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The things they carried meaning
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The things they carried meaning
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Even though the science strives for objectivity, the facts and numbers never speak to us so as real human stories can. Many historical events would not be comprehensible to us without such reference to individual experience. Tim O’Brien’s The Things They Carried is a dazzling example of the writing that shows us the reverse side of the Vietnam War.
The book demonstrates that despite the inspired and ardent rhetoric of the President and the government, the soldiers themselves were far less committed to the proclaimed goals of the war. Throughout the text of the book, we see how the soldiers march and do what they are ordered to do. However, the impression stays that they function automatically, like machines, without thinking much about the
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In this part of the book, O’Brien tells how he murdered an enemy and describes his subsequent meditations. Thinking about the killed Vietnamese man, O’Brien does not refer to him as the enemy. For the narrator, he is just another human being that was alive and then was murdered, and the party for which he fought does not matter. In fact, there are much more similarities between the killer and the killed than one may think. As O’Brien ponders the life of the killed Vietnamese, he writes: “He would have been taught that to defend the land was a man's highest duty and highest privilege. He had accepted this. It was never open to question. Secretly, though, it also frightened him. He was not a fighter” (O'Brien, 1990, p. 79). As we have learned from the previous chapters, this can be said about the narrator as well. In the end, we see that there are two men, neither of which wanted to go to war and to kill; nonetheless, one kills another one. Trying to soothe O’Brien, Kiowa says that it is a war; the murdered man had a weapon, and Tim had no other choice except for killing him. Nonetheless, his words do not seem to relieve the distress of O’Brien. He keeps looking at the dead body and all its wounds as well as the small blue flowers behind his head. Such staring is obsessive, just like imagining the life that the killed man could have had; it is the consequence of apathy that gripped
Tim O’Brien is a very gifted author, but he is also a veteran of the Vietnam War and fought with the United States in that controversial war. Tim O’Brien was drafted into the Vietnam War in 1968. He served as an infantryman, and obtained the rank of sergeant and won a Purple Heart after being wounded by shrapnel. He was discharged from the Vietnam War in 1970. I believe that O’Brien’s own images and past experiences he encountered in the Vietnam War gave him inspiration to write the story “The Things They Carried.” O’Brien tells the story in third person narrative form about Lt. Jimmy Cross and his platoon of young American men in the Vietnam War. In “The Things They Carried” we can see differences and similarities between the characters by the things they hold close to them.
In “The Things They Carried” Tim O’Brien uses this story as a coping mechanism; to tell part of his stories and others that are fiction from the Vietnamese War. This is shown by using a fictions character’s voice, deeper meaning in what soldier’s carried, motivation in decision making, telling a war story, becoming a new person and the outcome of a war in one person. Tim O’ Brien uses a psychological approach to tell his sorrows, and some happiness from his stories from the war. Each part, each story is supposed to represent a deeper meaning on how O’Brien dealt, and will deal with his past. In war, a way to discover and to invent new ways to release oneself from the pressure of it, O’ Brien’s writing is all about it; this stories will makes the reader understand his burden.
He admits that some parts of his writing are made up, and he is intentionally vague about the truthfulness of other parts. When asked if he had ever killed anyone, O’Brien said that he could reply, honestly, with both “Of course not,” and “Yes” (172). He explains that even the guilt of being present when the kill took place was enough that it doesn’t matter if he himself threw the grenade or not, he would feel the same way. It doesn’t matter the exact events that took place; this story is about how he felt about seeing murder up close and personal. O’Brien explains that “by telling stories, you objectify your own experience... You pin down certain truths. You make up others” (152). Writing was a way to verbalize his past, and he told the vague details how he experienced them, if not necessarily how they happened. He was able to separate himself from his memories and remorse allowing himself to cope with his past in the war. While the reader will never know the exact truth, they can still understand the guilt and that O’Brien felt as a
It’s not about the items; it’s about what they are used for and what they are worth. The novel The things they carried was written by the author Tim O’ Brien. The main characters that are presented in the novel are Jimmy Cross, O’Brien, Rat Kiley, Henry Dubbins, and Norman Bowker. The novel provides insight to the reader that the point of view is by the author himself. He is the one who narrates most of the stories. Tim O’ Brien makes up stories to cover up the truth and to makes people in it seem more human. O’ Brien gives the reader insight on some stories that grasp their attention and they end up not being true.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
Tim O’Brien wrote the novel The Things They Carried in 1990, twenty years after the war in Vietnam.In the novel,Obrien takes us through the life of many soliders by telling stories that do not go in chronical order. In doing so we get to see the physical and mental things the soldiers carry throughout the war in Vietnam.Yet the novel is more than just a description of a particular war. In the things they carried Tim O’Brien develops the characters in the book slowly, to show the gradual effect war has on a person. O’Brien shows this by exploring the life of Henry Dobbins, and Norman Bowker.
Tim O’Brien’s The Things They Carried has readers and critics alike scratching their heads with wonder about the meaning of “story-truth” and “happening-truth.” Although, he served in the Vietnam War from 1968 until 1970, he fabricates the events of the war throughout The Things They Carried. At the same time, he insists that the truth lies at the heart of the emotion in the story, an idea that many readers question. Furthermore, it is pointless for the reader to attempt to sort through the stories and differentiate between the “story-truth” and “happening-truth,” because it is nearly impossible. This tactic is one of O’Brien’s more ingenious writing methods. He does not want the reader to know the difference between the two because in his opinion that fact is irrelevant. O’Brien obviously thinks outside the box and has everyone questioning reality. However, this fact is truly ironic, because the point is not to care what type of “truth” it is, but to instead feel the raw beauty of the emotion and to accept it as the truth. While trying to define “story-truth” and “happening-truth,” a couple chapters in particular focus on the idea of truth, “How to Tell a True War Story,” “The Man I Killed” and “Good Form.” O’Brien believes that the most important thing for a reader is to experience the emotion of the story, be it “story-truth” or “happening-truth,” as long as the real emotion is conveyed and understood by the reader, then it is as true as it could possibly be.
The book The Things They Carried by Tim O’Brien is fiction and truth wound together to create a frustrating and addicting novel of fiction about the Vietnam war. O’Brien created stories by using his experiences during the Vietnam whether they are true stories or not is an unattainable knowledge for the reader, the only person of that knowledge is only O 'Brien himself. Through his writing he emphasized the the fact that you cannot perfectly recall the experiences of your past when your telling a story but the way it is told is “true sometime than the happening-truth(O’Brien 171) which helps give The Things They Carried depth beyond that of a “true”, true story.
When O’Brien first arrives to Vietnam, the men of the platoon show him how the grief of war can be covered up by humor. As the men were patrolling near a village off the South China Sea they suddenly started to encounter sniper fire. The firefight only lasted a few minutes but Lt. Cross decided to order an airstrike on the village anyways. After the strike was over, the platoon proceeded to the smoldering village to find nothing but “…an old man who lay face up near a pigpen at the center of the village. His right arm was gone. At his face there were already many flies and gnats.”(). To many, this image of a destroyed village and the mutilated old man would cause horror and plight. Instead of that normal reaction, “Dave Jensen went over and shook the old man’s hand. “How-dee-doo,” he said.”(). The other men of the platoon also went up to the dead man’s body and shook his hand while adding a comment. This disturbing response the men have to the dead old man isn’t one of disrespect, it is their coping mechanism for realizing what they just did. Because O’Brien was new to Vietnam he had yet to understand why the men were all doing this. He was awestruck by the actions...
Some authors choose to write stories and novels specifically to evoke certain emotions from their readers as opposed to writing it for just a visual presentation. In order to do this, they occasionally stretch the truth and “distort” the event that actually occurred. The Things They Carried, by Tim O’Brien, is a compilation of short stories about the Vietnam War with distortion being a key element in each of them.
Tim O'Brien is confused about the Vietnam War. He is getting drafted into it, but is also protesting it. He gets to boot camp and finds it very difficult to know that he is going off to a country far away from home and fighting a war that he didn't believe was morally right. Before O'Brien gets to Vietnam he visits a military Chaplin about his problem with the war. "O'Brien I am really surprised to hear this. You're a good kid but you are betraying you country when you say these things"(60). This says a lot about O'Brien's views on the Vietnam War. In the reading of the book, If I Die in a Combat Zone, Tim O'Brien explains his struggles in boot camp and when he is a foot soldier in Vietnam.
Throughout the novel, Tim O’Brien illustrates the extreme changes that the soldiers went through. Tim O’Brien makes it apparent that although Vietnam stole the life of millions through the death, but also through the part of the person that died in the war. For Tim O’Brien, Rat Kiley, Mary Anne and Norman Bowker, Vietnam altered their being and changed what the world knew them as, into what the world could not understand.
The Things They Carried is a collection of stories about the Vietnam War that the author, Tim O’Brien, uses to convey his experiences and feelings about the war. The book is filled with stories about the men of Alpha Company and their lives in Vietnam and afterwards back in the United States. O’Brien captures the reader with graphic descriptions of the war that make one feel as if they were in Vietnam. The characters are unique and the reader feels sadness and compassion for them by the end of the novel. To O’Brien the novel is not only a compilation of stories, but also a release of the fears, sadness, and anger that he has felt because of the Vietnam War.
Usually when someone is murdered, people expect the murderer to feel culpable. This though, is not the case in war. When in war, a soldier is taught that the enemy deserves to die, for no other reason than that they are the nation’s enemy. When Tim O’Brien kills a man during the Vietnam War, he is shocked that the man is not the buff, wicked, and terrifying enemy he was expecting. This realization overwhelms him in guilt. O’Brien’s guilt has him so fixated on the life of his victim that his own presence in the story—as protagonist and narrator—fades to the black. Since he doesn’t use the first person to explain his guilt and confusion, he negotiates his feelings by operating in fantasy—by imagining an entire life for his victim, from his boyhood and his family to his feeling about the war and about the Americans. In The Man I Killed, Tim O’Brien explores the truth of The Vietnam War by vividly describing the dead body and the imagined life of the man he has killed to question the morality of killing in a war that seems to have no point to him.
This allows the reader to see what takes place rather than what is perceived. O’Brien’s main objective is to expose the subjectivity that lies within truth. To point out a specific contradiction within truth, he uses war to highlight this difference. He writes, “The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty” (77). The truth has two different meanings and it all depends on who is interpreting it. One person may think one truth and another person can see the complete opposite. To go along with this ambiguity within truth he states, “Almost everything is true. Almost nothing is true” (77). He once again shows that truth is up for interpretation. There is not a single, universal truth, however, there are many variations of it. As previously mentioned, O’Brien claims that he honestly admit that he has both never killed a man and has in fact killed somebody. Here he is stating that there can be completely different answers that all seem to be the truthful. Whether or not O’Brien killed someone, he felt like he did, but could answer that he didn’t. It is this discrepancy that proves that it is all relative. When it comes to telling the story it becomes “difficult difficult to separate what happened from what seemed to happen,” (67). This is what causes the subjectivity, the unknowingness of the situation. Since