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emo culture
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2.1 The Existence and Importance
Emos have been around for quite some time. Though their importance in our society is very negligible, they seem to be an up and coming icon for the youths of today. Or do they? Most youths immediately think ‘Emo’ when they see a person with long hair or fringe. Well that’s not the case. Most people are having trouble differentiating Emos from Goths and Scenes mainly because their looks are similar. Though Emos only have a very small importance in our society, teenagers seem to have a very keen liking to them and thus, making them very influential. In some cases, they get really obsessed with being emo that they end up hurting themselves, for example, cutting themselves, which is a very common misconception about emos, and beating themselves up and may even lead to cause them too much depression that they tend to have suicide.
3. Emo History
3.1 Emergence of ‘Emotional Hardcores’
The ‘Emotional Hardcores’, commonly known as ‘Emos’, or ‘Emocore’ originated from the ‘Hardcore Punk” movement of Washington, D.C. in the early 1980’s. It started as a style of rock music that typically characterized by melodic musicianship and expressive, often confessional lyrics. In addition to music, emo I often related to musical artists, bands, fans, and to describe related aspects of fashion, culture and behaviour. It emerged in the society both to re reaction of increased violence within the scene and as an extension of the personal politics espoused by Ian MacKaye of ‘Minor Threat’. He then started writing music that expressed his emotions and a fan named Guy Piccoto formed the band called ‘Rites of Spring’ which broke free form the Hardcore Punk’s music scene and started forming its own genre of E...
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7. http://en.wikipedia.org/wiki/Embrace_(English_band)
8. http://en.wikipedia.org/wiki/Emo
9. http://www.google.com.au/images?um=1&hl=en&rlz=1G1GGLQ_ENAU372&tbs=isch%3A1&sa=1&q=emo+&btnG=Search&aq=f&aqi=&aql=&oq=&gs_rfai=&start=0
10. http://www.google.com.au/images?um=1&hl=en&rlz=1G1GGLQ_ENAU372&tbs=isch%3A1&sa=1&q=emo+hair&aq=f&aqi=g10&aql=&oq=&gs_rfai=&start=0
11. http://www.hairscene.net/
12. http://iml.jou.ufl.edu/projects/spring03/seawell/history.htm
13. www.i.luv-emo.com
14. http://i.luv-emo.com/wp-content/uploads/2008/11/emo-girl-tatoo.jpg
15. www.luv-emo.com
16. http://media.photobucket.com/image/emo%20smoker/CuMoHa/im_a_smoker_by_the_psycrothic.jpg
17. http://myemohairstyles.com/
18. http://www.polyvore.com/cgi/img-thing?.out=jpg&size=l&tid=8751214
19. http://uncyclopedia.wikia.com/wiki/Emo
20. http://www.wikihow.com/Be-Emo
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
Now a days, we are used to shocking lyrics and eye catching looks. It seems that every artist now is fighting to be so different that everyone is drawn to them. It was not always like this. In the late nineties and early two-thousands, most artists tried to fit in with the other blonde, processed pop stars that the industry was spitting out. When there was an artist who was not always happy and did sing about PG rated topics, they were blamed for what was wrong with the world, especially teenagers. In his article ‘I’d Sell You Suicide: Pop Music and Moral Panic in the Age of Marilyn Manson”, Robert Wright delves into and debunks claims that rock music, especially that of Marilyn Manson, is a main cause for teenage suicide.
Discuss Widdicombe and Wooffitt’s finding that members of subcultures ‘resist’ being seen as members of such a group when approached in interview situations.
The movie Mean Girls, is the most popular and accurate representation of adolescent society in today's adolescent culture. It is sincerely one of my favorite movies because of its satirical portrayal of different facets of high school life.
Cursed by controversy since it's inception, heavy metal music has often been thought of as offencive and bombastic in it's approach to music. Even now, the controversy brought about at the top of heavy metal's popularity in the 80's still seems to linger over the genre. Controversy could easily be seen as a part of heavy metal culture as a whole, the committee hearings in 1985 putting the musical genre in the public's eye as offensive and dangerous due to it's lyrical content (Hjelm, Kahn-Harris, LeVine, 2011 p.8). To many, these out of context looks into a larger culture seem to paint a picture of violence and delenquency, but seeing the genre from within offers a new view. Research suggests that heavy metal music can have beneficial psychological
The Punk Rock movement of the 1980’s was an explosion of hybrid and eccentric beats and lyrics that caught everyone’s attention, especially the young adolescents of the time period. The movement of Punk Rock took a major role in shaping the culture in the 80’s. The template for the 1980’s Punk Rock emerged from its preceptor of the 70’s Punk Rock which emerged from London. It’s loud and reckless tunes, to some sounded like noise, but to others it imposed many political standings and raised discussions of controversial topics in its lyrics. From this movements figurative and literal expressions through its bold fashion and uncensored lyrics, it definitely made a stance in the history of music and the 20th century.
During the sixties Americans saw the rise of the counterculture. The counterculture, which was a group of movements focused on achieving personal and cultural liberation, was embraced by the decade’s young Americans. Because many Americans were members of the different movements in the counterculture, the counterculture influenced American society. As a result of the achievements the counterculture movements made, the United States in the 1960s became a more open, more tolerant, and freer country.
The Hippie Movement changed the politics and the culture in America in the 1960s. When the nineteen fifties turned into the nineteen sixties, not much had changed, people were still extremely patriotic, the society of America seemed to work together, and the youth of America did not have much to worry about, except for how fast their car went or what kind of outfit they should wear to the Prom. After 1963, things started to slowly change in how America viewed its politics, culture, and social beliefs, and the group that was in charge of this change seemed to be the youth of America. The Civil Rights Movement, President Kennedy’s death, new music, the birth control pill, the growing illegal drug market, and the Vietnam War seemed to blend together to form a new counterculture in America, the hippie.
The late seventies and early eighties saw the beginning emergence of the Goth subculture: a group of social misfits that appear to always find themselves on the outskirts of mainstream pop culture. It is a complex subculture with great depth and beauty where many of its citizens share a profound connection with the darker aesthetic, are predisposed to depression, and are often willing to explore interpersonal and sexual relationships with little inhibition or regard for societal norms.
Emo subculture is a growing subculture. It is very influential eventhough it is hated by many. Everyone should respect the emos. They are different but still deserving to be respected. Their lifestyle, fashion, music, attitudes are just ways to show the identity of “the group”. But no one knows the real feeling of being an emo unless you are one them.
Abrasive rock music has rarely been considered a potent political force in the United States. Punk is no exception to this rule. As a subculture, punk has received much more atention for its hairstyles and caustic sounds than its politics. As Daniel Rosenblat points out, punk rock “Confound[s] our conventional (western) notions of politics by [its] emphasis on maters which we consign to different domains entirely” (1). What he means i s that because punk does not express its political discourse in traditional venues or traditional terms, it is discounted as apolitical or politicaly impotent. To wit, Hebdige argues that subcultures can do litle more than provide a ‘signal of Refusal,’ and should be considered “just the darker side of sets of regulations” (3). Latino punks have countered these claims since the 1970s, with lyrical assertions that their political speech is an essential precursor to political change. In this paper I explore the ways in which contemporary Latino punk self -defines as political, in contrast to early punk bands who refused to be affiliated with politics. By explicitly aligning with political causes, Latino punk establishes a tension between punk’s historical tendencies towards ‘forgetfulness’ and ‘self -fulfilment,’ and new political agendas that push awareness and change. I conclude by asserting that the punk movement is preoccupied with individual fulfilment at the expense of political activism, a tendenc y that ultimately undermines its political import.
The sixties was a decade of liberation and revolution, a time of great change and exciting exploration for the generations to come. It was a time of anti-war protests, free love, sit-ins, naked hippie chicks and mind-altering drugs. In big cities such as San Francisco, Los Angeles, New York and Paris, there was a passionate exchange of ideas, fiery protests against the Vietnam War, and a time for love, peace and equality. The coming together of like-minded people from around the world was spontaneous and unstoppable. This group of people, which included writers, musicians, thinkers and tokers, came to be known as the popular counterculture, better known as hippies. The dawning of the Age of Aquarius in the late sixties was more than just a musical orgy. It was a time of spiritual missions to fight for change and everything they believed in. Freedom, love, justice, equality and peace were at the very forefront of this movement (West, 2008). Some wore beads. Some had long hair. Some wore tie-dye and others wore turtle-neck sweaters. The Hippie generation was a wild bunch, to say the least, that opened the cookie jar of possibilities politically, sexually, spiritually and socially to forever be known as one of the most memorable social movements of all time (Hippie Generation, 2003).
Our entire lives have been shaped by the events happening around us. Along with us many factors in our day to day lives have evolved too, including musical genre. One such genre is rock. Rock is a genre for the youth, by the youth, it has evolved to stay with the times and stand up for what’s right. In this essay I will prove why rock is a good example to show how genre has been defined, maintained, constructed and negotiated through the past 60-70 years since the very first Proto Rock song came out.
Through the 1990s, America continued to deal with the prevalence of drugs and the AIDS crisis. Significant advances in technology led to replicating digital media through “CD Burners”. MTV had launched the first reality show filming young women and men of different backgrounds living in a house together coined “The Real World”. Conversely, many things were brewing beyond the countries’ borders. The Gulf War had started along with conflicts in Bosnia. Many eyes were on South Africa as the fight against apartheid raged on. These new generations of young people called “Generation X” were far different from preceding generations. They took a more hands-off approach and tended to be more politically apathetic to issues in the world.
There are individuals that live in fear of showing their true identity to the world because they simply fear that society won’t accept them for having a different sexual orientation. Society advocates that individuals should be able to be proud of who they are, but yet they judge homosexuals for being different. People are taught not to judge others based on their race or religion, so why do they still discriminate against homosexuals? The homosexual subculture is not accepted by society, looked down upon, and misjudged; however, they are human beings and deserve to be treated equally.