Sylvia Plath’s poem “Daddy” is debated as form of self-therapy or as just an artist who is remarkable at calling up the emotions of her personas and characters. In addition to this quandary, is the examination of the persona herself and matching her actions to the Freudianism theory of Family and Jung’s theory of Electra. Digging into the overall question of Sylvia Plath’s poem “Daddy” is, what is the greater message in Sylvia Plath’s poem? Does even the author understand what the larger question of her psyche through an in-depth analysis of her poem could mean for her self-development? An analysis of the poem “Daddy” reveals an underlying carnal desire to be both consumed by and yet destroyed by the male figures in her life. Carl Gustav …show more content…
870) the statue is the persona’s idealized relationship with the father. She worshiped his as a god and his word was unquestioned and obeyed promptly. This example falls into both the Electra and the Freud family theories. “One gray toe, Big as a Frisco seal,” (Roberts, Zweig, 2014, p. 870) the statue is simply huge. A toe is the size of a gray seal and the head is in the Atlantic. The size of this statue and its representation of her father help show the overwhelming power he wields over her. “..In the Electra complex the feelings and ideas in the father-daughter relationship have an overtone of idealization.” (Powell, 1993, p. 159) Also in the Electra complex the persona would present with, “...the feelings and ideas in the father-daughter relationship have an overtone of idealization.” (Powell, 1993, p. …show more content…
(Gerisch, 1998, p. 740) Her relationships with both her father and her mother as told through the autobiographies showed a stunted personal growth from her father dying so early in her life. “In Plath’s poetry, her Electra persona grapples with the loss of a father (an Agamemnon-like charter) by attempting to digest him and then expel him from her system. Plath’s speaker is active in her pursuit to overcome her father’s looming presence.” (Whelan-Stewart, 2007, p. 217) Once more pointing towards Plath and the persona being one in the same, “I was ten when they buried you.” Both women’s fathers died when they were very young, Plath’s at age 8 and the Persona’s at age 10. This left Plath with an inability to separate her own self-image from that of her mother’s is what leads to the poems showing the female persona falling into the repetitious mistakes of her
The first two stanzas, lines 1-10, tell the readers that Plath, for thirty years, has been afraid of her father, so scared that she dares not to “breathe or Achoo.” She has been living in fear, although she announces that he’s already dead. It is obvious that she believes that her father continues to control her life from the grave. She says that she “has had to kill” him, but he’s already dead, indicating her initial promise to forget him. She calls him a “bag full of God,” telling us that she considers her father a very strong, omnipotent being, someone who is superior in her eyes.
Even with the differences in relationship with their fathers, both Sylvia Plath and Theodore Roethke struggled with depression and mental illness due to losing a major parental figure like their fathers at young ages. It is difficult to lose someone and you can see in Plath’s and Roethke’s writings that they had complicated relationships with their fathers that shaped and influenced their
Specifically, both the context of the poem and Plath’s life. In “Daddy” Plath displays what is called an Electra complex. The Electra complex is similar to the Oedipus complex where the daughter feels an unyielding sense of affection towards her father. In the book “The Norton Introduction to Literature” by Kelly J. Mays, it goes more into detail about the Electra complex where despite Electra having a “tyrannical” father, “Electra persists in loving her deeply flawed father long after he is dead” (1100). In order to translate this complex into her writing, Plath chose to compare her flawed father to a well-known tyrannical force. By using this comparison we get a sense of what her relationship with her father was like. The Electra complex is also apparent throughout the poem, where in the beginning we see how her younger self associated her father with this god-like figure and despite the obvious fear Plath had for him through the line “I have always been scared of you,” (41) she wanted to end her life in order to “get back” to him (59). Supporting the notion that Plath did have an Electra complex with her father at least throughout her childhood.
In “The Colossus” Plath expresses her personal and emotions struggles she faced resulting from her father’s death. Plath’s father, Otto Plath was nonexistent. “Plath’s relationship with her father has proven to be one of the more troublesome of her recurrent themes in this respect. By all accounts, including her own, Otto Plath was a kind, loving father, if formal and somewhat remote, and there was little outward evidence that their relationship was troubled” (John Rietz 417). Plath yearned for the everlasting love that she never received from her father growing up. It’s almost as if she was constantly trying to force building a relationship that she never had with her father. “Otto Plath was her muse” (417). This notion is best represented in Plath’s poem, “The Colossus” by the speaker’s constant efforts to reconstruct the fallen Colossus of Rhodes representing her relationship with her...
Sylvia Plath a highly acclaimed twentieth century American poet whose writings were mostly influenced by her life experiences. Her father died shortly after her eighth birthday and her first documented attempt at suicide was in her early twenties. She was married at age twenty-three and when she discovered her husband was having an affair she left him with their two children. Her depression and the abandonment she felt as a child and as a woman is what inspires most of her works. Daddy is a major decision point where Plath decides to overcome her father’s death by telling him she will no longer allow his memory to control her.
Two of the most popular poets of the 19th and 20th centuries are Emily Dickinson and Sylvia Plath, respectively. These women were born nearly one hundred years apart, but their writing is strikingly similar, especially through the use of the speaker. In fact, in Sylvia Plath’s poem “Daddy”, she writes about her father and compares him to domineering figures, such as Adolf Hitler, a teacher, and a vampire; and in Emily Dickinson’s poem “She dealt her pretty words like blades—“, she talks about bullies and how they affect a person’s life—another domineering figure. Despite being born in different centuries, Emily Dickinson and Sylvia Plath are parallel in a multitude of ways, such as their choice in story, their choice for themes, and their choice of and as a narrator.
Sylvia Plath, a great American author, focuses mostly on actual experiences. Plath’s poetry displays feelings and emotions. Plath had the ability to transform everyday happenings into poems or diary entries. Plath had a passion for poetry and her work was valued. She was inspired by novelists and her own skills. Her poetry was also very important to readers and critics. Sylvia Plath’s work shows change throughout her lifetime, relates to feelings and emotions, and focuses on day to day experiences.
In Plath's "Daddy," written just before her death and published posthumously, the most readily accessible emotion is anger, and much of the poem is couched in autobiographical allusions. Plath's own father died of a gangrenous infection, caused by diabetes he refused to treat, when Plath was eight years old, and his death was "the crucial event of her childhood" (Baym 2743). Plath makes personal references to her father as a...
Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on
The highly recognized female novelist and poet, Sylvia Plath, lived a hard and tragic life. Plath was diagnosed with depression, a mood disorder that causes consistent feelings of sadness, at a very young age that made her life complicated in many ways. The battle continued on when she was diagnosed with severe depression later on in life which contributed to her death. Sylvia Plath was a very successful novelist and poet in the thirty short years of her life, however, the achievements were not enough to mask her depression battle that ran and ended her life.
In the poem, “Daddy,” Sylvia Plath shows her character to have a love for her father as well as an obvious sense of resentment and anger towards him. She sets the tone through the structure of the poem along with her use of certain diction, imagery, and metaphors/similes. The author, Sylvia Plath, chooses words that demonstrate the characters hatred and bitterness towards the oppression she is living with under the control of her father and later, her husband. Plath’s word choice includes many words that a child might use. There is also an integration of German words which help set the tone as well. She creates imagery through her use of metaphors and similes which allow the reader to connect certain ideas and convey the dark, depressing tone of the poem.
Throughout the poem "Daddy" by Sylvia Plath, the author struggles to escape the memory of her father who died when she was only ten years old. She also expresses anger at her husband, Ted Hughes, who abandoned her for another woman. The confessional poem begins with a series of metaphors about Plath's father which progress from godlike to demonic. Near the end, a new metaphor emerges, when the author realizes that her estranged husband is actually the vampire of her dead father, sent to torture her. This hyperbole is central to the meaning of the poem. Lines 75-76 express a hope that they will stop oppressing her: "Daddy, you can lie back now / There ís a stake in your fat black heart." She concludes that her father can return to the grave, because she has finally rid herself of the strain he had caused her, by killing his vampire form. Despite this seeming closure, however, we will see that the author does not overcome her trauma.
It [penis envy] is to be interpreted as a defensive protecting the woman from the political, economic, social, and cultural condition that is hers at the same time that it prevents from contributing effectively to the transformation of allotted fate. “Penis envy” translates woman’s resentment and jealousy at being deprived the advantages …“autonomy”, “freedom”, “power”, and so on; … it also expresses her resentment at having been largely excluded, as she has been for centuries, from political, social, and cultural responsibilities. (51)
A brief introduction to psychoanalysis is necessary before we can begin to interpret Plaths poems. Art is the expression of unconscious infantile desires and the strongest of these desires is the wish to “do away with his father and…to take his mother to wife” (Freud, “Introductory Lectures on Psycho-Analysis 411).This is what Freud called the Oedipal conflict. For women the desire is of course reversed to killing the mother and marrying the father and is called the Electra complex. Children resolve this conflict by identifying with their same sex parent. Loss of a parent can prevent the normal resolution of the Oedipal conflict and result in a fixation or obsession with the lost object (object is the term used to define the internal representations of others). The desire to have the lost object back is also the desire for what Freud called primary narcissism. ...
Sylvia Plath has brought the attention of many Women’s studies supporters while being recognized as a great American poet. Most of her attention has come as a result of her tragic suicide at age thirty, but many of her poems reflect actual events throughout her life, transformed into psychoanalytical readings. One of Plath’s most renowned poems is “Daddy”. In this poem there are ideas about a woman’s relationship with men, a possible insight on aspects of Plath’s life, and possible influences from the theories of Sigmund Freud.