However, while at Lowood, Jane is mistreated by Brocklehurst who uses religion as an explanation for their mistreatment. He chastises Miss Temple for providing the children with a decent meal as their food was at poor quality, justifying this with, ‘a judicious instructor would take the opportunity of referring to the sufferings of the primitive Christians to the torments of the martyrs’ as a reasoning to why the girls were left hungry. Another example of Brocklehurst's hypocritical nature is evident in this same chapter where he insists that the girl’s hair must be cut because curls are not Christian and are not modest enough. Hypocritically, his two girls and wife are then shown to have their hair done with ‘fake French curls’ and are in ‘fine silk’ with ‘furs’. These examples show his hypocrisy but as Helen states, he is ‘not a god’ – referring to how Brocklehurst is able to deceit. However, the character of Mr. Brocklehurst was inspired by William Carus Wilson (owner of Clergy Daughter’s school), a Calvinist reverend and moral tyrant who operated the school. Bronte’s experiences at Clergy Daughters' School led her to write about Lowood as Wilson wanted the school to be a place of evangelism and conversion. This clearly shows that Mr Brocklehurst emphasised the cruel treatment of which William Carus Wilson had put upon many young girls.
Brontë uses specific settings and the language of oppression to show how religion controls women psychologically. Miss Abbot, the servant at Gateshead, relates to how ‘God will punish her’ and how God will ‘strike her dead in the midst of her tantrums’ after sending her to the red room for going against the morals within the Victorian society. These quotes from Jane Eyre show a sense of Bib...
... middle of paper ...
...control individuals differently but it still has a negative effect. However, Jane refers to books such as St. Paul’s letters from the New Testament of the Bible to describe his character. This could show how St. John is a calm and graceful man because of the aftermath of the Old Testament. In comparison, St. John’s sisters (Diana and Mary Rivers) both show heartfelt compassion towards Jane which contrasts with St John’s more dutiful sense.
Overall, Brontë has shown a true religious based novel which widely explores her society and how all women were oppressed by the patriarchal system. Although Jane ends up rejecting all three models of religion, she does not ignore morality or a belief in a Christian God. Her great use of character analysis and thoughts show how this novel, in fact, was widely based on how religion was a great influence within the Victorian era.
Jane is exposed to different kinds of religion as the novel goes on. Bronte exposes a great deal of characterization in Jane as she is forced to decide between conforming to the religions of her peers or staying true to herself and discovering the faith that is right for her. She must decide between the evangelical overlook of a harsh Christian society, represented by Mr. Brocklehurst, the idea of passion before principle, represented by Mr. Rochester, and the idea ...
Jane Eyre is about a girl named Jane who struggles to find who she really is and with it what she really wants. “As a model for women readers in the Victorian period and throughout the twentieth century to follow, Jane Eyre encouraged them to make their own choices in living their lives, to develop respect for themselves, and to become individuals” (Markley). One of the reasons why this book gained merit was because of its striking presence within its time period. During the “Victorian Age” woman did not have much say in society, so this novel broke boundaries to societal norms that restricted woman from things they have today. “Brontë is able to enact this tension through her characters and thus show dramatically the journey of a woman striving for balance within her nature.
Jane Eyre's literary success of the time has been cheaply commercialized. In other words, Bronte's novel never got the appreciation it deserved, in the areas it deserved. Many 19th century critics merely assigned literary themes to their reviews to "get it over with". Critics commended Jane Eyre for everything from its themes to its form. However, their surface examinations amount to nothing without careful consideration of the deeper underlying background in Jane's life where their hasty principles originate. The widely discussed free will of Jane's, her strong individuality, and independence are segments of a greater scheme, her life. For example: Jane's childhood serves as the most important precedent for all of the self-realism although this purpose is widely disregarded. Even though "many have celebrated Bronte's carefully wrought description of her protagonist's first eighteen years for its vivid pathos, no one has as yet accorded this childhood its deserved weight in the novels ultimate resolution." (Ashe 1) Jane Eyre's genius develops in a series of internal reactions to external circumstances rather than shallow judgments about those internal happenings.
Mrs Reed keeps Jane only because of a promise she made to her husband on his deathbed. This abuse and neglect from her relatives forces Jane to be resentful and full of hatred. Later on Jane begins to stand up for herself. Once Jane begins to rebel to the abuse done by John and Mrs Reed, it is as if an uncontrollable beast had been unleashed inside of her.
This novel was one of the most radical books of the Victorian Era. It portrayed women as equals to men. It showed that it was possible that men could even be worse than women, through John and Jane. It taught the Victorians never to judge a book by its cover. The novel would not be as successful were it not for Charlotte Brontë’s talent in writing, and were it not for the literary devices employed.
Through the course of the novel, Jane Eyre is dependent on first her Aunt Reed, then Mr. Brocklehurst, and, subsequently, Mr. Rochester. As John Reed, her cousin, taunts her, she is “a dependent… [has] no money’” (Bronte 4), highlighting the complete control her Aunt Reed has of her life at this point. Her Aunt Reed chooses to send her to the frightful Lowood School and leads her Uncle John Eyre to believe her “’dead of typhus fever at Lowood.”’ (Bronte 217) While at Lowood, she is dependent on the dreadful Mr. Brocklehurst, a “personification of the Victorian superego,” (Gilbert and Gubar 343) who is the “absolute ruler of this little world.” (Rich 466) He uses “religion, charity, and morality to keep the poor in their place,” (Rich 466) rendering the students psychologically dependent on him. Finally, as a governess at Thornfield Hall, Jane Eyre is dependent on Mr. Rochester as his employee, required to acquiesce to his whims and to ask his...
Chapter seven sees Jane slightly more experienced to the ways of Lowood School. She has come to accept the poor conditions laid down by Mr. Brocklehurst, however has not yet learnt to ignore them and Bronte describes Jane suffering a lot in this chapter. This lack of food and appalling living conditions are down to the head of the school, Mr. Brocklehurst. This man uses his apparent strong beliefs in Christianity as an excuse to provide the children of Lowood with the absolute bare minimum. Brocklehurst claims his “mission is to mortify in these girls the lusts of the flesh”, presenting the idea that perhaps Brocklehurst is simply a man that has a immensely firm grasp of his beliefs and has made it his “mission” in life to enlighten others into the ways of christianity.
Bronte wrote Jane Eyre to emphasize her beliefs behind the purpose of women, and how society lacked to understand them as who they were created to be. The issue of lack of opportunity for women to engage in intellectual preparation and continuation is prevalent within the character of Jane. Expectation of women’s role was a social norm, with a lack of diversity or individuality. Bronte challenges this issue through the character of Jane, whom experiences a tug-of-war sensation between being herself, who she wants to be and should be, and what society wants her to be, and pushes her to be. Bronte was trying to explain that women have the same capability as men to be productive individuals of society, but they are held back from establishing their potential. The most unique understanding of Bronte’s challenge to society is the understanding that the characteristics and personality of Jane as a female is shamed and criticized, however these features are identical to those of a successful and representable man in
In their portrayal of women, Ian McEwan and Charlotte Bronte explore the victimising nature of society through the oppressive portrayal of male authority, the education system, childhood, class, religion and relationships. Through their depiction of marriage, both authors present how women become psychological victims of society as a result of the confining nature of male dominance and power. Female passion and imagination is presented as both a destructive and constructive force and therefore illuminates how women become both victims and victors, as this passion is used to trap and confine women as well as empower them. Despite this confining and patriarchal society addressed in Jane Eyre and Atonement, both authors introduce females who
Immediately from the start Bronte’s character Jane is different. She is an orphan, mis-treated and despised by her family. She has no clear social position, is described as “less than a servant” and treated like one. A protagonist who one would assume had no characteristics worth aspiring too. Jane is displayed perfectly in her hiding behind the curtain. She is placed by a window, which beyond is icy and cold, contrasting immensely from the inside of the fire and warmth. A clear statement of the icy coldness of the family she has been put to live with, and her fiery and passionate nature which we discover th...
Jane Eyre Social class distinction is very evident in Victorian England. This distinction is found not only in society, but also within the Anglican Church and its clergy. In Jane Eyre we are introduced to three Anglican ministers who represent different social classes. They are Jane Eyre’s father; the Reverend Brocklehurst, the administrator of Lowood Institution; and Reverend St. John Rivers, the curate of a small country parish at Morton and owner of Moor House. Comparing the way these clergyman are viewed by society establishes the adherence to the same social class structure within the church as is evident outside the church.
In Charlotte Bronte’s novel Jane Eyre, the author juxtaposes the representations of femininity of Bertha Mason and the title character to champion Bronte’s ideal conceptualization of independent women.
Religion plays a prominent role in today’s society and shapes the way people act and think. Furthermore, it provides guidance in times of distress and serves as a moral foundation that keeps excessive desires under control. In the novel Jane Eyre, author Charlotte Brontë portrays religion as a dependable guide that provides stability in the struggle for morality and survival. Although Jane’s moral duties and worldly desires conflict, her religion is always brought back to morally judge her actions. She neglects God while falling in love with her decades-older employer, however maintains her morality by refusing to succumb to his lustful immorality. The starving and penniless Jane is left to wander the heath,
Charlotte Bronte’s Jane Eyre represents the role of women in the Victorian era by giving the reader an insight into the lives of women from all social classes. Jane Eyre therefore represents figures of the Victorian time yet the character of Jane Eyre, herself, can be seen as very unconventional for the Victorian society.
The development of Charlotte Bronte's character, Jane Eyre, becomes vital to her novel Jane Eyre, and the other characters in which she is involved. She is an intelligent, plain featured, honest young girl whose reaction to her situations brings more depth to her personality. She is forced to deal with oppression, discrimination, and at times poverty, which disrupt her strong will, dignity, and desire for freedom. At the beginning, Jane possesses a passion for pride and the idea of freedom and these characteristics, along with her integrity, are tested continuously throughout the novel by the many personalities with whom she encounters. Living in a male dominant world Jane is expected to remain obedient and docile and her passion sometimes keeps her from being able to do this. She is a rarity among obeying female characters and we see this throughout the book.