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Native american literature
Native american literature
Native american literature
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In “Yellow Woman” by Leslie Silko, the story is suggested to be mythic in origin, and not about adultery. The narrator is not given a name which adds to the ambiguity of the story and raises the possibility of the unnamed narrator being Yellow Woman. The setting and time are ambiguous when Silva (or Whirlwind Man) and the narrator are in the mountains, highways, pick-up trucks, and Jell-O is all mentioned. Making it clear that it is the twentieth century and the unnamed narrator is living in modern times. Yet, when Silva and the narrator are in the mountains all these things disappear making the flow of time ambiguous. The unnamed narrator herself wonders if what is happening is part of the legends of “the ka’tsina spirit” and refuses to acknowledge it till the very end of the story. The narrator not having a name, the ambiguous setting and time, and the narrator herself wondering if she is the Yellow Woman is evidence to disprove that “Yellow Woman” is about adultery. The …show more content…
The time the story is based in is the twentieth century which is apparent by the mentioning of highways, pick-up trucks, and Jell-O. While narrator and Silva are in the mountains or on the trails all evidence of modern times are gone. Yet, when the unnamed narrator returns home she sees, “…pale blue and full of thin clouds and fading vapor trails left by jets.” Silva and the unnamed narrator live in the twentieth century but as they travel the Arizona Mountains in this border region they are able to exist in the past and present. The Yellow Woman tale is from “time immemorial”, yet the narrator is experiencing the tale of the Yellow Woman. In the mountains where Silva (Whirlwind Man) lives time is frozen and it appears as though Silva and the narrator are in the past. While they are in the mountains it is like they are Whirlwind Man and Yellow Woman for that
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
Susan Griffin’s “Our Secret”, a chapter in her book, A Chorus of Stones: The Private Life of War, is about the hidden shame and pain humans carry and their consequences. It is an astonishing essay, a meditation on the soul-destroying price of conforming to false selves that have been brutalized by others, mentally or physically or both, or by themselves in committing acts of violence and emotional cruelty.
Deborah Tannen’s essay, “There Is No Unmarked Woman”, explores the idea of “marked” and “unmarked” words, styles, titles, and how females have no ability to choose an unmarked position. She also posits that “The unmarked forms of most English words also convey ‘male’” (88). Tannen is incorrect in her premise because females are able to choose unmarked hair and clothing styles, many unmarked forms of words no longer convey “male,” and men are marked just as often as women.
“Yellow Woman” written by Leslie Marmon Silko is a short story based on a Native American Legend story. In this Legend story, a woman has been taken away from her family for a period of time. The Yellow Woman are taken by a Ka’tisna spirit which is better known as a mountain spirit. Throughout the story, the reader learns that the narrator is in an overarching battle with her personal identity as a Pueblo Indian Woman. On top of the narrator's battle with understanding her personal identity she is in a constant battle with trying to understand what events are happening in real life as well as what events are remnants of this legend story told by her grandfather. In sum, the struggle that the narrator has is the common theme occurring throughout.
Marge Piercy’s “The Secretary Chant” begins the poem by describing different parts of her body as office supplies. In line one she states that “My hips are a desk.” In line two and three she says “From my ears hang/ chains of paper clips.”(2) In line four she also continues with “Rubber bands form my hair.”(3) I feel like Piercy’s goal by starting off the poem in this way, was to help emphasize the speakers frustrations toward her job right away. I also feel that by comparing the speakers body parts to office supplies, gives the feeling that the speaker is using a form of sarcasm; which explains how much her job is unwillingly becoming apart of her life. In line five She states “My breasts are wells of mimeograph ink”. In the same time period that this poem was published, was also a time when women began to leave there roles as house wives. Breasts are one of the most feminine parts of the body, and by comparing her breasts to mimeograph ink, it seems like she’s saying that her woman hood is being changed as well.
In the short story “The Yellow Paper”, Charlotte Perkins Gilman tells the story through the first person point of view where the story is told by the narrator only. The story takes place around the 80s-90s century where the narrator and her husband stay in a mansion for her rescue. The narrator is predicted to be suffering from temporary nervous depression by her husband, brother, and Weir Mitchell. Throughout the story, the readers could easily see many images that imply to the sexist reality back in time and how women are put under the pressure of the unequal society with the stereotype that they are always the supporters rather than the main financial provider for the family. Gilman introduces a new fictional theme to the audience back in
They are written during a time period when women were not viewed as important as men. The narrator from the yellow wallpaper is suffering from post-natal depression and has been recommended the rest of her cure by her husband and her brother, both physicians. Instead of curing her, it worsened her condition. The protagonist did try to convince her husband about what she would prefer, but she could not overcome the powerful authority figure. The narrator is restricted from working, writing, which leads to her obsession with the yellow wallpaper and suffocates her into madness.
Gail Godwin's short story "A Sorrowful Woman" revolves around a wife and mother who becomes overwhelmed with her husband and child and withdraws from them, gradually shutting them completely out of her life. Unsatisfied with her role as dutiful mother and wife, she tries on other roles, but finds that none of them satisfy her either. She is accustomed to a specific role, and has a difficult time coping when a more extensive array of choices is presented to her. This is made clear in this section of the story.
Deborah Tannen’s essay, “There Is No Unmarked Woman”, explores the idea of “marked” and “unmarked” words, styles, titles, and how females have no ability to choose an unmarked position in life. She posits that “The unmarked forms of most English words also convey ‘male’” (88). Tannen is incorrect in her premises because females are able to choose unmarked hair and clothing styles, men are marked just as often as women, and many unmarked forms of words no longer convey “male.”
The Yellow Wallpaper was written as a realism story. It showed how woman felt they had the same opportunities as men in their personal choices. In this story, the woman expressed her worries to her husband who through good intentions, required that his wife stay in bed 24/7, and not do any of the things she would normally do. In effect his wife became worse until she reached the limit. The behavior of the husband at this time was completely normal. Men were the higher power over women and women, like the one in this story, felt that they couldn?t stand count for themselves.
In Charlotte Perkins Gilman’s story, “The yellow Wallpaper”, the main character is used as a symbol to express the feeling of all the oppressed women in her time. Most of the women had no voice and were enslaved by “masculinist” ideas and a cult of domesticity (Gilman 685), which would explain why the main characters name was never mentioned in the story alluding to the fact that the women of her era simply lacked their own personal identity. Her husband and brother, who were both Physicians, treated ...
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.
The narrator in The Yellow Paper was a mother and a wife who was trying to free herself from the prison her husband had put her into. She lived in a male-dominate world whereby she was to be a wife who never questioned her husband’s authority. She suffered from a severe postpartum depression case, yet her marriage depressed her too. The narrator was in a marriage whereby her husband dominated and treated her like a child. Her husband was the sole decision maker and since she lived in a society whereby women were never allowed to question their husband’s decisio...
Marge Piercy uses “The Secretary Chant” to explain the thoughts and feelings of women in the workforce as they entered a new era with new rights. Piercy uses metaphors and imagery to entice readers to dig deeper into the meaning of her words. When quickly reading the poem, one would simply imagine a person made up of office supplies, but there is a more profound message to be heard. “My hips are a desk,” (Piercy 1) creates a foundation for the poem, while symbolizing the foundation of the speaker’s body. The secretary in “The Secretary Chant” describes each part of her body as a different office supply found at her workstation.