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Ginsberg and Whitman's poems
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Aleksandar Cirkovic
Professor Kurt Hemmer
English 102-055
7 May 2014
Allen Ginsberg was born in Newark, New Jersey on June 2nd, 1926. He experienced a very troubled childhood. His mother, Naomi, suffered from multiple mental illnesses and was institutionalized several times. These problems left Ginsberg feeling emotionally distraught and confused. This is reflected in Ginsberg's later poems since the mother helped to determine his overall character and outlook in very important ways. In his adolescence, he began to feel an increased awareness of his homosexuality which he kept very private until his twenties. Ginsberg was first introduced to poetry by his father who was a high school teacher and a poet. However, it was not until Ginsberg’s affiliation with William Carlos Williams that he began to attain a severe interest in poetry. Williams became something of a mentor to the young Ginsberg. Ginsberg’s literary choice was further influenced by Lionel Trilling and Mark Van Doren, whom which he had made acquaintances with through classes at Columbia University. Columbia is actually where he established powerful friendships with writers William S. Burroughs, Neal Cassady, and Jack Kerouac. “This group, along with several West Coast writers that included Kenneth Rexroth and Lawrence Ferlinghetti, among others, would form the core of the Beat movement” (The Beat Generation vol 2: 363). To be understood, the Beat movement, also called the Beat Generation, was an American social and literary movement that originated in the 1950s. The members of this movement, including Ginsberg, were self-proclaimed as "beat", which was originally meant to describe them as weary, downtrodden individuals. This meaning later took on a more musical sense t...
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...ortant to understand when examining the Beat Generation since many of its readers sympathized with the message that the pocketbook poem successfully conveyed, allowing Ginsberg to have great influence on his future actions towards the Beat movement.
After visiting Kerouac in Mexico City in 1956, he returned to New York with him. From there, he began promoting “Howl” and the literary works of other Beat writers. By 1957, Ginsberg began traveling frequently. He visited Burroughs in Tangier and went on to Spain, Italy, Vienna, Munich, and Paris. Paris is where he wrote much of Part IV of “Kaddish”. It is believed by some that these travels are what caused his writing imagination to gain traction all over again. Ginsberg
Moreover, Ginsberg took on the roles of prophet, guru, political activist, and social critic. He became a supreme model of an alternative lifestyle.
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Kerouac’s view of America was completely different from Ginsberg’s view. Kerouac saw America as a beautiful place, with many unexplored regions for himself, and the rest of the people in the country. Kerouac credited his love for America to Thomas Wolfe. In Kerouac’s book Vanity of Puluoz he said that Wolfe made him realize that America was not a dreary place to work and struggle in, it was a poem. If everybody thought of America as a poem rather than a place where we just come to in order to live work and die, this country would be the ideal place that Kerouac wanted it to be.
Ginsberg and Kerouac are an interesting comparison because of their unique symbiotic relationship. Not only was each a literary influence on the other, but they actually appear in each other's works. In Ginsberg's "Sunflower Sutra," he and Kerouac sit between a railroad and a river to watch the sun set over San Francisco. Kerouac points out a sunflower, and Ginsberg begins one of his mystical visions ...
with the current state of life in America. This minority consisted of average people looking for something more in their lives than the common American Dream of suburbia and satisfaction, and was centralized primarily in Greenwich Village, New York. "Beats" or "Beatniks", as they were called, became words that took on a near literal meaning. In Allen Ginsberg's Deliberate Prose, it is stated that " the original street usage meant exhausted, at the bottom of the world, looking up or out, sleeplessness, wide-eyed, perceptive" (Ginsberg 237), or beat. It was the Beat philosophy to question and criticize life than merely be content with it. Allen Ginsberg once again expresses beautifully what it meant to be part of the 1950s counter-culture by saying "It's weird enough to be in this human form so temporarily, without huge gangs of people, whole societies, trying to pretend that t...
The beat generation is a generation started in the 1950's by American artists and writers who refused conformity to traditional American ways and spoke of starting their own alternative lifestyle. The beat lifestyle included the sought after liberation and rebellion from society hindering chains of established, accepted ways of life. Within Paul Lauter's book, 'The Heath Anthology of American Literature,' Ronna C. Johnson from Tufts University, writes an analysis of Troia: Mexican Memoirs as well as synopsis of Brenda's life. Also in Lauter's book is the original Frazer's work Troia. In addition, Brenda Knight, another authority of the beat culture, writes in her book 'Women of the Beat Generation' of Frazer's struggles.
Independent thinking, counter-culture, progressive politics, an appreciation of art and indie-rock, creativity and intelligence are just a few of the many elements that exemplify Allen Ginsberg as an American poet, philosopher, and writer. He is considered to be one of the leading figures of both the Beat Generation during the 1950s and the counterculture that soon followed. Ginsberg is well known for his rejection of materialism, experimentation with drugs, openness of sexuality, and use of language which show how he as a poet and philosopher, explored and influenced American culture in a variety of ways. During the 1950’s, Ginsberg’s work was classified in the category of a Beat Generation writer.
Monforton, Nicole. “Whitman and Ginsberg”. Weblog entry. Blog. 1 December 2010. 2 May 2012 .
My title comes from one of Kerouac’s own essays, “Aftermath: The Philosophy of the Beat Generation,”
In other words, the beat generation had many writers in which were able to get the courage and be outspoken, earning the possibilities to live life in a different way than other. Carl Solomon had the privilege to know those that are more known to be the beat generation such as Allen or William. Solomon was able to something else which is being known as the heart of the beat
Homosexuality remained illegal in most parts of America until the 1960s, but Ginsberg refused to equate his Gay identity with criminality. He wrote about his homosexuality in almost every poem that he wrote, most specifically in ‘Many Loves’ (1956) and ‘Please Master’ (1968), his paeans to his errant lover Neal Cassady. Ginsberg’s poems are full of explicit sexual detail and scatological humour, but the inclusion of such details should not be interpreted as a childish attempt to incense the prudish and the square.
Ginsberg’s voice reflects their bond and friendship, as well as his need to defend and protect
At the young age of thirteen, he experienced several tragedies that would affect his life forever and would greatly impact his music later in life. Within a year, his father, his uncle, and his minister all died. He lost every important male influence in his life. After graduating from high school in High Point, he moved to Philadelphia in 1943, where he lived in a small one-room apartment and worked as a laborer in a s...
Nonetheless, Allen continues to seek out information about poetry. Ginsberg is first exposed to Walt Whitman, which was one of the prime influences on some of his later work. Allen graduates from high school in 1943 and plans his career as a labor lawyer. Allen then enters college at Columbia University in New York City. "But he fell in with the crowd of wild souls there" (Ginsberg, "search" 1). Among these new friends were Lucien Carr, Jack Kerouac, and non-student friends William S.
...g with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
Raskin Jonah, American Scream: Allen Ginsberg’s Howl and the Making of the Beat Generation Berkeley, CA: University of California Press, 2004.