African-American Music

1051 Words3 Pages

In the works An Autobiography of an Ex-Colored Man by James Weldon Johnson and Slave Songs of the United States by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison, both stories include the topics about music from the African-American perspective. Although both works are quite different, there are some similarities between the stories. An Autobiography of an Ex-Colored Man and Slave Songs of the United States both show the difficulty of an outsider trying to transcribe music from a somewhat “unknown” and challenging perspective. Although they are similar in this aspect, their plans, understanding of the music, and musicking experience greatly differ from each other. An Autobiography of an Ex-Colored Man tells the story of a man’s journey living as a biracial person in the time of legal racial segregation in the United States. The novel not only describes the life of the narrator, but also emphasizes his journey into becoming a proficient pianist. The story describes his upbringing, family history, and adulthood experiences. As a child, the narrator was not aware of the concept of race. This, in a sense, led him on a journey of discovering African-American culture. Growing up in a privileged household, he wasn’t aware of the typical African-American’s experience. As a child, he thought he was “white”. For example, he talks about one occasion where his elementary school teacher asked, “’I wish all of the white scholars to stand for a moment (11).’” Since the narrator was not aware of his race, he stood up with his white classmates. This experience led him on the road to discovery of race, racial segregation, and the differences between white and African-American people. This journey brought him to the South and... ... middle of paper ... ...rgence, it was not recorded and recognized. The narrator and the authors from SSUS both express an emphasis on the importance of this music. The narrator felt so compelled by the music that he decided to bring the music to a different audience and environment. The authors in SSUS also voiced the importance of remembering and try to recreate the original African-American slave songs. Although both stories place a huge emphasis on these songs, the musicking experiences are quite different. The narrator provides a raw, detailed emotional response to the music. Meanwhile, the authors in SSUS choose to focus more on the music’s context and technicalities. Aside from their similarities and differences, these stories greatly show how music can help record a time in history, show different examples of musicking, and help show the importance of some of music’s original roots

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