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A Jungian Analysis of the Epic of Gilgamesh
This paper will provide a unique, psychological perspective on a timeless story that is alive with mythological and religious splendor. I must state clearly that this is not the first time that Gilgamesh has been viewed in the light of the philosophy of Jung. One of two Jung essays I happened upon while preparing my research was the Psychology of Religion. Although I initially felt that this source would provide little help with my paper, I was very mistaken. On the seventeenth page, I have discovered Jung directly referencing Gilgamesh himself.
While researching, I consulted the many translations of Gilgamesh found on the web. It seemed that the more sources I sought, the greater the amount of differing opinions and convoluted versions I uncovered. In an effort to remain true to the epic, I will mainly be referring to the book, World Mythology, written by Donna Rosenberg with a few inclusions from Kovacs' translations. Although Rosenberg's version lacks the flair of the latter, it provides a simple doorway opening to a complicated, yet profound, tale of the first great epic that brings time, mortality, and the anguish of humanity into a world of personal destiny basically related to our own (Campbell, OM, p. 87-90). The essay is written with the understanding that the reader has prior knowledge of the main subject matter, Dr. Carl Jung's theories of the unconscious, and Joseph Campbell's idea that myths are synchronistically reproduced across time.
Archaeologists and historians feel confident that Gilgamesh was originally written by the Sumerians and later adapted by the Babylonians who kept the identities of Sumer's original gods and goddesses. According to Mauree...
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.... (Stanford: Stanford University Press, 1989)
Jackson, Danny P.,ed. The Epic of Gilgamesh. Wauconda, IL: Bolchazy-Carducci, 1992.
Maier, John ed. Gilgamesh. A Reader. Wauconda, IL: Bolchazy-Carducci, 1997.
Mason, Herbert. Gilgamesh. A Verse Narrative. Boston: Houghton Mifflin, 1970.
Sandars, Nancy K. The Epic of Gilgamesh. Harmmondsworth, UK: Penguin Books, 1968, 1971.
Temple, Robert, He Who Saw Everything: A Verse Version of the Epic of Gilgamesh. London: Rider, 1991
Thompson, R. Campbell. Gilgamesh: Text, Translation, and Notes. Oxford: Clarendon, 1930.
Campbell, Joseph. The Masks of God: Creative Mythology. New York: Penguin Books, 1968, pp. 4-14, 78-79.
Campbell, Joseph. The Masks of God: Occidental Mythology. New York: Penguin Books, 1964, pp. 9-10, 87-92.
Woolley, C. Leonard. THE SUMERIANS. New York: AMS PRESS, INC., 1970, p. 22.
... they too can experience the life of a Florida Cracker turned millionaire family of Florida.
Country rock and classic country are two separate things. Classic country gets it roots from a combination of early 1900’s western music and mainstream country music. Classic country gained popularity when played on the radio with a “honky-tonk” sound. Nashville,
The evolution of Gilgamesh ironically begins as the beginning when because he is “the man to whom all things were known” (Gil. 61) One would think a man who knows everything beeds to learn nothing, but Gilgamesh shows that even a hero can
Historians such as Mrs. Miles believe that country music was born of and grew from traditional southern folk music. No matter where it came from, many regard country music as the music that told a story, especially the stories of struggles, trials, and tribulations. It is this genre that gave birth to such greats as Johnny Cash and Merle Haggard, who sang of their many personal troubles. Country music became popular in part because people could find it to be easily relatable. This sense of traditionalism, however, would slowly fade from country music over the course of a couple decades.
As Stephen Mitchell stated, “(Gilgamesh is) the oldest story in the world, a thousand years older than the Iliad or the Bible” (Mitchell, 1). Gilgamesh is the oldest text we have from the B.C./B.C.E times. Majority of scholars believe that the main theme of the book is Immortality. Therefore, it is arguable that other themes are much more important. Gilgamesh is by far the oldest known text in today’s age. Through analyzation, we know one of the main themes of the story is immortality; however, that is not the only theme nor is it the most important.The book stands the test of time because of a topical and relatable theme to today’s society. Numerous characters display that human growth is achieved through loss and journeys.
When country music bean in America, there were no professional musicians. The typical musician sang only to entertain himself, his family, or at local events. At first, most country music was sung unaided or played on a lone fiddle or banjo. At the turn of the century, Sears, Roebuck & Co. began advertising affordable guitars in its nationally available catalogs, as well as sheet music and songbooks. The mandolin also became available and soon string bands were being formed with different combinations of instruments.
Country music has been an ever changing genre that evolves along with the lives of the people that listen and the artist that perform it. Today’s country music contains a wide variety of artists who have been influenced by the different subgenres that came before them. According to The Bedford Book of Genres “A genre is a composition’s kind, category, or sort. Genres give us a way to categorize or describe types of compositions”. (Braziller and Kleinfeld) Exactly what country music is today can be hard to define, but a look back at the history of the genre shows how it has adapted to the audience that listens to it and how current artist draw inspiration from it. There are two things we need to know
Gilgamesh is not only a character of a story; he is actually a portrayal of people and how they act out of human nature. he like many of us, does not want his existence to end when he leaves this world. He is not content with what he has, good looks, money, and power and desires more in life. In the story of Gilgamesh we, as people, can relate to. There are similarities between Gilgamesh’s journey and our own journey through life.
In our world today, we are lucky to know thousands and thousands of languages and their cultures. The first language ever recorded is Sumerian. This time period consists of 3300 to 3000 BC. During this time, records are purely logographic with not much dialectal content. Different cultures have many very different archetypes that clearly show what their their literature follows, and in Sumerian culture, the major archetype is the hero’s journey and its different stages. The Sumerians believed in their fair share of gods and supernatural forces and that reflects in their pieces of literature.In The Epic of Gilgamesh, which was translated by N.K. Sandars and based on Sumerian culture, the Sumerian hero Gilgamesh overcomes many stages of a hero’s journey when he begins his long quest to find immortality. Gilgamesh
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
The Epic of Gilgamesh. Trans. Foster, Benjamin R. New York: W W Norton & Co Inc, 2001. Print.
Throughout time, people of all cultures have told stories of heroes and kings. The most ancient story we have on record is the tale of King Gilgamesh. This story is an account of the King's journeys and accomplishments. Although it was written over four thousand years ago, many comparisons can be made between the society in which the story was written and our own modern society. In this essay, differences and similarities between the two societies will be examined.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
"Epic of Gilgamesh." Academy for Ancient Texts. Ancient Texts Library. Web. 12 Oct. 2011. .
The Epic of Gilgamesh is one of the oldest text in history. Gilgamesh is a powerful king and an awe-inspiring warrior who is 2/3 divine and 1/3 human. I think it is interesting that the epic has so many factors that I can relate to in our current time. There are a lot of lessons that can be gained from reading the epic. The text relates to me as a college student in a various ways. It has a few key experiences that reminds me of my own personal life experiences. The epic is an important text that should be read because it has life lessons for modern humans from centuries ago.