A Day at the Norton Simon Museum
It was the day of April 13, 2000. I woke up at exactly 12 o’clock because my boyfriend was to pick me up at 1 like we planned the night before. The day looked quite nice, but I was in a fowl mood. I got into a car accident the night before and had a huge argument with my parents about the car. I finally dragged myself into the shower and got ready in half an hour. Then I went downstairs, sat on my couch, and repeatedly told myself the day would hopefully turn out better than last night. At around 1:15, my boyfriend came to pick me up. We took the 5 freeway to the 57 since it was the only way I knew how to get there. As we approached the 134 freeway, my girlfriend veered to the right, taking the 210 which was wrong way and got us lost. So, we exited the freeway and got back on the right track. Then finally, before long, we reached Norton Simon.
As we reach the museum, the exterior was very beautiful. The first things I saw were the bronze statues in the front. We took a couple of pictures in front of them and in front of the Norton Simon. The entrance where the glass doors had sat was very unique and elegant. The glass walls that the glass doors were attached to, added to the elegance and beauty. When I had first walked in, I was very shy, timid, and unwilling to go on, this was due to the more mature audience that I had seen when I had first entered the museum. I was still unsure on how to act in a museum, being this my first time, so I was very calm, cool and reserved, but as time went on I saw college students my age probably doing the same thing I was doing. So I then I felt more at ease. Plus my girlfriend was with me so I was not alone.
We walked and walked looking at each art piece, which were all well displayed. Then as I looked at the back wall, a large oil canvas painting looked right back at me. I could feel its pain and so then, I decided to do my paper on this piece. The painting was The Ragpicker by Manet. (The Ragpicker. Edouard Manet.1865.Oil on canvas.) The painting was so enormous that it was hard to miss. Such a huge painting for one man, it almost looked life-like. The dimensions of this work is 76.75” x 51.25”. This scene seems to take place of a lower-class man late in his age, probably near his seventies, appears to be looking out of the corner of his eye. The ...
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...the eye because the fabric of his shirt and the roughness of his jeans appear to have texture but they do not. If you actually touch the painting, you will find it to be flat and it does not have that feeling of thick application of paint.
The painting has realistic 3 dimensional space by the use of linear perspective and chiaroscuro. It also looks to be 2 dimensional as well, because it almost looks like some influence on the Japanese print, like flat patches of paint. The lines converge from the edges of the paint to the center letting off the effect of a background and a foreground. It looks as though the trash is in the foreground and the man is in the background. In the back of the painting, it is darker which also adds to the effect of the 3 dimensional space.
My first experience at the museum was a good one. I had so much fun even after we were done with the Norton-Simon. Being a business major, I did not know that art could speak to me as it did. It has not influenced me so much as to change my major, but it did open my eyes to a whole new world. Now when I look at art, I do not just see a pretty picture, but what the artist is actually trying to say.
The first thing to notice about this painting is how incredibly involved and realistic the brushwork is. The couple’s faces are so delicately rendered. Every wrinkle is visible and every hair strand is in it’s place. The soft folds and patterns of their clothing, and the grain of the vertical boards on the house, are highly developed and reveal Wood’s incredible attention to detail. The man, especially, appears to be nearly photorealistic.
In Beloved the slaves working on Sweet Home experience great violence, brutality and are badly treated like animals. In the novel, the character who is mostly affected of slavery’s severe conditions is Sethe. Sethe gets tortured, raped and mistreated. As a result, Sethe tries to run away from the bondage of Sweet Home and then she is forced to kill her own baby. To understand the past, if one wishes to, the present-day readers must face with the past incorporated in Beloved.Only by engaging with this ominous, unwavering force in a conscious way, we will understand the past, and its impact on our
...s invaluable. The efficacy of torture can be seen in the capture of Zubaydah and the prevention of the “Dirty bomber,” Jose Padilla. Effectiveness has also been proven; it has hypothetically saved many lives and has prevented many plots known to the general public. Ex-Vice President Dick Cheney said in a speech in 2009 that the “enhanced interrogation” of detainees “prevented the violent death of thousands, if not hundreds of thousands, of innocent people” (“The Report of The Constitution Project's Task Force on Detainee Treatment”, 1). Since it has been deemed illegal by the UN it has to be done in secrecy. In result, it cannot be deduced how much has been prevented by this procedure since that information is classified. However, it is irrefutable that torture, in its essence, is beneficial and should be accepted as a means of ensuring public safety.
From the beginning, Beloved focuses on the import of memory and history. Sethe struggles daily with the haunting legacy of slavery, in the form of her threatening memories and also in the form of her daughter’s aggressive ghost. For Sethe, the present is mostly a struggle to beat back the past, because the memories of her daughter’s death and the experiences at Sweet Home are too painful for her to recall consciously. But Sethe’s repression is problematic, because the absence of history and memory inhibits the construction of a stable identity. Even Sethe’s hard-won freedom is threatened by her inability to confront her prior life. Paul D’s arrival gives Sethe the opportunity and the impetus to finally come to terms with her painful life history.
Beloved written by Toni Morrison is set in the 1870’s and is about a young woman named Sethe who was born a slave but escaped to Ohio. Once she reaches Ohio she finally feels free; however 18 years later she becomes painfully aware how untrue that fact is. She is constantly hunted by the past memory of her old home Sweet Home which is where her breast milk was stolen from her; she was taken advantage of and then beaten horribly. In her current home in Ohio, Sethe is haunted by the ghost of her baby. Sethe was not able to name her baby before her death however Sethe was the one who took the baby’s life. Sethe is determined to keep her children from “The School Teacher,” who tortured her during her stay at Sweet Home. Once she was aware that the School Teacher was in Ohio to take her and her children back to Sweet Home she runs in the shed with her children, she hits her two sons in the head with a shovel, slits one of her daughters across the throat and then proceeds to swing the youngest baby around in order to snap her neck. This story is about the love and struggle of a mother for her children; both dead and alive.
... the the Death of Jesus. (Cambridge: Cambridge University Press, 2007)174-17513 Chronis, Harry L. “The Torn Veil: Cultus and Christology in Mark 15:37-39.” Journal of Biblical Literature 101 no 1 Mr 1982, 114. 14 Daniel M. Gurtner. The Torn Veil: Matthew’s Exposition of the the Death of Jesus. (Cambridge: Cambridge University Press, 2007), 172-177.15 Paraphrased from conversation with Pastor Colier McNair, Zion City International Ministries, Madison, Wisconsin, April 17, 2014.16 Dale C. Allison, Jr. Studies in Matthew: Interpretation Past and Present. (Grand Rapids: Baker Academic, 2005), 105.17 154 Ulrich Luz. Matthew 21-28: Hermeneia-A Critical and Historical Commentary on the Bible. (Minneapolis: Fortress Press, 2005), 563.18 Daniel M. Gurtner. The Torn Veil: Matthew’s Exposition of the the Death of Jesus. (Cambridge: Cambridge University Press, 2007), 199.
Did Beloved’s death come out of love or selfish pride? In preventing her child from going into slavery, Sethe, too, protected herself; she prevented herself from re-entering captivity. In examining Sethe’s character we can see that her motivations derive from her deep love towards her children, and from the lack of love for herself. Sethe’s children are her only good quality. Her children are a part of her and in killing one she kills ...
In discussion of torture, one controversial issue has been whether torture is effective and if it violates to the human rights. On the one hand, some argue that torture is effective. Others even maintain that torture does not violate human rights. I disagree with allowing torture because in my view, torture is not effective, and it violates the human rights.
Sethe is the most dramatically haunted in the book. She is the one who was beaten so badly her back is permanently scarred. She is the one who lived and escaped slavery. She is the one who murdered her child rather than return it to slavery. So she is the one whose past is so horrible that it is inescapable. How can a person escape the past when it is physically apart of them? Sethe has scars left from being whipped that she calls a "tree". She describes it as "A chokecherry tree. Trunk, branches, and even leaves. Tiny little chokecherry leaves. But that was eighteen years ago. Could have cherries too now for all I know" (16). It is apt that her past is represented on her back--something that is behind her, something she cannot see but knows that is there. Also it appeared eighteen years ago, but Sethe thinks that it may have grown cherries in those years. Therefore she knows that the past has attached itself to her but the haunting of it has not stopped growing. Paul D. enters Sethe's life and discover a haunting of Sethe almost immediately. He walks into 124 and notices the spirit of the murdered baby: "It was sad. Walking through it, a wave of grief soaked him so thoroughly he wanted to cry" (9). The haunting by Beloved in its spirit form is stopped by Paul D. He screams "God damn it! Hush up! Leave the place alone! Get the Hell out!" (18). But Sethe's infant daughter is her greatest haunt and it is when Beloved arrives in physical form that Sethe is forced to turn around and confront the past.
It was the last Saturday in December of 1997. My brother, sister, and I were chasing after each other throughout the house. As we were running, our parents told us to come and sit down in the living room. They had to tell us something. So, we all went down stairs wondering what was going on. Once we all got down stairs, the three of us got onto the couch. Then, my mom said, “ Well…”
The dangerous aspect of Sethe's love is first established with the comments of Paul D regarding her attachment to Denver. At page 54, when Sethe refuses to hear Paul D criticize Denver, he thinks: "Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous( )" he deems Sethe's attachment dangerous because he believes that when "( ) they broke its back, or shoved it in a croaker sack ( )" having such a strong love will prevent her from going on with her life. Paul D's remarks indicate that evidently the loved one of a slave is taken away. Mothers are separated from their children, husbands from their wives and whole families are destroyed; slaves are not given the right to claim their loved ones. Having experienced such atrocities, Paul D realizes that the deep love Sethe bears for her daughter will onl...
My trip to the Getty museum was filled with anticipation and an unknowing of what Iwas actually searching to write about. I went on a Friday at about eleven but the museum was still full. It took about twenty minutes to find parking, the wait in line was long, and the tram had so many people it felt even hotter then it actually was. But overall the experience was fun. I enjoyed checking out the works of art and watching the classes of elementary students learn about the history and culture in the room. On one occasion I was very surprised because a mother asked her daughter, who could not have been more than six, about a painting was which she correctly identified as Vincent Van Gogh’s Irises, which was great because I never knew about Van Gogh at her age.
Beloved is the story of Sethe, a woman escaped from slavery. Shortly after her escape, members from the plantations on which she worked came to take her and her four children back to the plantation. In desperation, Sethe kills her young daughter by cutting her throat, and attempts to murder her other three children in order to prevent them from returning to slavery. The majority of the film is about the revisitation of the ghost of the daughter she killed, named Beloved. The ghost returns in the form of a woman who would be the daughter's age if she were alive at the time, approximately twenty years old. Throughout the rest of the film Beloved begins to absorb all of the attention and energy of those around her, especially her mother. This continues to the point where Sethe has lost her job and spent all of her money buying things to please Beloved. Ultimately, the...
All effective educators need to find ways to motivate their students. The kids that fill our classrooms have different strengths and weaknesses. It is critical that teachers recognize the strengths and weaknesses of their students so they can use the right classroom management strategies to motivate their kids. In this particular case, the student named Jodie is inattentive and uninterested and neither the teacher intern or classroom teacher have a clue how to handle this situation. Ms. Marcia Thomas, who is the young intern feels that Jodie is just a problem child that lacks motivation and there is nothing she can do for this particular student. Ms. Thomas and the lead teacher Ms. Egan both lack the needed classroom management strategies that are necessary to motivate and engage students in a positive learning environment.
“DO IT!” She fired another shot in the air for marvellous measure. The body of beings sprang into action, except her best friend. Anne sprinted through the crowd, and embraced Lourdes’ petite form in her wings. Lourdes, coldly pulled herself out of Anne’s arms; always ...