A Comparison Of Stop All The Clocks And Plath's Mirror

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The idea of loss is prevalent in both poems Stop all the Clocks by W.H Auden and Mirror by Sylvia Plath. Auden’s Stop all the Clocks reveals the travesty of death and the consuming emotions which are evoked through the devastation of physical loss of a loved one, whereas, Plath’s Mirror depicts a symbolic loss of identity through the inevitable process of ageing, as the narrator portrays the woman’s transition into someone that she does not desire to be. In the first stanza of Auden’s Stop all the Clocks, the initial idea of loss is revealed by the narrator, establishing the setting of a funeral and allowing readers to identify the grief and sorrow evoked by the death of a significant person in their life. Contrastingly, Plath’s Mirror does …show more content…

Plath similarly reveals loss of time and the consequences this has on the woman in the poem, where the narrators sees “flickers”, which is symbolic of time passing. In the middle stanzas of both first person narrations, both poets express the magnitude of loss where Auden describes “He was my North, my South, my East and West”. Similarly, Plath’s narrator acknowledges that “Now I am a lake”, where the function of the mirror changes when the woman bears to stand in front of it, portraying ageing to be a way in which the woman loses her identity. Stop all the Clocks demonstrates the importance of the narrators love for the person now deceased which extends to every facet of his life, consuming his happiness amounting to his overall depression, with the narrator describing that “I thought love would last forever: I was …show more content…

Where Rossetti portrays in Remember the intense belief that life must go on despite adversities such as death, Angelou expresses self-belief in Still I Rise in an attempt to break through the barrier of oppression caused by discrimination. Rossetti’s poem Remember does not commence with the idea of belief but rather the concept of death in which the narrator pleas to be remembered once she is deceased, though Angelou immediately depicts the idea of self-belief in Still I Rise. Rossetti uses the directive and euphemism “Remember me when I am gone away” to emphasise vulnerability as death is final, though contrastingly, Angelou uses the simile “But still, like dust, I’ll rise” to demonstrate the narrator’s determination and courage to overcome racial stigmas. Where Rossetti’s poem has a more indirect effect on evoking emotion surrounding the concept of death through imagery “gone far away into the silent land”, Angelou uses the metaphor “you may trod me in the very dirt” to more directly evoke emotion. Similarly, the first person narration demonstrated in both of these poems explore triumph through adversity as where the narrator in Remember aims for integrity and purity in her memory, the narrator in Still I Rise refuses to be disrespected in

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