Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Topic on role of women in islam
Gender equality in islam essay
Representation of women in araby
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Nawal El Saadawi is an activist, a physician, a psychiatrist, and most importantly she is an Egyptian feminist writer. She has written many books about the women of Islam, all of them focusing on the mistreatment and abuse of women. God Die by the Nile is one of her works originally published in 1985. Women in God dies by the Nile are victims to a patriarchal society and class system, that is controlled though religion, politics, and social customs. Saadawi dismantles the system by showing the crooked side; where the women are raped and beaten for being a women and men are put to death because they fail to support the ones in charge and the system itself. When reading into the title God Dies by the Nile it can almost be considered a metaphor Sex is used as an instrument of power, a way to gain things, physical and religious from women. The Mayor’s affair with the daughters of Kafrawi, Nefissa and Zeinab. His hold on them reflects the material power of the ruling class, it serves as a source of the sexual exploitation of women. When considering the Mayor’s sexual exploitations of women, “He’s got strange tastes where women are concerned, and if he likes a woman he can’t forget her. You know he’s pretty obstinate of himself. Once he gets his eyes set on a woman he must have her, come what may” (88-89). When Nefissa is in the Mayor’s eye, Sheikh Zaharan tries to persuade her to accept the Mayor’s offer. “Our Mayor is a generous man… You will be paid twenty piasters a day. You’re a stupid girl with no brains. How can you throw away all the good that is coming to you? Do you prefer hunger and poverty rather than doing a bit of work?” (37). Nefissa doesn’t want to work for the Mayor because his reputation with females is well known. She is forced against her will to work in the Mayor’s house by her father. Later the Mayor rapes Nefissa. She becomes pregnant, births the child, throws it away, and
Both el Saadawi and Al-Shaykh both show how perception and expression are both affected within the confines of politics, social opportunities, and male privilege depicted in their stories. Whether the reader is a follower of the feminist movement or not, it is very clear and easy to see that these women are not being treated with the respect that any human being deserves. The misogynistic stranglehold on society, especially in this part of the world, is excessive and avoidable in today’s world but it is very likely that the traditional, conservative ways of the past will continue to control and inhibit women from being able to be fully treated as equals for many years to come, perhaps even after this generation has
The theme of gender oppression is greatly shown throughout the story. Making it easier for the reader to comprehend the roles that were expect of women in Egypt. This theme is greatly shown when Abboud Bey and Samia’s father are discussing wedding arrangements. Abboud asks Samia’s father “And the beautiful little girl’s still at second school? She lowered her head modestly and her father had answered:” This shows the lack of respect males have for women in their society. Viewing women merely as a pretty face, incapable of answering simple questions. This also shows that Abboud views Samia as naïve and innocent by referring to her as “little girl”. He seems to be taken by her
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
Creation stories have profound effects on humans. Those associated with ancient cultures/civilizations aim to ensure the successful survival or well-being of themselves and that particular culture/civilization of their association, but not all are beneficial, prosperous, or fortunate. Mesopotamia’s “The Gilgamesh Epic”, Egypt’s “Hymn to the Nile-Documents”, and Mesoamerica’s Mayan and Aztec creation stories/religion are influential to establishing significant relationships within society, whether that is between humans and nature or humans and their “god(s).”
Water was essential to all people of ancient civilizations. It was something they would depend on year in and year out. This was a big development because people learned how to use their surroundings (water) to their advantage. The reason that farming grew is because of the fertile soil. Rivers were the biggest part in how early people lived. Further into the paper I will explain the agriculture, water source, and the transportation within the Nile River, the Huang He (Yellow) River, and the Indus River.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
In the book The Trial of God, the author Elie Wiesel tells the story of the aftermath in Shamgorod, Ukraine following a pogrom on the Jewish community. An innkeeper named Berish and his daughter Hanna are the last two remaining Jews in the village. During Purim the following year of the pogrom 3 Jewish minstrels find themselves in Shamgorod looking for a place to celebrate. Though they offend Berish deeply for unknowingly coming to Shamgorod for Purim, he agrees to let them stay if they perform for him and his Christian waitress Maria. While being unable to find a topic to perform that they all agreed upon they decide to hold a trial instead. Berish wishes to put God on trial for allowing his people to be murdered, raped and hated continuously
The Egyptian Book of the Dead is a term coined in the nineteenth century CE for a body of texts known to the Ancient Egyptians as the Spells for Going Forth by Day. After the Book of the Dead was first translated by Egyptologists, it gained a place in the popular imagination as the Bible of the Ancient Egyptians. The comparison is very inappropriate. The Book of the Dead was not the central holy book of Egyptian religion. It was just one of a series of manuals composed to assist the spirits of the elite dead to achieve and maintain a full afterlife (26).
The Arab woman, is there really a clear cut, precisely defined profile of what characterizes a woman of Arabia? Barren sand dunes, nomadic tribes of cloaked men, wearing turbans, mounted on camels, wielding swords, and their weak woman folk to whom they dictate. This is a classic Hollywood image of the Arab’s of the Middle East. The helpless female who is subjected to the will of her militant husband or aggressive father is nothing new to the average person of the present time, where being dutiful and being tyrannized can easily have the same definition in Hollywood and American media. However inaccurate this may be for the entire of the Arab world, it is the societal norm to classify woman as the victim of their male macho society. On the contrary, there is no ‘one size fits all’ description for women coming from the many countries that make up the diverse region of the Middle East. In each country, in each region, in every city, town or village, each woman has her own story, personality, heart and mind; quite opposite from what American media would have one believe. In such as the women of the novels, A Balcony Over Fakihani, Pillars of Salt, and A Woman of Five Seasons, their roles as women, wives, mothers, and daughters portray something other than the Hollywood’s forever destined victim of the males figures in their lives.
In the story, “The Flood,” the passage is about how Death can have a cold presence instead of having a presence that is more welcoming. A family is hit by a flood, and the grandfather describes everything that occurs as his family members are starting to perish away from the water. Death does not care about someone’s age, color, gender, occupation, or reputation. Death has one job, and its job is collecting souls and move to the next destruction. During a destruction, a person can sense death because their fight for survival fades slowly. Each of the grandfather’s family members decides to let death consume them without a fight. When it comes to death, a person can choose to fight to tell their story or they can just give. Most times, a person
Firstly, the novel manifests the desperate desire many individuals have to birth a male offspring in a country with a pervasive preference for sons. When Kavita gives birth to her second daughter, her husband has a strong disincentive to raise her. This notion is explored when Jasu says, “She will become a burden to us, a drain on our family,” (Gowda, 16). Unfortunately, Kavita has to suffer the loss of giving away her daughter as a consequence of the traditional gender discrimination that is deeply embedded in the patriarchal society she lives in. Jasu’s attitudes and behaviour are vitally influenced by the economic, social, and emotional norms of his culture. He sees no reason to raise a daughter who is incapable of bringing his family prosperity,
In The Chronicle of a Death Foretold, religion acts as a foremost determinant of the meaning of Santiago’s murder and parallels biblical passages. Gabriel García Márquez employs religious symbolism throughout his novella which alludes to Christ, his familiars, and his death on the cross. There are many representations throughout the novella that portray these biblical references, such as the murder of Santiago, the Divine Face, the cock’s crowing and the characters, Bayardo San Roman, Maria Cervantes, Divina Flor, and the Vicario children.
The biblical narrative is one that is still going on to this day. The biblical narrative tells the story of God and how he reveals himself to us. Rhodes points out that “God comes to each through a historical event or series of events” (2). It is in this way that God reveals himself to us and this maintains the relevance of the biblical narrative in our lives. God reveals himself through formative stories in the bible such as Creation, Adam and Eve, the Fall of Man, The Flood, God’s Covenant with Noah, and the Tower of Babel. From the very beginning of the biblical narrative we see that God relates to us on a personal level. He created us, he formed us, he created the world in which we live, and he has been an active participant in the narrative since before it began.
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.
...sent him. Nefissa was sent to work for the mayor, so he could have his way with her. The child bore by Nefissa was the mayors child. Neffissa ran away because she was ashamed of what the mayor had done to her. The mayor had Karfawi set up for murdering the "supposed" father of Nefissa's child. The mayor sent Zakeya and Zeinab to the city, where he had a plan to trick them into believing Allah was talking to them. So that Zeinab would work for him. When Zeinab did work for him he took advantage of her. When her husband intervened, the mayor set Galal up. He made him look like a thief.