Martin Luther King Jr. declared, “Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that” ( citation ) . Many people feel as Mr. King did, that love can fight hate, and ultimately love is the answer, the fixer, to this figurative darkness. The word’s love and hate express a strong and perhaps intense feeling for something or someone. However, these intense emotions are commonly used in opposition of each other. It is crucial, though, to note that these powerful emotions can easily cross lines and become blurred. Evidence of this claim is supported by Rempel and Burris’ “...Integrative Theory of Love and Hate,” which outlines what it means to love and what it means to hate, and how humans …show more content…
An important element that is displayed in both love and hate is motivation. An example of this is portrayed in “A Note on My Son’s Face,” as the author states, “I wanted that face to die, to be reborn in the face of a white child” (35,36). This line displays a level of prejudice towards what is hers. Derricotte battles intense feelings of wanting a white looking child amongst a world where not being grateful for what she has is seen as hatred towards her son. She looks at the face of her black child and is filled with animosity for what he looks like and what he will become. This is where the motivational factor comes into play, and where the lines of love and hate really become blurred. Does she hate her child because of how he looks? or Does she love her child because she wants him to become better than what he is destined for? She is motivated by love to want him to become better than what she believes is possible for him, yet she displays hate in the sense that she is hurting the child for what he is, and also for what he has no control over. According to Rempel this grandmother is displaying both intense feelings of love and hate. Loving what is hers, but hating what it will become. Therefore, this poem supports the theory that love and hate are …show more content…
The two in the poem do not value one another whatsoever. “As I try to leave you again” (Ai 7), is the theme of this poem. The two really have no reason to stay with each other, for one states, “I think with [his] laziness...” (Ai 9), dwelling on the negative aspects of the relationship, continuing to try and find other reasons to stay with each other. Ai’s poem describes a intimate relationship between lovers. However, in a sense, this relationship is more complicated than what Derricotte speaks of. Derricotte describes a familial bonding in which the “lover” is tied down more with commitment and responsibility, in other words being less likely to leave the child or fall out of love with him. The love in Ai’s poem “may have a definable endpoint...that is the total annihilation of the other” (Love and Hate 301). The two mentioned in the poem are in a constant battling whether to stay or to go. There is is this constant struggle whether the relationship is worth enduring or if all ties should be cut. Critics may argue that this is a form of love that is unstable and unsure, but when we look at all the aspects of love, this relationship does not fall into the margins. This love, as some would call it, has an
The poem, “My Great-Grandfather’s Slaves” by Wendell Berry, illustrates the guilt felt for the sins of a man’s ancestors. The poem details the horror for the speaker’s ancestors involvement in slavery and transitions from sympathy for the slaves to feeling enslaved by his guilt. Berry uses anaphora, motif, and irony, to express the speaker’s guilt and provide a powerful atmosphere to the poem.
Throughout History our world has seen societies which have risen to power and publicity through pure hatred and suffering of others. Our past could yet, reveal the answer to the question, “Can a society based on hate and suffering survive?”. The most powerful and controversial of these societies will be mentioned and with hope, put an end to our uncertainty. The German Reich, modern day North Korea, Al-Qaeda, and the Ku Klux Klan. These listed had based their societies on hate, suffering, or both, which they have marked themselves forever in history.
Given the choice, would you choose hate or love? Most people easily answer “love”, but their following actions show hate. Fear of difference creates hate, and the difference is easily found in an ethnically divided country. Etel Adnan writes of the Civil War in Lebanon in her novel, Sitt Marie Rose, Tomás Rivera writes of the struggles of Mexican-American migrant workers in …And the Earth Did Not Devour Him, and Zitkala-Sa writes of the mistreatment of Native Americans in American Stories and Old Indian Legends. These three authors speak of social issues in the 20th century caused by direct discrimination and by the following feelings of the minorities in question.
When an emotion is believed to embody all that brings bliss, serenity, effervescence, and even benevolence, although one may believe its encompassing nature to allow for generalizations and existence virtually everywhere, surprisingly, directly outside the area love covers lies the very antithesis of love: hate, which in all its forms, has the potential to bring pain and destruction. Is it not for this very reason, this confusion, that suicide bombings and other acts of violence and devastation are committed in the name of love? In Toni Morrison's Song of Solomon, the reader experiences this tenuity that is the line separating love and hate in many different forms and on many different levelsto the extent that the line between the two begins to blur and become indistinguishable. Seen through Ruth's incestuous love, Milkman and Hagar's relationship, and Guitar's love for African-Americans, if love causes destruction, that emotion is not true love; in essence, such destructive qualities of "love" only transpire when the illusion of love is discovered and reality characterizes the emotion to be a parasite of love, such as obsession or infatuation, something that resembles love but merely inflicts pain on the lover.
Both poets want to be loved in the poems in their own way. While both poem’s present a theme of love, it is obvious that the poet’s view on love changes from how they view love at the beginning of the poem from how they see it at the end.
A very strong feeling of dislike, intense hostility and aversion usually deriving from fear, anger, or sense of injury. Is how Websters discribes the word Hate. Thurman gives proof of that definition in this chapter about hate. He uses stories and personal examples that provide us a picture in words of what hate means and how Jesus was totally against the hatred. He writes that hatred is death to the spirit and disintegration of ethical and moral values. Above and beyond all else it must be borne in mind that hatred tends to dry up the springs of creative thought in the life of the hater, so that his resourcefulness becomes completely focused on the negative aspects of his environment. The urgent needs of the personality for creative expression
The term hate crime first appeared in the late 1980’s as a way of understanding a racial incident in the Howard Beach section of New York City, in which a black man was killed while attempting to evade a violent mob of white teenagers, shouting racial epithets. Although widely used by the federal government of the United States, the media, and researchers in the field, the term is somewhat misleading because it suggests incorrectly that hatred is invariably a distinguishing characteristic of this type of crime. While it is true that many hate crimes involve intense animosity toward the victim, many others do not. Conversely, many crimes involving hatred between the offender and the victim are not ‘hate crimes’ in the sense intended here. For example an assault that arises out of a dispute between two white, male co-workers who compete for a promotion might involve intense hatred, even though it is not based on any racial or religious differences... ...
Andrew Sullivan suggests the origins of hate to be evolutionary in his article, “What’s So Bad about Hate?” If hate really is “hard wired,” then that would mean all of the hubbub about obliterating hate is just about as useless as trying to obliterate opposable thumbs. Sullivan’s statement carries so much meaning because it illustrates such a nasty concept with an air of tolerance that is rarely ever considered. He proposes that instead of fighting hate, we accept hate for what it is: an integral part of the human experience. Instead of fighting, we should focus our energy on tolerating hate, and through toleration we can achieve much more than we ever did by trying to combat our very nature.
In the novella Anthem, this can be seen building up in the main character, Equality. As the story progresses, you can see Equality 7-2521, harbour a growing hatred for his fellow brothers. When Equality goes to show his creation to the world council, they reject his idea and shun him, possibly generating that feeling of rage. After Equality gets his idea rejected, he seems to now show the malice that was pushed away all of his life spent in the Community. The novella Anthem shows us that even though hate is a bad emotion, keeping all of those negative feelings felt towards others locked away can expand them and make them even worse.
Love is considered a wonderful connection between two people that brings happiness to many. Although without hate no one would realize how marvelous love truly is. Does this mean hate is more powerful than love throughout the world? Hate overpowers love because there may be so much love in this world, but with the tiniest bit of hate everything could be changed in a split second. Hate is an indestructible power that will demolish anything in its way, like it did in The Coffin Quilt, by Ann Rinaldi. Roseanna McCoy and Johnse Hatfield’s love was simply not powerful enough to defeat the hate that came along with the love.
Today we have looked at the problem known as hate crimes and the varied causes which keep it in existence. We have also discussed some solutions to this act of hate.
As long as there are people, there will be hate and as long as there is hate there will be murder.
(http://www.merriam-webster.com/) Love and hate are both very common obsessions. Obsession is one of the more general themes of these short stories, but the theme can be taken a step further and become more specific. There are multiple different themes for Poe’s works. Love and hate is one of these themes and is also the theme that is related to both “The Tell Tale Heart” and “The Cask of Amontillado”. Both stories use the elements of death, darkness, horror, coldness, dampness, fear, obscurity, and mystery to get the point and theme across. Obsession is shown in “The Tell Tale Heart” by the obsession with the eye even after the narrator killed the old man. Obsession is shown in “The Cask of Amontillado” with Montresor’s obsession with getting back at Fortunato. Another way obsession is shown is in way Montresor’s holds a grudge on Fortunato just because he insulted him once. Everything Edgar Allan Poe has written in these short stories was put there for a reason. So every sign that points towards the theme being love and hate was put there to show
Booker T. Washington was a young black male born into the shackles of Southern slavery. With the Union victory in the Civil War and the Emancipation Proclamation of 1863, Washington’s family and blacks in the United States found hope in a new opportunity, freedom. Washington saw this freedom as an opportunity to pursue a practical education. Through perseverance and good fortunes, Washington was able to attain that education at Hampton National Institute. At Hampton, his experiences and beliefs in industrial education contributed to his successful foundation at the Tuskegee Institute. The institute went on to become the beacon of light for African American education in the South. Booker T. Washington was an influential voice in the African American community following the Civil War. In his autobiography, Up from Slavery, Washington outlines his personal accounts of his life, achievements, and struggles. In the autobiography, Washington fails to address the struggle of blacks during Reconstruction to escape the southern stigma of African Americans only being useful for labor. However, Washington argues that blacks should attain an industrial education that enables them to find employment through meeting the economic needs of the South, obtaining moral character and intelligence, and embracing practical labor. His arguments are supported through his personal accounts as a student at Hampton Institute and as an administrator at the Tuskegee Institute. Washington’s autobiography is a great source of insight into the black education debate following Reconstruction.
Love is not a god as the fine philosophers of Greece once suggested. Love is something far more powerful and universal, for not all people believe in gods, yet people cannot refuse the existence of love. Instead, love is a condition of the human body that cannot be denied. True love is obstinate; in the way that music pours into the ears of an audience, love pouring into the heart of a man cannot be stopped, denied, or set off course. Love is a natural instinct. You cannot artificially make love where there is none or where it does not belong. Yet, the condition of being in love grows independent of all rationale. It grows places where an observer may not understand its existence. Attempting to fight love in such a situation leaves even powerful and noble families, such as the Capulets and Montagues, suddenly powerless. When love takes control of two souls, it takes the lovers on a journey. The journey is the growth of love throughout its many progressive stages. In this way, the growth of love between two people is analogous to the growth and development of a painted masterpiece. A work of art and a bond of love both have distinct stages and characteristics. A painting initially begins with a vision in the mind of the artist. This vision is a perfect vision that the artist will strive to replicate on her canvas. Similarly, love often begins on a visual level based on the physical attractions between two people. The vision of the painter is soon transformed into quick, loose sketches. The pencil freely marks the page; the artist has no control over where it goes, he merely paints. Similarly, lovers have no control over their new feeling of love that has taken over their bodies and rendered them helpless. After an artist has loos...