Alienation In The Road Death

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The Alienation of Battered Souls by Sadman Kazi “The world is ugly and cruel, but it is only by adding to that ugliness and cruelty that we sin most gravely.” (Camus, 1947)
Dystopian novels can act as a mirror, reflecting our world and exaggerating aspects of it to create their horrific realities. However, dystopian fiction does not intend to simply add to the ugliness and cruelty present in the world. As a matter of fact its actual aim is entirely opposite- to warn against the grave “sin” Arthur Camus describes in his novel The Plague. By exploring a fictional universe, we are shown what could become of our own existence if these warnings are not heeded. The bleak desolation of Cormac McCarthy’s The Road and the utter horror of Richard Matheson’s …show more content…

It comes with survival and forces the characters to undergo change in order to adapt to a hostile and unforgiving environment. There are no rules in these post-apocalyptical times and moral conflict is what keeps our heroes sane, yet savage. During a flashback sequence, the now deceased wife of The Man exclaims, “No, I'm speaking the truth. Sooner or later they will catch us and they will kill us. They will rape me. They'll rape him. They are going to rape us and kill us and eat us and you won’t face it. “We used to talk about death, she said. We don’t anymore. Why is that? It’s because it’s here. There’s nothing left to talk about” (McCarthy, 93). The Boy's mother states the habits of the "blood cults" roaming the roads. They are cannibals who steal, rape, and murder without any remorse. The new world has become undeniably violent, meaning that The Woman is able to say with absolute certainty what these "blood cults" will do, given the chance. While the acts of violence are generally avoided by The Man and his son unless it was for protection, this act is reversed in I Am Legend. Neville early on realised that killing or curing the vampires were the only way of possibly restarting civilization. The new society of vampires fear Robert as if he were a boogeyman figure, a legend perhaps. After capturing and experimenting on a female vampire, Neville debates, “Shall I kill her now? Shall I not even investigate, but kill her and burn her? His throat moved. Such thoughts were a hideous testimony to the world he had accepted; a world in which murder was easier than hope” (Matheson, 95). Once a man not accustomed to killing, it has now become a second nature to him from living in this new world for so long, so it brings moral conflict when he realises what the perspectives of the other society see

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