Queen Marie Antoinette started a fashion revolution in France when she began ordering and wearing muslin dresses from “the Americas.” Muslin dresses would have been plentiful during the 1780s when the Queen sought a simpler more comfortable wardrobe. In addition to this, the climate of the southern portion of New France and its islands caused an abundance of cotton to grow and foster a budding fabric industry. This paper compares the fashions of women in 17th century France to those of women living in New France. For the purposes of this paper, New France includes the Caribbean islands that France colonized as well as the Louisiana Purchase which spanned fifteen current U.S. states and two Canadian provinces. Through the study of fashion designs and trends, the social customs of the time can be explored. People create and wear clothes that best express their beliefs, social status and aspirations. The garments of the past are the “silent witnesses” to history. They were present during distinctive historical events. French Class Structure In Europe during the 15th and 16th centuries clothing was not a mere necessity; it was a fashion statement from which people could determine whether you were a common figure or a figure of nobility. Prior to Spain’s domination of fashion innovation, the Burgundians set the trends in clothing. Spain’s courts held the political powers that were most dominant and therefore their fashions were the most sought after. Even during the domination of Spain as the fashion capital, however, France was widely respected for its production of luxury goods. Especially during the reign of Francois I in the mid-16th century, France was admired for its elegance. France first began to see the ad... ... middle of paper ... ...le position of rank. No one was permitted to contact the King by knocking on his door. All visitors had to use their left hand’s little finger to scratch on the King’s door until he acknowledged their presence and permitted their entrance. Many courtiers allowed their little fingernail to grow quite long so that they could scratch on the door. This also allowed others to admire their long nail as a signifier that they had access to the King. While the laborers used by the royal family and their loyal courtesans resided and worked in Paris. Hence a series of tailors, weavers, embroiders, dressmakers and milliners were able to establish themselves as fashion experts and promote the wares of nobility to Parisians. Wealthy fashion patrons and actresses worked with all types of designers from this burgeoning industry in order to create personal wardrobes as well as
During the eighteenth century, French culture promoted styles and trends that furthered the gender roles of Parisians. The gowns worn in European countries, particularly France featured elaborate clothing designs, influenced by the Rococo artistic trends of the period. French style incorporated colorful decorations into their intricate court dresses. These dresses were even worn by iconic fashion figures such as Marie Antoinette. The formal dress specifically demonstrates the luxury and status of the upper class, but more importantly the strict guidelines that young women had to abide by. This dress in particular and many alike were used as a tool of oppression during the eighteenth century to hinder women from pursuing male dominated roles
The early nineteenth century which was in the Regency Era consisted of harsh judgments towards what was believed to be a “wealthy” look and what was considered to be “proper.” In Austen’s Pride and Prejudice, the clothing is more than just a fashion statement, it determines how they are perceived and their overall rank and social class in society. Therefore, fashion represents the importance of self appearance during that time.
Elizabethan fashion was the start of fashion itself. This was the time of Christopher Columbus and other explorers who united the world. International trade routes had been discovered and global trade had officially began. Before the sixteenth and seventeenth centuries, people just wore clothes to keep warm and to conceal themselves. Attire was plain and simple; it did not have flair or style. New fabrics and dyes were now readily available from all over the world. The Elizabethan Era was the first time the wealthy began to invest large sums of money and time into their clothing. Apparel distinguished the rich from the destitute. Both genders cared significantly about their clothing; it was not just a women’s hobby. The monarchs of the world during the sixteenth and seventeenth centuries headed this new desire for gorgeous clothing, especially Queen Elizabeth herself. The Sumptuary laws were passed to keep certain styles specifically for the monarchs and nobility. The common people were prohibited from wearing those styles. The exquisite designs and shapes of clothing reflected the monarch’s influence on society and the novel Renaissance desire for a specific body shape; there were dissimilarities in attire among the people of different social classes due to the Sumptuary restrictions.
The clothing of the Middle Ages, like everything else was decided by the pyramid of power. The pyramid of power was the Middle Ages Feudal System. Medieval clothes provided information about the rank of the person wearing them. From the 11th through the 14th centuries, medieval clothing assorted according to the social standing of the people. The clothing worn by nobility and upper classes was clearly different than that of the lower class. Medieval clothes provided information about the status of the person wearing them. The clothing and fashion during the medieval era of the Middle Ages was conquered and highly influenced by the Kings and Queens of the era. Only the wealthy could dress in fashionable clothes.
When you get dressed in the morning, do you dress carelessly, or do you take your precious time to find the perfect outfit? Neither is the case for the people of the medieval era. They have to wear specific things every day in order to separate the different social classes. Here you can learn about items a person from this time would have to wear day after day.
Prior to the era of the twenties dressmakers earned a large amount of money by designing and producing these stylish clothes that were fitted for each individual. Dressmakers’ business consisted not only of designing and producing these expensive garments for women, who could afford their services, but also altering, repairing, cleaning, and reusing fabric and materials from older outfits to...
Each style of clothing represented who and what people were and couldn't dress above your class. The fashion of the rulers can easily be seen throughout the age as one can see through artwork. Much of the fashions of the period were originated from the Spanish, including the black on white
As railroads and steamships made European travel easier, it was increasingly common for wealthy women to travel to Paris to shop for clothing and accessories. French fitters and dressmakers were commonly thought to be the best in Europe, and real Parisian garments were considered better than local imitations.
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
Have you ever wondered what people in the Elizabethan Era wore? Fashion was just as important in those days as it is to some people today. What people were wearing mattered to others, and even the government. During the Elizabethan Era clothing, accessories, and cosmetics were all a part of daily life.
Fashion in France was an always popular, ever changing aspect of society. Fashion changed back then just as rapidly as it does now. This facet of culture blossomed during the nineteenth century. Even still today, fashion plays a huge part in lives of everyone across the world and Paris still stands to be one of the major fashion hubs of the world.
Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the riches to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creator of haute couture, and how the following designers developed couture, as well as having leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers of the modern fashion industry.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...
From a historic point of view, Western travelers had remarked on the slow pace of lifestyle and fashion change in Turkey and Persia. On the other hand, many people were of the opinion that the western culture is getting out of hand in terms of dressing fashion (Cumming 234). In most cases, change of fashion and dressing style took place hand in hand with economic and social changes. In the developing world, changes in fashion began with the coming of the whites in Middle East. Changes began in the 11th century when the Turks came to central Asia and Far East. In Europe, continuous change in clothing fashion is believed to have started in middle 14th century. It started by a sudden introduction of shortening and tightening of male garments, it further brought the introduction of trousers and leggings that were worn by men (Cumming 235). After the advent of change in men fashion, it was followed by changes in female c...