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Iago's acts of manipulation of othello
Iago, character analysis
Character analysis of iago scene by scene
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As well, a Machiavellian villain is someone who can be categorized as duplicitous or deceitful. Jacobsen does not elaborate as fully on this point however, that is not to say there is no evidence in the play. Jacobsen does say that, “No ideal of civic virtue or social solidarity animates the innovator’s pursuit of power; he cares only to achieve “peculiar” or private ends, and he inflames the private resentments of the other characters, turning them against one another” (527). Iago rejects morality and is concerned only with achieving his goals to defeat Othello and displace Cassio. The reason he allows himself to remain subordinate to Othello is that, “In following him I follow but myself---- / Heaven is my judge, nor I for love or duty, / But for seeming so for my peculiar end” (1.1.60-62). He has little concern for who gets hurt in his pursuit of his own aims, going so far as to stab Roderigo and Emilia to protect himself. One of the ways he seeks to achieve this particular end is by telling opposite versions of the truth. In Act 1 Scene 2 Iago lies to Othello claiming that it was Brabantio and not himself that said those lewd things about him and Desdemona and behaves as though he had defended Othello and not Brabantio. Iago is duplicitous in the sense that his words directly contradict his actions. Iago admits that he seeks to, “Make the Moor thank me, love me, and reward me / For making him egregiously an ass / And practicing upon his peace and quiet” (2.1.310-312). Othello fully trusts Iago’s counsel despite the fact that he is the one responsible for his problems. Othello is not the only one subject to Iago’s deceit. Desdemona falls for it as well when Iago claims to have no knowledge of why Othello is so enraged with her. ...
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...g all the evidence, it is clear that Iago demonstrates numerous Machiavellian traits. He is strategic in the way he structures his delivery of information and in his timing. He is well-spoken and able to quickly devise convincing arguments. He is deceitful, using people against one another and pretending to be a loyal friend to disguise his own ambitions. Finally, he has a clear understanding of the psychology of other characters and the ability to manipulate this knowledge. While Iago may be a Shakespearean villain, he is undeniably Machiavellian as well.
Works Cited
Jacobsen, Ken. “Iago’s Art of War: The “Machiavellian Moment” in Othello.” Modern Philology Vol. 106. No. 3 (February 2009): 497-529. Print.
Shakespeare, William. Othello, the Moor of Venice. The Necessary Shakespeare. 4th Edition. Ed. David Bevington. Chicago: Pearson, 2012. 611-655. Print.
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
Shakespeare, William. The Tragedy of Othello: The Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York; Washington Square Press, 1993.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
... still no closer to finding out. Similarly with Iago there is no doubt that he is intelligent and quick-witted and his bitterness and jealousy fuels his plans but to an extent the circumstances played as big a role as the character. Shakespeare created Iago and the circumstances because they reacted well together and made an interesting and exciting plot. So I believe it is fair to say that Iago, as a character is both a good strategician and a lucky opportunist in equal measures.
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
“Othello Moor of Venice.” The compact Bedford Introduction to Literature. 9 ed. Michael Meyer. Bedford/St. Martins, 2012. 1187-1267.
Iago would most commonly be referred to as dishonest, however beyond that he is also downright amoral and uses other’s weaknesses to manipulate them into doing what he pleases. From the very beginning we see how Iago manipulates Roderigo by pretending he is looking out for his best interests in the matter of Othello’s elopement with Desdemona. He makes Barbantio angry with Othello and Desdemona by telling him about their elopement then lying about the consummation of their relationship. He then leaves Roderigo to take responsibility for his (Iago’s) actions. In the meantime he goes off to inform Othello that Roderigo is accountable for telling Barbantio about the relationship and saying horrible things about Othello. Iago later brings Roderigo back into his quest for revenge when he tries to get Cassio fired from the position that Iago originally wished to obtain. Although Cassio knows it is against his better judgement to drink, Iago manipulates him into getting drunk then stages a fight between Roderigo and Cassio. He even goes as far as to try to make Cassio look bad by telling Montano that he gets drunk regularly. Upon Iago’s explanation of the situation Othello promptly fires Cassio from his position and Iago becomes more respected in Othello’s eyes. Roderigo is a prime example of how Iago uses people to fulfil his desires. Iago convinces Roderigo that he could win Desdemona’s love away from Othello and the only man that stands in the way is Cassio. In this way when he plans to humiliate Cassio it seems as if he is doing it to help out Roderigo when, in actuality, he is seeking revenge on Cassio for taking his position.
Shakespeare, William. Othello, The Moor of Venice. from Literature and the Writing Process. McMahon, Day, Funk. Prentice-Hall Publishers: New Jersey, 1996. 864-947.
Shakespeare, William, and Kim F. Hall. Othello, the Moor of Venice: Texts and Contexts. Boston: Bedford/St. Martin's, 2007. Print.
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
Shakespeare, William. "The Tragedy of Othello the Moor of Venice" The Norton Shakespeare. Ed. Stanley Wells & |Gary Taylor. New York/London, W.W. Norton Company,1997. 2100-2174
Throughout history, there have been many human beings whom have been seen as either a hero or a villain. In their childhood, these people must had obstacles that were in their way, causing each individual to either work harder or give up. People, however; must understand that each individual has a potential in achieving their goals, but if one is mistreated or deceived due to jealousy, resentment, hatred, or ambition, it can lead to many catastrophic events. People who have pride and arrogance do not want to have equals, rather they want to see their victims suffer. These people have no difficulty in achieving their goals due to the fact that their victims have too innocent a nature to suspect the nefarious motives of their enemies. In this tragedy, Othello, Shakespeare has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons of the lives lost in this play and the reasons that lead to Iago’s downfall.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
Kermode, Frank. “Othello, the Moor of Venice.” The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, MA: Houghton Mifflin Co., 1974.