one is sure who really pulls the strings, but everyone has an opinion on the matter. Many famous plays center on this topic, and one such play that features characters’ views on fate and free will is Romeo and Juliet. This legendary play, written by William Shakespeare, has been beloved by people for centuries, as they contemplate who is the guiding force in life? The play discusses just this, while depicting the lives of Romeo and Juliet: two desperate teenagers each trapped in their own worlds, seeking love and freedom. The two “star-crossed lovers” are from feuding households, and each has their own distinct problems. Romeo jumps from girl to girl, never finding anyone to reciprocate his feelings until he meets Juliet. She is hidden from the world, and with every decision being made for her, she wants to control her own life, which she does with marrying Romeo. Although fate and free will are both undeniably found in the lives of Juliet and Romeo, it is ultimately fate and the way it manipulates the events, time, and the characters that brings about the untimely death of the two iconic teen lovers.
father’s death. Throughout the play, the severe stress of the situation seems to take its toll on
In every culture, women are treated differently, sometimes it could be in a good way or bad way. The book The Chronicles of a Death Foretold by, Gabriel Garcia Marquez, takes place in Sucre, Colombia, in Latin America where women are treated differently from men and children. They have to do tasks that are unexplainable. Here in this society women are expected to know how to cook, clean, and do chores. They must uphold traditions to attract their husbands. Their sole responsibility is to the house and their marriage eligibility depends on these abilities. Also women are expected to suffer in marriage and have kids.. “Any man will be happy with them because they have been raised to suffer” (Marquez 31). Proving that women are taught to be at certain standards, they would never be able to have a happy one