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What does Karl Rahner believe
Importance of religious symbol
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The understandings of “symbol” variously propounded by Alexander Schmemann, Karl Rahner, and Louis-Marie Chauvet have many points of commonality, though occasionally these are expressed so differently it seems they disagree. At other times, their wording is similar, but their meaning appears not to be. Schmemann and Chauvet cover much of the same ground. Both bemoan the common usage of symbol that makes it synonymous with ‘unreal.’ Chauvet tells us how “the liturgy has paid a heavy price for such a semantic drift…In the end one is left with liturgies literally in-significant in which everything or nearly everything is ‘fake’” (Chauvet, 72). Schmemann notes that similar shifts have happened with other words, namely images and mysteries, and …show more content…
This is why it is what it represents. Obviously, it is not ‘really’ but ‘symbolically’ what it represents, precisely because the function of the symbol is to represent the real, therefore to place it at a distance in order to present it, to make it present under a new mode.” Schmemann may quibble over his wording if not the ideas behind them. As already established, he thinks “represent” is too weak a word, and likely, the idea of presenting something “under a new mode” would seem overly reminiscent of the discussions of “form” and “matter” associated not only with the medieval scholastics, but with the “Western captivity” of Orthodox theology that he denounces. Differing personal agendas, whether of distancing oneself from scholastic tendencies or of striving to display continuity with it, do not necessarily speak to the agreement of ideas. And here it does seem that the ideas of Chauvet and Schmemann are generally compatible, even if they exist with some …show more content…
Rahner seems to see the encounter with an interpreter as secondary in the characterization of a symbol. Rather, symbolism arises because things “necessarily express themselves themselves in order to attain their own nature” (Rahner, 224). Rahner understands symbols to be self-expression or manifestation, not unlike Schmemann who insisted that “the whole of A expresses, communicates, reveals, manifests the “reality” of B” (Schmemann, 141). Rahner’s contribution though is that this expression/manifestation is primarily an intra-symbol phenomenon. As he puts it “one reality renders another present (primarily for itself and only secondarily for others)” (Rahner, 225). This self-expression that is a symbol is “the way in which it communicates itself to itself” (Rahner, 230). Another being outside itself is not a necessary part of the equation, because the first being produces its own external, the Symbol. However, Rahner does echo Schmemann’s comment regarding knowledge through participation. He writes, “the symbol is the reality in which another attains knowledge of a being,” (Rahner, 230) whether this ‘another’ is the source of the symbol or truly another. This is likewise similar to Chauvet’s insistence that all knowledge is mediated through language, or symbols, since he holds that the symbol “is in some way the original language of human beings”
A symbol is a person, object, or event that suggests more than its literal meaning. Symbols can be very useful in shedding light on a story, clarifying meaning that can’t be expressed with words. It may be hard to notice symbols at first, but while reflecting on the story or reading it a second time, the symbol is like a key that fits perfectly into a lock. The reason that symbols work so well is that we can associate something with a particular object. For example, a red rose symbolizes love and passion, and if there were red roses in a story we may associate that part of the story with love. Although many symbols can have simple meanings, such as a red rose, many have more complex meanings and require a careful reading to figure out its meaning. The first symbol that I noticed in Ethan Frome is the setting. It plays an important role in this story. The author spends much of the first few chapters describing the scene in a New England town Starkfield. When I think of a town called Starkfield, a gloomy, barren place with nothing that can grow comes to mind. As the author continues to describe this town, it just reinforces what I had originally thought.
A symbol is a unique term because it can represent almost anything such as people, beliefs, and values. Symbols are like masks that people put on to describe their true self. In To Kill a Mockingbird by Harper Lee, the author uses Tom Robinson and Arthur Radley to represent a mockingbird which illustrates the theme of innocence by presenting these characters as two harmless citizens that do not pose a threat to Maycomb.
This has led to a trend common to all centuries, that of puncturing ideals by showing them to be less than what they are supposed to be. In art and literature we see manifestations of this mechanism. It is a protective mechanism in a sense, for it prevents total absorption in the ideal, forcing us to see it for what it is, a benchmark and not a realistic goal. Even in the works where men and women achieve the ideal, it is usually accomplished by supernatural means, for a concomitant of the ideal is that it cannot truly exist in the natural and hence imperfect world. Examples of such mechanisms range from the colloquialism "out of this world" to describe the superlative to the common mythological pattern of the religious leader being the son of a god.
Years ago, Sister Mary Corita Kent, a celebrated artist and educator of the 1960’s and 1970’s stated, “A painting is a symbol for the universe. Inside it, each piece relates to the other. Each piece is only answerable to the rest of that little world. So, probably in the total universe, there is that kind of total harmony, but we get only little tastes of it” (Lewis "Quotes from Women Artists"). Nowadays, a painting is not the main form of art humans appreciate. In fact, literature of all sorts can be considered a different form of art and often found in literature are symbols. A "symbol" is an object, person or action which represents an abstract idea (Warren “English 102”). In literature, a symbol or set of symbols can have a wide range of meanings. For example, color is a universal symbol; some may say it is a general symbol for life. However, each color separately can symbolize something different depending on the context. Analyzing five piece of literature for symbolism, one will be able to gain a deeper understating of symbols.
Julien, Nadia. The Mammoth Dictionary of Symbols: Understanding the Hidden Language of Symbols. London: Robinson Publishing, 1996.
What we see is not the truth, but rather our interpretation and distortion of the things we struggle to perceive, as our imagination fuses with our conception of reality. We conceptualize these omnipotent forces through our uses of symbols – to create an understandable world through abstractions – in order to explain what these forces are. [INTRODUCE CAPRA]
o Things can only have “right names” only if there is a necessary connection between symbols and things being symbolized.
Representation put simply is a way of describing or reproducing something. However, representation can only be fully understood in relation to the environment – most importantly one would need an understanding of the language in that environment. According to Saussure “language is a system of signs” (Saussure in Hall 1997 : 31) that help us to depict our concepts and ideas so that others may understand and therefore create communication. Sign, however, is made up of two components, the “signifier” and the “signified”. The “signifier” is a type of representation as it is the more material aspect of sign such as an image or piece of writing and the “signified” are the “mental concepts” (Hall 1997 : 36) with which the signifiers
All through the novel there are symbols of
learn what a symbol is. A symbol cannot be seen as a sign. The two are
In an ambiguous world, where all is but seeming, and hence misinterpretation, no symbol is successful. (70)
The first theory used to analyze this magazine is the semiotic theory, developed by C.S. Peirce. This theory is used to find the meaning of signs and claims it is all in the meaning of the signs used. “A sign refers to something other than itself – the object, and is understood by somebody.
Firstly, we must define what symbol means in terms of Geertz’s work. A symbol is a concrete version of an abstract concept, it may contain ideas, abstractions from experiences, hopes. For Geertz, symbols are in all perspectives of life (religion, science, common-sense etc.). These symbols are formed into sets which then become culture patterns, and these culture patterns affect people’s views and cause people to act in particular ways. This can be seen, for example, in a Christian society, where symbols such as the Christian cross, doves and fishes all come together to create a culture
A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or enlarge literal meaning. Select a novel or play and, focusing on one symbol, write an essay analyzing how that symbol functions in the work and what it reveals about the characters or themes of the work as a whole. Do not merely summarize the plot. (2009 Open-Ended Question for AP English Literature and Composition).
Pierce defines that these three subjects are the basic elements to semiotics. The sign can be simply defined as anything that can be interpretable. Signs are categorized into the three distinct types: icon, index, and symbols. Every types are defined by specific characteristics, which define their significance to the sign. An icon is a sign that is linked to an entity by means of qualitative characteristics, such as look, sound, feel, taste, and smell. An example of an icon is a map, the map is an icon since it shares the same qualities of the land being represented by the map. An index is the denotation of an entity which is physically linked or affected by a sign. An example of an index is smoke signals, smoke signals are a direct indication of fire, concluding smoke is a physical outcome of fire. The final type is the symbol, a symbol is a sign with no qualitative or physical link to an entity. Words are symbols, they hold no direct qualitative or physical link to the entity it conveys. The sign types are key tool to ensure that intended meanings are unambiguously understood by both the author and then the reader. An object can be anything discussable about the subject matter of a sign, for example discussing what that “something” was said about that