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Importance of relationships in literature
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Through An-mei and Rose’s complementary passive natures in the first two chapters and the exposure of their development in the last two. Amy Tan uses the structure of the Hsu family storyline to demonstrate the correlation between An-mei and Rose, proving that their mutual weaknesses assist in the personal growth of the mother- daughter duo.
Topic Sentence #1:
As a child, An-mei was passive in her opinions about her mother, which seems to have translated over to Rose and how she deals with her brother’s accident.
Context/Integration/Quote #1/Citation: An-mei’s mother is seen as a disgrace to the family, due to her remarrying after her first husband’s death. When An-mei’s mother came to the house begging for forgiveness, conflict breaks out and a boiling pot of soup spills on An-mei’s neck. This creates a scar which An-mei describes “My
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Although this was when she was passive and unaware of the intent of the second wife. This gift was one of manipulation from the second wife, just as the second wife manipulated An-mei’s mother into the marriage. The crushing of the fake pearl necklace represents not only An-mei’s newfound clarity but also her independence. This was given to her by her mom’s death. The use of the word “crushing” means to violently subdue, which can be assumed to represent her rebellion against being apathetic in her life. Zoom Out: An-mei’s mother is treated as though she has no value at all, for example, she has no identity, not even being given a name. An-mei’s mother is powerless, she is forced into a marriage as a result of manipulation. To inspire a change in An-mei she kills herself. Which in turn gives An-mei the strength to stand up to the second woman, and evokes a lasting stand of independence in her. The death of An-mei’s mother serves as a wake-up call for An-mei to develop and become
Richard Russo's "Dog" and Amy Tan's "Two Kinds" are stories that illustrate the negative impacts parents sometimes have on their children and the unintended consequences that occur as a result of their parenting. In "Dog," Henry Devereaux grows into an adult who has difficulty connecting emotionally with others, a man who is not easy, and though entertaining, is not comforting. In "Two Kinds," Jing-mei was a failure many times over in her mother's eyes, finally dropping out of college and only accepting of herself later in life.
Our mothers have played very valuable roles in making us who we are and what we have become of ourselves. They have been the shoulder we can lean on when there is no one else to turn to. They have been the ones we can count on when there is no one else. They have been the ones who love us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be.
An-mei and Rose demonstrate a complex relationship, as An-mei sends cryptic messages to her daughter that she is unable to comprehend; therefore, Rose was not able to inherit the same strength of character that her mother did. This communication barrier creates a dynamic where An-mei struggles to get through to Rose and leads Rose to disregard her mother’s wisdom. As An-mei re-enters Rose’s life when she is nine, she begins to send
June-May receives a letter from her twin sisters shortly after her mother’s death. However, her sisters do not know their mother is dead and have been searching for her for years. June-May takes the letter to Auntie Lindo who writes back pretending to be their mother and says that they are coming to visit. June-May protests saying “They’ll think I’m responsible, that she died because I didn’t appreciate her,” (Tan 149). She believes that her sisters will hate her when she shows up without their mother and has to announce her death. As a result, Auntie Lindo writes back announcing the passing of the mother and announces that instead their sister, June-May, will be coming. It is during this trip that June-May fulfills her mother’s dream, “carrying with me her dreams of coming home. I am going to China,” (Tan 147). By doing this she gains another part of her mother. However, it is when June-May reunites with her sisters that she fully becomes one wi...
Eventually, David and Carolyn are able to relinquish the triadic relationship with their daughter, Claudia. This restructuring in the family essentially alleviates many of the problems that were the cause for the family to seek therapy in the first place. Claudia is able to break free from the well worn routines of arguing with her mother and her unwanted behaviors diminish. After removing the pressure placed on Claudia to be their source of intense emotion, David and Carolyn are left to face the daunting task of exploring and eventually reorganizing their relationship with one
In the genre of Christian novels where ‘Left Behind’ and the like could be considered fast-food, Mr. O’Brien offers connoisseurs of literature Five-Star dining.
Rose Mary is a selfish woman and decides not to go to school some mornings because she does not feel up to it. Jeannette takes the initiative in making sure that her mother is prepared for school each morning because she knows how much her family needs money. Even though Rose Mary starts to go to school every day, she does not do her job properly and thus the family suffers financially again. When Maureen’s birthday approaches, Jeannette takes it upon herself to find a gift for her because she does not think their parents will be able to provide her with one. Jeannette says, “at times I felt like I was failing Maureen, like I wasn’t keeping my promise that I’d protect her - the promise I’d made to her when I held her on the way home from the hospital after she’d been born. I couldn’t get her what she needed most- hot
This courage is evident in her dedication to her family, even in the face of Troy’s affair and his crass dismissal of the importance of her happiness. It is further exemplified in her selfless care for the illegitimate daughter and her ability to continue on regardless of these things. If the reader is to take anything from Wilson’s play, they should recognize and apply the courage that carried Rose through life and allowed her to find happiness in the most unlikely of places, an invaluable quality that should be striven for by
“Royal Beatings” begins in the imperfect tense with Rose telling us what her life was like. Her attitude and her circumstances are immediately revealed. Her mother had died when she was still a baby, and so she grew up with “only Flo for a mother.” Her father was not readily available and somewhat scared Rose. Rose loves her family but is not like them; she is clumsy instead of clever and had a need to “pursue absurdities.” Characters are revealed and emotions are discovered but the story does not become about action until nine pages into the story. Then, the reader is thrust into present tense action. Rose vividly describes a Saturday of which she and Flo argue and irritate one another. Rose’s father is called in from his shed by Flo and so he gives Rose what the r...
Woo’s journey involves a reunion with her distant family and results in her finding out what happened to her long lost sisters; she wakes up and hears her father talking to his Aunt about the incident in which her sisters were abandoned (189-191). After hearing this story, Woo understands the importance of her family ties and feels a stronger sense of place with her sisters. Following, Woo anticipates meeting her sisters, but dreads telling them the news of their mother’s death. However, when she arrives, there is an immediate love and connection between the three as they all say “‘mama, mama,’” and share a series of emotions (195). This connection makes it easier for Woo to discuss their mother and as a result, she finds her sense of place through her
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
The language between a mother and a daughter can create a huge brick wall in their relationship because they have different views on life, and how they should handle it. In the book "The Joy Luck Club," by Amy Tan, a story is told of An-Mei Hus and her daughter Rose Hsu Jordan, who is going though a divorce. An- Mei wants her daughter, Rose, to try and save her marriage. But Rose knows it’s pointless to try and upon that she decides to learn to stick up for her self, get a lawyer, and fight her soon to be ex-husband for the house. The relationship between An-Mei Hsu and Rose Hsu Jordan shows that language is a brick wall, because they don’t understand why wants what they want. Rose doesn’t care to save her marriage; she only wants to get the house. When her mother, An-Mei, wants Rose to fight to save her marriage, because it’s the Chinese way, and how the only way to keep her honor among her family.
To prevent this conceited behavior, Popo, the grandmother, recites parables of greedy women to An-Mei, so that she does not become just like her mother, By characterizing An-Mei's mother as a “ghost”, she is a just an apparition to her family, long forgotten like a box full of bad memories, slowly fading from
In the story, we see Popo (the grandmother) has taken care of An-mei and her younger sibling. They seem to be a really close family, sadly An-mei father passed away and her mother fled to the north. Years go on by and we see the mother have came back to take An-mei with her, but the grandmother rejected. As the narrator says “this dark boiling soup spilled forward and spilled”.
Rose throws herself further into her woes of anorexia to spite her mother, stating “hating [Dolly] is the best part of being alive” Rose does not appreciate her state of suffering, she detests it, later describing it as the “rob[bing]” of her “c...