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In today's society, true love can be described as someone buying a sparkly present for the significant other, celebrating their special anniversary with a beautiful getaway from their hectic life, or even risking anything in the world for that one person. These are all real examples of true love but these are also the things that Claudio didn’t do to show his affection and love towards Hero. Instead, he chose to humiliate her on their wedding day, he didn’t trust her to stay faithful until marriage, and even “killed” her. In the play, Much Ado About Nothing by William Shakespeare, the main characters, Hero, and Claudio, are not truly in love and their actions display that.
While reading this comedy and romance mix, there are many aspects of the book that show that Hero and Claudio are not truly in love and the examples would
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In was in Act 2 Scene 3, when Don John came up to both Claudio and his brother Don Pedro to discuss what he saw, Hero “supposedly” cheating on Claudio with another man the night before their wedding. Even though Claudio is naturally very gullible and naive, he first trusted Don John, who is known as the “Bastard,” when he was told that Hero was cheating on him and not Hero, herself. Also, in Act 4 Scene 1, the actual wedding day is when Claudio confronted her in front of an entire audience when Hero clearly states that what he speaks is completely false information given by Don John. Hero said, “I talk’d with no man at the hour, my lord.” (85) The non-exist amount of trust and loyalty they have for each other is unimaginable
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.
Shakespeare shows how important it is in the relationship between Claudio and Hero. Twice in the play Claudio was tricked into believing that someone he loves has questionable character by a person who he knows is evil. Claudio is gullible enough to be tricked when Don John leads him to believe that his friend is wooing Hero for himself rather than for his sake. Claudio believes that his friend Don Pedro is wooing the girl he loves for himself, he says “Tis certain so; the prince woos for himself.Friendship is a constant in all other things save in the office and affairs of love”(Shakespeare 2.1 52-54). If Claudio would trust his friend he would never be able to be tricked by Don John. Claudio lets himself be fooled by Don John more than
Leonato plays an important role in Shakespeare's play Much Ado About Nothing. Leonato is at the center of events from beginning to end, being as he is one of the main characters Hero’s father, and Beatrice’s uncle. A great majority of the action in the play takes place at Leonato’s home. Leonato is a friendly but stern man. His daughter Hero is to soon be married, so as a father, he is helping set up the wedding. Leonato is a respected man by all in the story. Leonato has no problem getting along with his daughter’s future husband, Claudio, until the wedding. When Leonato’s daughter is accused of adultery at her wedding, it is clear that the honor of his family is very important to him. Leonato is ashamed and tells his own daughter that she
Claudio and Hero’s relationship started off at love at first sight therefore they did not know each other when they fell in love which was bad because if only Claudio knew Hero better than he would not have to worry about the lies that entered his ear. When Claudio is tricked into believing Hero was going out with someone else he says ‘If I see any thing tonight why I should not marry her tomorrow in the congregation, where I should wed, there will...
In both stories, the authors portray love as something that is accompanied by various difficulties. According to the two texts, love faces complications from external factors but these complications are often frustrated by the lovers themselves. In Shakespeare’s Much Ado about Nothing, the love between Claudio and Hero faces numerous difficulties emanating from outside influences. Don John decides to frustrate Claudio’s happiness by tricking him to believe that Hero was unfaithful to him. Don John tells Claudio, “I came hither to tell you; and, circumstances shortened, for she has been too long a talking of, the lady is disloyal.” Consequently, Claudio believes Don John and decides to leave Hero at the altar. However, in the end, Claudio realizes his mistake and they reunite with Hero.
Tricking her to believe that Don Pedro himself has feelings for Hero: ‘I will assume thy part in disguise, and tell fair Hero that I am Claudio, and in her bosom I’ll unclasp my heart, and take her hearing prisoner with the force and strong encounter of my amorous tale. Then after, to her father will I break: and the conclusion is, she shall be thine.’ - Don Pedro. o (Act I, Scene I: Lines 276 - 282). It is reported to Don John by Borachio that “…The Prince should woo Hero for himself, and having obtained her, give her to Count Claudio.
In Shakespeare time, marriage was seen as a wealthy and social commitment and didn’t involved love. In the Elizabethan Era, women were believed to be inferior to men and were expected to obey men without exceptions. Marriage was seen as business relationships were money was involved, this explained the relationship between men and women and their interests in marriage. Marriages between wealthy families were very common in that time, and were expected to increase the family fortune. For marriage women were expected to have their own ‘dowry’ which in that time was their money and properties they inherited after marriage. However, in their marriage the women lose all their possessions and came to be their husband’s properties. A good example of a marriage done by social commitment is the marriage between Petruchio and Katherina. The only reason Petruchio wants to be with her is because of her money. As a result this shows how men show no romance towards women.
Borachio and Don John had conspired to cause Claudio and Don Pedro To slander Hero. “Not honestly, my lord, but so covertly that no dishonesty shall appear in me.”(2.2.9-10) They devised a way to make it look like Hero had had a romantic affair with Borachio,and set it up so that it would be discovered by Claudio the night before the wedding took place. Claudio then swore that he would shame her with what he saw overnight. Don John’s goal was to steal happiness from his brother and brother’s friends in any way possible, solely out of
Despite Claudio asking for forgiveness and ‘professing his love’ to Hero, his previous actions still define his character. His actions were unjust and brutal, and he was disrespectful towards Hero. During their wedding ceremony, Claudio verbally harassed Hero. He made many unkind comments about her, most of which were meant to slut-shame her. Claudio announces that he is “not to be married, not to knit my soul to an approvèd wanton” (Act 4, Scene 1, Lines 41-42). In this quote, Claudio tells Leonato he will not marry Hero because she is a ‘slut’. After a couple more degrading comments, Hero eventually faints, and Claudio leaves without regarding her well-being. After he was told that Hero had died, he still did not care— he believed she cheated so he was not sorry for what he did. Claudio was only sorrowful after he found out Hero had been framed. Claudio and Hero’s relationship will not last because he was extremely cruel towards Hero—in this case, he lacked the ‘love’ component. Claudio was very selfish and only regarded his own feelings. Furthermore, Claudio did not personally apologize to Hero, therefore she shouldn’t have forgiven him because he did not deserve
They do this so Claudio will feel guilty and apologize for how he brutally disgraced Hero when she was falsely accused of being a cheater. Claudio apologizes rightfully so, and asks Leonato if there is anything he could do to mend things for how he acted. Leonato responds to this with,”I cannot bid you bid my daughter live...give her the right you should have giv’n her cousin, and so dies my revenge”(5.1.292-305). Here Leonato is telling Claudio that the only way to make things right is by telling the people of Messina about how fair and innocent Hero was. In addition to this, Claudio must also agree to marry Leonato’s niece, which he agrees to. Little does Claudio know that the person he will be marrying is Hero herself. In the end, this deceitful trick ends up giving Hero and Claudio their happily ever
Relationship between Hero and Claudio has been developed easily until Don Jon’s deceit, which brings up the climax of the whole story. Claudio immediately think Hero is not the person he think she is for marriage. He abandon and humiliate Hero in front of all the guests, which leads to the collapse of their engagement. In Shakespeare’s love comedic stories, lovers need to overcome some obstacles in order to achieve happy ending. In Much Ado about Nothing, Don John’s mischief is an obstacle to Hero and Claudio that they must overcome throughout the story. Not only that, it also has the impact on confirming the love between Beatrice and Benedick. After the collapse of Hero and Claudio’s engagement, Beatrice asks Benedick to challenge Claudio. From the result, Benedick shows that his love for her is more important even than his allegiance to his friend. They began to understand the affection they had for each other, which indicates their love is
One of Shakespeare’s last comedies is Much Ado About Nothing. It is filled with laughter, yet there are some dark aspects that make the play seem part tragedy. There is love at first sight with Hero and Claudio; there is love that develops with Benedick and Beatrice, evil scheming with Don John and his accomplices, Borachio and Conrad, and a very emotional and dramatic confusion that is the play’s namesake.
Through the character, Olivia, Orsino, Viola, and Antonio, he illustrates that love can be ruled with the passion and fantasy of the mind, the expectations of the outer world, and the genuine love of the heart. All these forms are all portrayed, however Viola and Antonio are the happiest and most fortunate with their different loves. Viola is ultimately married and able to be with Orsino, and although Antonio is taken to jail for being an enemy to the court, he does it for presumably the person he loves and knowing the risk going into Illyria. Olivia and Orsino both end up with someone, but not the person that they originally claimed to feel so strongly about. As Shakespeare portrayed, many people believe that love is based on a imaginative show of affection or a materialistic opinion from the world around you. Love, however, is a desire led by the heart that is constant, selfless, and consists of actions that prove it is genuine
First, we recall the first time Claudio acknowledges his attraction to sweet Hero. Here, we see him as a man who has fallen deeply in love with Hero. Bene*censored* even thinks of him as a foolish man who is head-over-heels in love with this maiden. From being a valiant soldier, Claudio was instantly transformed into a helpless romantic (Bene*censored* describes it as an oyster) who was willing to do everything just to win the heart of his beloved Hero. He even asks the help of Don Pedro who offers to help him by disguising himself as Claudio and wooing Hero for him. He agrees with the plan and everything "was supposed" to go on smoothly not until misunderstandings caused by false rumors started to arise and complicate things. Moreover, the deception made by Don John even aggravated the situation and revealed the flaw in Claudio.
Differences between Beatrice and Hero in the early scenes of Shakespeare’s play ‘Much Ado about Nothing’