Kristiana Kahakauwila's, a local Hawaiian brought up in California, perspective view of Hawaii is not the one we visually outwardly recognize and perceive in a tourist brochure, but paints a vivid picture of a modern, cutting edge Hawai`i. The short story "This Is Paradise", the ironically titled debut story accumulation, by Kahakauwila, tell the story of a group narrative that enacts a bit like a Greek ensemble of voices: the local working class women of Waikiki, who proximately observe and verbally meddle and confront a careless, puerile youthful tourist, named Susan, who is attracted to the more foreboding side of the city's nightlife. In this designation story, Susan is quieted into innocent separated by her paradisiacal circumventions, lulled into poor, unsafe naïve culls. Kahakauwila closes her story on a dismal somber note, where the chorus, do to little too late of what would have been ideal, to the impairment of all. Stereotype, territorial, acceptance, and unity, delineates and depicts the circadian lives of Hawaiian native locals, and the relationships with the neglectful, candid tourists, all while investigating and exploring the pressure tension intrinsically in racial and class division, and the wide hole in recognition between the battle between the traditional Hawaiian societal culture and the cutting edge modern world infringing on its shores. One of the ways the story shows how the conflict between locals and tourists is through first impressions and stereotypes. “It’s not her fault she’s haole” (21). “She’s not one of us” (22). People in Hawai`i is seen as either a local and/or a haole. From a number of locals, they say that if a person is not from Hawai`i, then she or he is considered haole. Kahakauwil... ... middle of paper ... ...Hawai`i’s economy is very dependent on tourism, however many locals are possessive of their land, and as they stereotype tourists, many do not accept others as they have a unity for their own. Numerous individuals feel the desideratum to fit the local stereotype because they prefer not to be labeled as a “haole”. It becomes tough and rather intense for an individual, because becoming haole betokens that you forgot and disregarded the local or Hawaiian quality values and ways of routes, as well as the flowing stream of life in the islands. We need to remind ourselves that regardless of where we emanate from, our skin tone, race, physical characteristics, and so forth, everybody ought to acknowledge just for who we/they are and treat one another like 'ohana and show "aloha", and subsequently, we can determinately verbally express "This is it. This is Paradise" (33).
As a long-term resident and self- proclaimed “avid tourist of the island”, Mooney has had the opportunity to observe the regional dialects first-hand. This exposure reinforces the credibility of her ethos.
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
When my family and I could feel the warm fine sand, the gentle cool breeze, witness the crystal clear aquamarine ocean and swaying palm trees, and smell the sweet fragrant scent of plumerias, we must have gone to heaven. The enchanting beauty of this Hawaiian island, Maui, gives us a sense of warmth, peace, and serenity. In search of paradise, we explore the infamous Road to Hana, snorkel with underwater marine life, and journey back in time to experience the true customs, traditional cuisine and the original song, music and dance of Hawaii at a luau.
Professor Paul Cobb’s The Race for Paradise is a very unique portrayal of history—it appeals to academic specialists and casual readers with detail and original sources with numerous endnotes that contain references with comments that are fit for anyone wanting to broaden their knowledge on some of the aspects that this book touches upon. All the while constructing an engaging and a rather interesting narrative story that informs the reader how Muslim societies saw, reacted to, and adapted to the European crusades. His story is very broad and covers many key points in Islamic history, beginning with Muslim-Christian conflicts well before the, what is known to be, first crusade around 1095-1101. On page six of The Race for Paradise, Cobb states
The article written by Alexis Celeste Bunten called “Sharing culture or selling out?” talks about the theory of “commodified persona” or the “self commodification” of a tourism worker in Sitka and how capitalism has influenced the way a tour guide is presented. Chapter eleven in Charles C. Mann’s book called “1491, New Revelations of the Americas before Columbus” is a slight summary of the second half of the book which talks about how similar Indians were more advanced than the colonists and that we should accept the fact that indigenous people and their societies have influenced American culture.
Brown, DeSoto. "Beautiful, Romantic Hawaii: How the Fantasy Image Came to Be." The Journal of Decorative and Propaganda Arts. 20 (1994): 252-271.
Jovik, Sonia P. and James O. Jovik. (1997). “History.” Atlas of Hawaii. Honolulu: University of Hawaii Press, p.408.
Coming of age is essential to the theme of many major novels in the literary world. A characters journey through any route to self-discovery outlines a part of the readers own emotional perception of their own self-awareness. This represents a bridge between the book itself and the reader for the stimulating connection amongst the two. It is seen throughout Paradise of the Blind by Duong Thu Huong, Hang’s coming of age represents her development as a woman, her changing process of thinking, and her ability to connect to the reader on a personal level.
Hawaii is a top vacation destination by many tourists all over the world. When Hawaii comes to mind many people and different cultures imagine sandy beaches, warm, blue waters, lush green backdrops, Hula dancers in grass skirts with flowers in their hair and leis around their necks. These visual representations are iconic symbols of Hawaii and of what many have come to define as Hawaiian. These images and ideas painted by the visitor industry most often take place at the expense of the Hawaiians historic culture. These stereotypes conjured up by the tourist indus...
Hawaii’s population is diverse and unique. The islands are the most racially diverse state in the Unites States; in fact there are, no racial majorities in the Hawaii. 38.3% of the population is Asian while only 26.1% is Caucasian. Because of the diversity of citizens and the mix of Western idea with Hawaiian traditions, Hawaii has a varied and ethnically assorted culture. However, many citizens still practice the religion and traditions of their ancestors through their music and dance. The most important infl...
The Polynesian peoples have a lifestyle quite different than that of any other culture, as living on an island requires a level of flexible adaptability in order to cope with such a different, sometimes difficult environment. We see the way diverse cultures build their lives around their circumstances and how they respect them in their cultural myths and stories. The Polynesian legends emphasize the physical environment that they live in. They are quite different than any other region in the world, but the beauty and individuality of the Polynesian culture is prominent as seen in their mythology.
Since 1840 the Hawaiian Islands have been an escape to a tropical paradise for millions of tourists. People all over the world encounter alluring, romanticized pictures of Hawai'i's lush, tropical vegetation, exotic animals, beautiful beaches, crystal clear water, and fantastical women. This is the Hawai'i tourists know. This is the Hawai’i they visit. However, this Hawai'i is a state of mind, a corporate-produced image existing on the surface. More precisely, it is an aftermath of relentless colonization of the islands' native inhabitants by the United States. These native Hawaiians experience a completely different Hawai'i from the paradise tourists enjoy. No one makes this as clear as Haunani-Kay Trask, a native Hawaiian author. In her book, From a Native Daughter: Colonialism and Sovereignty in Hawai'i and through her poetry in Light in the Crevice Never Seen, Trask provides an intimate account of the tourist industry's impact on native Hawaiian culture. She presents a negative perspective of the violence, pollution, commercial development, and cultural exploitation produced by the tourist industry. Trask unveils the cruel reality of suffering and struggling through a native Hawaiian discourse. Most of the world is unaware of this.
While watching the scene of Joel getting his memory wiped clean of clementine in “Eternal Sunshine on the Spotless Mind” you see a few different strange occurrences happen. This leads me to believe Joel is in REM sleep during his procedure. I have come this conclusion because our book states dreams during REM are “often emotional, usually story like, and richly hallucinatory” (Myers and Dewall, 11: 103). Throughout Joel’s procedure you see he experiences all three of those dreams. An example of Joel having an emotional dream would be when he cries out for the people working on him just to keep this one last memory. Also Joel is emotional while frantically trying to escape memory lose by running with Clementine.
The story of the Fall of Man is known to many people not so much through the Bible as through John Milton's Paradise Lost. Milton's work presents a version that has become part of biblical custom, and to a certain degree aid in the understanding of the Creation and the Fall based on Milton's additions and explanations. The poem's monumental influence aside, Milton's unparalleled perspective has made Paradise Lost one of the most significant works that is relatable to his own era and the present. However, religion is not the only aspect that can be presented at a contemporary angle. By bringing in symbolic figures he invites allegorical interpretations that allow similarities to be made about community structure. Milton appeals to a modern audience by recognizing the structure of society throughout Paradise Lost. Today’s generation remains familiar with this societal component and its various interpretations.
Lastly, passage IX is found in Book 8. During this section, Adam and Eve had already partaken of the forbidden fruit. Shortly after tasting the fruit, Adam mentions that why something so delightful and pleasurable would be forbidden when it should be encouraged. Eating the fruit allowed them to become aware of their physical appearance. Adam and Eve began to cover themselves for they were ashamed. However, along with being ashamed, they become attracted to the appearance of the flesh. Never had Adam ever noticed the perfection of Eve’s body. Needless to say, they had sexual intercourse all night until they fell asleep.