1960s Counterculture

1311 Words3 Pages

The “youth culture” of 1960s can be aptly described as a counterculture; one who’s whose values and norms of behavior differed substantially from those of mainstream society. The 1950s was an era bred in conformity; uniform suburban housing coupled with unrivaled economic prosperity all led to this emphasis on wholesome American family values. Outside of the sexual appeal of Marilyn Monroe and perhaps the flamboyancy of Little Richard, there were few cultural challenges to the norm. Enter the 1960s: images of long-haired males, recreational drug use, and open-sexuality were initially seen as a threat to mainstream society. To their elders, their actions were either seen as a danger to all of what they stood for or merely a misguided attempt …show more content…

While the use of LSD nowadays is often met with labels such as “burn-out” or “druggie”, to the counterculture the drug was championed as mode for spiritual exploration and increased human consciousness. The drug, discovered accidently by Abbie Hoffman, induces both visual and auditory hallucinations, as well as euphoric sensations. LSD awareness activists such as Dr. Tim Leary and groups such as the Merry Pranksters emerged during this time, as each thought it was their responsibility to turn on others to this life-changing drug. The fact that government authorities proceeded to ban the drug only enhanced its appeal to youths and, as such, the drug became a symbolic emblem of the counterculture. It embodied a rejection of cultural norms and more importantly, an openness to spiritual experimentation. A return to the natural world and a repression from materialist chains were said to occur during a trip. Furthermore, whatever revelations made during one’s trip was said stick with them and help tap into the inner soul: a trip signified a quest for authentic meaning in life. The drug was such a fierce symbol because it represented a challenge of the dominant norm of religious orthodoxy present in the 1950s. Instead of conforming to the ancient uniform religious values, intake of LSD allowed for these youths to find their …show more content…

The Grateful Dead, the Beatles, Bob Dylan, Jimi Hendrix, Janis Joplin, and Jefferson Airplane to name a few all exemplified various counterculture ideals through their music in the 1960s. Whether it was the sexual liberation present in Janis Joplin’s piercing voice, the peace and love that the Grateful Dead symbolized, or the anti-war sentiments found in Bob Dylan’s lyrics, music was an undisputable symbol of the counterculture. Moreover, large music festivals such as Woodstock, where almost half a million people joined together for the sake peace and love, proved to be a uniting force in the history of the counterculture. Topics that were previously considered taboo, such as sex, were first introduced through the rock industry and eventually resulted in the “sexual revolution” of the 1960s. This revolution challenged the traditional heterosexual, monogamous characteristics of sex and was founded on the counterculture’s insistence on free love and the freedom to do whatever they want with their body. Moreover, the rise of modern technology (birth control) and sexual studies (Kinsey report) gave the counterculture additional ammunition in their pursuit of sexual liberty. This pursuit of hedonism disgusted their elders, yet, as per usual, it merely heightened these youths’ focus on achieving maximum sexual pleasure. This emphasis

More about 1960s Counterculture

Open Document