African American Colloquialism In Toni Morrison's Beloved

1867 Words4 Pages

Toni Morrison is one of the most remarkable African American authors and her novels remind readers that there is a past to remember. African American literature, which has its origin in the 18th century, has helped African Americans to find their voice in a country where laws were set against them. The position of African Americans in the dominant society of the United States of America has not been an easy one. African Americans needed to find a new identity in the New World and were considered an underclass for a long time. In literature, African American writers have been telling the story of their complex experience and history. The mission to find their own voice was even more difficult for African American women who became targets of …show more content…

Through flashbacks to past tragedies and deeply symbolic delineations of continued emotional and psychological suffering, the novel explores the hardships endured by a former slave woman and her family during the Reconstruction era. Eliciting a variety of thematic interpretations, Beloved has been variously categorized as a Gothic romance, a ghost story, a holocaust novel, and a feminist doctrine, and critics extol Morrison’s use of historical detail, startling imagery, and African-American colloquialisms in portraying the emotional aftermath of slavery in America. Toni Morrison looks at the writing of the novel Beloved as a revisionist history, where she projects a factual account of the fugitive slave mother Margaret Garner who killed her daughter to save her from the horrific life of the institution of slavery. Its narrative which is primarily concerned with the painful resurrection or rebirth of buried memory and repressed psychological motivation is thus crucially informed by the paradigms of master and slave, colonizer and colonized, power and powerlessness, which have dominated the lives, identities and relationships of all the novel’s Black …show more content…

One similarity that is apparent is that they can be regarded as symbols of the great mother, who is the name of her child. However, Sethe in Beloved can also be seen as symbolic of the African mother who is fundamental in depiction of motherhood in Morrison’s novels. With the power to create and destroy life both Sethe and Eva make the cruel decision to end their children’s lives. Morrison depicts these acts in a brutal manner in order to convey the seriousness of the situation and to convey the frustration that arises as a result of racism and the heritage of slavery. Morrison reveals the side of motherhood most authors would be reluctant to portray. The reader is given insight into the lives of characters where everything is not black and white, but instead where the ambiguity and complexity of the situation of mothers are exposed. Traditionally, mothers have been portrayed in the idealised way society has viewed the mother, throughout history. In Beloved and Sula, Sethe and Eva are depicted as human beings with flaws and emotions of anger, bitterness and powerlessness. Morrison depicts, without sentimentality, mothers who kill their own children and thus, she creates an image of the mother which is

Open Document