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Priestley's big ideas in inspector calls
Priestley's big ideas in inspector calls
How is inspector goole presented in the play an inspector call what or when does he represent
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An Inspector Calls by J.B.Priestley "Priestley's play is unusual in that a character, the Inspector, could be said to direct the action of the play." This is a comment made by a theatre critic about the play "An Inspector Calls", and the character, Inspector Goole. By studying the play, I find that I can justify myself in agreeing with the critic's statement; that the Inspector does direct and control the action of the play. I am aware of how Priestley has incorporated various strategies and techniques of control into the character of the Inspector, which are use continuously throughout the play. Also, of Priestley's use of dramatic irony to cause reactions in the audience and to create certain feelings towards each character within the play. It is clear that the Inspector is used as a "mouthpiece" for Priestley's own views on the social structures in early 20th century England. I am tending to agree with the critic's comment. Inspector Goole can be described an enigmatic, determined and forceful. It is these characteristics, which ensure his control over the events of the play. His mysterious demeanour means that the family is not prepared for the way in which he speaks to them and behaves towards them. He is determined in his search for the full story and forceful in making each character face up to their guilt and responsibility. The Inspector refuses to be intimidated and doesn't back down when threatened, even by Birling's ultimate threat, that Chief Constable Roberts is "An old friend" and that they "play golf together sometimes." By this the Inspector is totally unfazed and replies dryly, "I don't play... ... middle of paper ... ... will be taught it in fire and blood and anguish." This final speech made by Inspector Goole, enforces my belief that the Inspector is J.B.Priestley's "mouthpiece" for his social views and beliefs. In agreement with the theatre critic, I think that "Priestley's play is unusual in that a character, the Inspector, could be said to direct the action of the play." This is a valid comment. Priestley has created a dramatically successful, controlling character and makes use of dramatic irony to enable the Inspector to voice his own personal views effectively. He has done this by creating a character that puzzles the audience with his behaviour, controls the other characters with his manner and displays socialist values in his speeches. The theatre critic's comment is very true of the character of Inspector Goole.
Priestley mainly uses the characters in the play to present his views, especially Mr and Mrs Birling, to present his ideas about class and society. In the Birling family, Mrs Birling is the most upper class, and is always referring to the lower class female factory workers such as Eva Smith as ‘girls of that class’. She seems to think that working class people are not humans at all.
Arthur Birling is glad because Gerald is the son of his business competitor and it will be a merger of businesses. Through the middle of the dinner there is a knock at the door. This is where we meet inspector Goole.
A Comparison of Characters of Mr. Birling and Inspector Goole in J.B. Priestley's An Inspector Calls
JB Priestley’s intent in ‘An Inspector Calls’ was to convey the attitudes of socialism to the minds of the society in the Edwardian Era as he was a passionate believer of the concept. Priestley has attempted this through the employment of ‘Inspector Goole’ in the play. In the play drama is displayed through a variety of methods for the interest of the audience and the communication of personal views from JB Priestley.
The Inspector, straight form his introduction, is commanding and authoritative. Upon his entrance he creates, “…at once an impression of massiveness, solidity and purposefulness.”(PG.11) The Inspector continues to create this impression as he progresses through his speeches and through his interrogation of the family. The Inspector remains confident, sturdy and composed, while people around him crumble and fall to pieces. His ‘solidity’ is proven by the fact he remains on task despite numerous attempts from Birling to digress from the points he is making. The Inspector is told to appear ‘purposeful’; this is shown where he explains to Birling that Birlings way of thinking “Every man must only look out for himself,” is not the case, and all warps of society are interlinked. The view is best illustrated in the Inspectors final speech, where he says, “We don't live alone. We are members of one body. We are responsible for each other.”(p.56). This idea is one that Priestley, himself believed in deeply, and many of Priestleys writing shared this very theme.
Glaspell has created the character of Henry Peters, who is portrayed as a middle-aged local sheriff and husband of Mrs. Peters and who criticizes the women, Mrs. Hale and Mrs. Peters, on their findings by mocking at them stating, “They wonder if she was going to quilt it or just knot it” (Glaspell 1116). With the given information of the character, the reader is unable to relate the character to the mystery since Mr. Peters himself has not had any direct relationships with the Wrights before the incident. Even though Mr. Peters’ role in the play is minute, this limitation helps move the attention towards the women. Any addition to Henry Peters’ character such as incorporating his past experiences as a police officer would distract the reader and lose the flow of the play.
J.B. Priestley wrote the play "An Inspector Calls" in 1945 and set it in 1912. These dates are both relevant because he wrote his play in a world emerging from the Second World War, at a time when people were getting nostalgic about pre-world war one. Priestley used his play to try and show people that the idea of a community in 1912 was gradually being washed away by the upper classes and that the world needed to change rather than return to the egotistical society that existed in pre war England.
Inspector Goole is arguably the central character in the play An Inspector Calls by J. B. Priestley. The inspector is first introduced during an evening event, an engagement prepared by the Birling’s (Act 1). The presence of the inspector turns the celebration into an investigation about the death of one Eva Smith, who used to work at Birling’s company. There have been numerous arguments on the reality of Inspector Goole. While some question his reality, there are many possibilities of what or whom the inspector could be. Could he be a ghost, the voice of Priestley (the author), Birling’s own imagination, Birling’s conscience taunting his actions, a dream or could he be a real inspector? This essay aims at attempting to unravel who or what exactly the inspector was which in turn will help reveal if he was real or a ghoul (ghost) figure.
'An Inspector Calls' by J B Priestley is a play set in 1912 revolving around the apparent suicide of the young woman Eva Smith, and the visit of the mysterious Inspector Goole to the Birling family who slowly unravels the events leading to the woman's death. Mr Birling is the head of the Birling household and a hard-headed confident businessman from a working-class background with old-fashioned and arrogant ideas.
An Inspector Calls is set in 1912 and was written in 1945 by J. B.
When the play was set in 1912, women had lacked empowerment and rights, while men had a higher status in society, despite women had no important role in society. By using Priestley’s Inspector Calls we can identify how women were portrayed in the early 20th century. Priestley has explored this in a variety of ways, by customizing the different types of female character to show an insight on how they have viewed upon the world and importantly on how they were treated differently based on several factors like class, money, and age. For an instance, Priestley uses traditional women and transitional women to contrast their lifestyle when it was set in the Edwardian Era.
The play ‘An Inspector Calls’, was written by J.B Priestley in 1944. In the play, the author presents the character Mr. Birling as a successful business man. Through this essay, I’m going to be talking about how he presents Mr. Birling by being powerful and rich, optimistic and small-minded, guilty, arrogant, by blaming others and unintelligent.
In this essay I will discuss why Priestley’s play ‘An Inspector Calls’ is effective, focusing on characterisation, dramatic devices and themes.
“Trifles” is a one act play that tells the events of farmer John Wright being murdered. During the middle of the night someone slipped a rope around his neck and strangled him to death, and the sole suspect is his quiet and forlorn wife, Minnie Wright. Throughout the course of the play, Glaspell has Mrs. Peter’s shifts in her view of what is moral and immoral as she begins to find things in the house that point to Mrs. Wright being guilty. I will tell of how Mrs. Peters changes her mind of what is moral over the course of the play “Trifles.”
Mrs Callaghan discourages and harnesses Isobel’s creativity by saying things such as “you are not to take grown-up books without permission”. Although this may seem like an act of a responsible parent, this is the masked version of the cold-hearted torment Isobel deals with and a complete front put on for the dinner guest. Witting’s intention is to demonstrate Mrs Callaghan’s manipulation on Isobel and how she twists ‘the rules’ constantly. Witting ironically features that the very book Mrs Callaghan is rebuking Isobel for is ‘Sherlock Holmes: The Case of Identity’. The significance of this feature is that the book is a literary allusion and clearly symbolises Isobel’s identity and her mother is interrupting her from revealing its true form. Mrs Callaghan's wicked manipulation continues throughout I for Isobel, Isobel sees a fireball but her mother quickly remarks ‘thought you saw’ and adds ‘you don't know whether you’re telling the truth’, distinctively labelling Isobel as a liar. Isobel begins to believe Mrs Callaghan and accepts herself as ‘a hopeless born liar’. Witting intends to show a clear division of when Isobel begins to lose trust for herself, this being paired with her already existing distrust for others, all this caused by her mother’s callous mistreatment. Isobel protects herself from her mother’s manipulative words by adopting a state of